SIFA 2018 Set For Record Crowds Under New Festival Director Gaurav Kripalani

Expect a Grammy-Award winning multi-instrumentalist, dystopian states and even an outdoor circus in the all new 2018 SIFA lineup. Taking on the role of SIFA Festival Director for the next three years, Gaurav Kripalani begins it with a strong lineup that includes acclaimed director Robert Icke’s 1984 and site-specific performances at the Armenian Church and National Gallery. SIFA 2018 looks set to bring in the masses … Continue reading SIFA 2018 Set For Record Crowds Under New Festival Director Gaurav Kripalani

Review: Platform Series – Journeys by Generasia

Generasia gives Erwin Shah Ismail and Kimberly Chan a platform to showcase their range of talents in two solo performances.  One of the biggest gripes we’ve always had with the theatre scene is that as wonderful and skilled the current generation of actors is, there’s been a severe lack of platforms to truly let new, emerging talents have their time in the spotlight and show … Continue reading Review: Platform Series – Journeys by Generasia

M1 Singapore Fringe Festival 2018: All In by ATRESBANDES (Review)

EDM, North Korea and storage space collapse into an absurdist reflection on the difficulty of remaining an individual in an already overcrowded world.  Two figures clad in black zentai suits discuss getting a self storage space in distorted voices. A man finds his opinions constantly silenced and quashed whenever he raises them to his ‘friends’. A ghostly figure meets a red suited, Japanese-speaking man in … Continue reading M1 Singapore Fringe Festival 2018: All In by ATRESBANDES (Review)

M1 Singapore Fringe Festival 2018: If there’s not dancing at the revolution, I’m not coming by Julia Croft (Review)

An unusually moving neo-burlesque reflection on film and pop culture’s influence on women.  One of the key theories any film studies student learns early on is the concept of the male gaze and visual pleasure, coined by seminal film critic Laura Mulvey. In short, it’s a concept that discusses how Hollywood films are essentially born from an unconscious patriarchal desire to derive pleasure from voyeurism … Continue reading M1 Singapore Fringe Festival 2018: If there’s not dancing at the revolution, I’m not coming by Julia Croft (Review)

M1 Fringe Festival 2018: The Immortal Sole by Edith Podesta (Review)

A confident, powerful performance to kick off the 2018 M1 Singapore Fringe Festival. By now, Edith Podesta has firmly established herself as the mistress of just about every performing art form. From her years of experience as a theatre director leading up to the award-winning BITCH, to her stint as a choreographer in RAW Moves’ Indices of Vanishment, Podesta’s breadth of work has grown from strength to strength, … Continue reading M1 Fringe Festival 2018: The Immortal Sole by Edith Podesta (Review)

Review: We, The Singaporeans by The Royal Dance-Off Company

Contemporary dance often has the unfortunate association with descriptors like ‘enigmatic’ and ‘abstract’, and too easily, one fears walking out of the theatre having understood nothing but beautiful movements and choreography. Not so for The Royal Dance-Off Company (TRDOco). Under artistic director Ryan Tan, the company’s 2018 annual production has started off the year’s dance calendar on an incredibly hopeful note, having found a way to … Continue reading Review: We, The Singaporeans by The Royal Dance-Off Company

Preview: BREAK OUT presented by Mediacorp VizPro

Choi Chul Ki is the gift that keeps on giving. After presenting a grand total of three of his shows in 2017 (Chef, JUMP, and Flying Through Time), the Korean master of non-verbal theatre is back again in 2018 with the return of his bestselling show BREAK OUT.  Since wowing the crowds at Edinburgh in 2007, BREAK OUT has since gone on to charm audiences all over the world from London’s West End to New York, … Continue reading Preview: BREAK OUT presented by Mediacorp VizPro

Review: Love at First Squat <3 by The Passionate Dancing Elders

Sometimes, life throws you one of the best coincidences you can hope to find. Before we begin this review, here’s a little backstory: after catching a show at the Esplanade, we were walking past the Esplanade underground area where dancers usually practice and spotted a large group of dancers rehearsing. Not usually one to stop and stare, we were struck with how in sync these … Continue reading Review: Love at First Squat ❤ by The Passionate Dancing Elders

Review: Southernmost – One Table Two Chairs Project Triple Bill presented by Emergency Stairs

After two weeks of devising, open rehearsals, masterclasses and workshops, Emergency Stairs’ inaugural Southernmost experimental theatre festival finally comes to a stunning conclusion with a triple bill. Consisting of three all new works directed by experimental theatre veterans Makoto Sato (Tokyo), Danny Yung (Hong Kong) and of course, Emergency Stairs Artistic Director Liu Xiaoyi (Singapore), the artists presented their final pieces to a public audience … Continue reading Review: Southernmost – One Table Two Chairs Project Triple Bill presented by Emergency Stairs

Review: Resolute by Xin Yi Dance Company

In the Xin Yi Dance Company’s latest performance, there’s an intensity to that keeps our eyes completely focused on the stage at all times. Described as a ‘dance drama’, Resolute follows a tale of morality and virtue, as three strangers – a judge, doctor and lawyer meet under trying circumstances, each of them facing their own moral dilemmas and internal demons. An easy to follow storyline with … Continue reading Review: Resolute by Xin Yi Dance Company