Review: Framed, By Adolf by The Finger Players
Dark fairytale meets con-job for justice in this story-within-a-story about the holocaust and art. The art world is fickle and subjective, with the monetary worth of a painting determined by […]
Review: Citizen Dog by The Finger Players
The spirits are at play in both reality and fiction in this new work tackling issues of land ownership and the foibles of human desire. Pu Songling’s monstrous 18th century collection […]
The Finger Players 2018: An Interview with Framed, By Adolf Director/Playwright Chong Tze Chien and Cast Member Joshua Lim
This June, The Finger Players return with a brand new season of theatrical productions to be staged at the Victoria Theatre. Each playing for a single weekend over two weeks, […]
The Finger Players 2018: An Interview with Citizen Dog Director Oliver Chong and Puppeteer Ann Lek
This June, The Finger Players return with a brand new season of theatrical productions to be staged at the Victoria Theatre. Each playing for a single weekend over two […]
Review: La Voix Humaine by Singapore Symphony Orchestra
Heartbreak expresses itself through dropped calls and missed connections. Irrevocably changing the way humans live and communicate, the phone has simultaneously enabled and limited the way in which we interact […]
Preview: La Voix Humaine by Singapore Symphony Orchestra
This May, the Victoria Concert Hall is proud to present the Singapore Symphony Orchestra’s new production of Francis Poulenc’s one act solo opera La Voix Humaine. Based off the play of the […]
Preview: The Finger Players 2018 Season
Following their 2017 season, the Finger Players return to Victoria Theatre this June with two brand new plays from Resident Director Oliver Chong and Resident Playwright Chong Tze Chien. Playing […]
Review: The Father by Pangdemonium!
Same same but different – Pangdemonium’s The Father is a terrifying take on dementia as seen through one man’s eyes. Florian Zeller’s The Father is a difficult play to watch. Not […]
Pangdemonium’s The Father: An Interview with Actors Lim Kay Siu and Keagan Kang
Multiple-Life Theatre Award 2018 nominee Pangdemonium springs into their 2018 season with one of their most socially relevant plays yet – Florian Zeller’s The Father. Receiving critical acclaimed when it […]
Preview: The Father by Pangdemonium!
Tackling the theme of Hope and Home this year, Pangdemonium’s 2018 season is starting off on an incredibly poignant note as they present the Singaporean premiere of Florian Zeller’s Moliere […]
Review: Resolute by Xin Yi Dance Company
In the Xin Yi Dance Company’s latest performance, there’s an intensity to that keeps our eyes completely focused on the stage at all times. Described as a ‘dance drama’, Resolute follows a […]
SIFA 2017: Trojan Women by Ong Keng Sen and the National Theater of Korea (Review)
One thing that can be said about SIFA Festival Director Ong Keng Sen: whenever he attempts to create a new work, he always aims high and goes all the way, […]
SIFA 2017: Dragonflies by Pangdemonium (Review)
In a world where Brexit is reality and Trump the president of the United States of America, how could things get any worse? Plenty, as writer Stephanie Street cranks the […]
