Thick Beats for Good Girls: An Interview with Creators Pooja Nansi, Jess Bellamy and Huzir Sulaiman

Jess Bellamy and Pooja Nansi have just completed a day of rehearsals at Checkpoint Theatre in Goodman Arts Centre. Their space is marked out in colourful shades of tape, while a visualisation board consisting of rappers from Nicki Minaj to Kanye West is stuck on a wall. Joined by director and dramaturg Huzir Sulaiman, we’re here to get down and find out about Checkpoint Theatre’s … Continue reading Thick Beats for Good Girls: An Interview with Creators Pooja Nansi, Jess Bellamy and Huzir Sulaiman

Preview: Thick Beats for Good Girls by Checkpoint Theatre

What exactly makes a good girl? Is she religious and knows her prayers by heart? Can she ever let go and take a walk on the wild side and still be good? And above all – can good girls ever call the shots? All these questions and more just might be answered in Checkpoint Theatre’s newest production this April. Directed by Huzir Sulaiman, Checkpoint will be premiering an … Continue reading Preview: Thick Beats for Good Girls by Checkpoint Theatre

M1 Singapore Fringe Festival 2018: The Most Massive Woman Wins by Mitchell Productions Inc. & Chopt Logic Productions (Review)

Mudwrestling meets body image issues as this production weighs in on the way society has taught women to be perceived and to perform.  Since the dawn of time, humans have always been obsessed with their bodies, and perhaps, none more so than the female body. Brought up on a steady diet of women’s magazines with stick thin covergirls, constantly told that ladies shouldn’t be eating … Continue reading M1 Singapore Fringe Festival 2018: The Most Massive Woman Wins by Mitchell Productions Inc. & Chopt Logic Productions (Review)

M1 Singapore Fringe Festival 2018: Attempts: Singapore by Rei Poh (Review)

There’s no need for any hints as to how much we enjoyed this impeccably produced participatory theatre experience.  In a world of innovative theatrical experiences, you often come across too many that scrimp on either execution or narrative. That’s not the case for Rei Poh’s Attempts: Singapore, which provided a thoroughly well-planned out participatory ‘game’ as its audience worked together to unravel a mystery, one clue at … Continue reading M1 Singapore Fringe Festival 2018: Attempts: Singapore by Rei Poh (Review)

M1 Singapore Fringe Festival 2018: The Neighbor’s Grief Is Greener by Emanuella Amichai (Review)

Stepford wives from 1950s America get a macabre, surreal twist in this bloody good show.  There are times we find ourselves wondering when exactly the seeds of feminism were sown. In 1940s America, as men were shipped off to become soldiers during the war, the running of the country was left to women, as wives stepped foot into factories and worked for the first time. … Continue reading M1 Singapore Fringe Festival 2018: The Neighbor’s Grief Is Greener by Emanuella Amichai (Review)

Review: Une Vie (A Woman’s Life) dir. Stéphane Brizé

Guy de Maupassant is no doubt the master over some of the darkest, most pessimistic stories about human nature. His 1883 novel Une Vie is no different, and has now been brought to startlingly vivid life by multi-award nominee Stephane Brize. Set in Normandy in 1819, Une Vie (or A Woman’s Life) follows young Jeanne (Judith Chemla) as she returns home to fall madly in love … Continue reading Review: Une Vie (A Woman’s Life) dir. Stéphane Brizé

Preview: Forever Crazy by Crazy Horse Paris and BASE Entertainment Asia

Ever watched Moulin Rouge! and wondered “Damn, I wish I could see Nicole Kidman do that in real life”? Well, this isn’t Nicole Kidman, and it’s certainly not Moulin Rouge – it’s way better. This October, Base Entertainment Asia brings back Paris’ foremost cabaret: Crazy Horse!   Seen by over 15 million worldwide, Forever Crazy promises a night of carefully choreographed sequences with only the very best … Continue reading Preview: Forever Crazy by Crazy Horse Paris and BASE Entertainment Asia

SIFA 2017: Trojan Women by Ong Keng Sen and the National Theater of Korea (Review)

One thing that can be said about SIFA Festival Director Ong Keng Sen: whenever he attempts to create a new work, he always aims high and goes all the way, resulting at the very least in an unforgettable theatrical spectacle. With Trojan Women, Ong breathes new life into a centuries old Korean art form by applying it to an ancient Greek play. Based off Euripedes’ … Continue reading SIFA 2017: Trojan Women by Ong Keng Sen and the National Theater of Korea (Review)