Review: Civilised by The Necessary Stage

An audacious celebration of the Singapore Bicentennial and our post-colonial hangups in true TNS fashion.  From the very moment the Singapore Bicentennial was announced, fiery controversy was sparked as the sheer audacity of such an event was called into question. After all, which country actually celebrates the anniversary of their colonisation? It is from this central question that The Necessary Stage’s newest production seems to be … Continue reading Review: Civilised by The Necessary Stage

Review: SIDES 2019 by Frontier Danceland

A double bill of work to mark Frontier Danceland’s latest mid-year production. Once again presenting their annual mid-year production, Frontier Danceland’s latest edition of SIDES features a double bill of work, choreographed by renowned choreographers Edouard Hue and Shahar Binyamini for the company’s artists. SIDES began with Edouard Hue’s Into Outside, previously performed for the Ecole de Danse Contemporaine of Montreal in 2018. Exploring the concept of wanting … Continue reading Review: SIDES 2019 by Frontier Danceland

Review: This Is What Happens To Pretty Girls by Pangdemonium

Grey areas abound as Pangdemonium addresses the ugly truth of sexual assault. When NUS student Monica Baey posted about her traumatic experience with a campus Peeping Tom on Instagram in April 2019, she set off a nationwide social media storm that has seen supporters and detractors both rallying behind her call for justice, and condemning her for kicking up a fuss, with perceived ulterior motives … Continue reading Review: This Is What Happens To Pretty Girls by Pangdemonium

Review: Never Rarely Sometimes Often by Tapestry Playback Theatre

Therapy via improv theatre. To the lay person, attending a theatre can often seem like a daunting prospect, requiring a certain amount of class, intelligence or knowledge to even begin appreciating. With community theatre, those are imagined boundaries that are completely tossed out the window, welcoming audiences from all walks of life, regardless of background, to attend and be a part of. With Tapestry Playback … Continue reading Review: Never Rarely Sometimes Often by Tapestry Playback Theatre

Review: The Phantom of the Opera presented by BASE Entertainment Asia

Musical perfection is hard to argue against. As one of the world’s most famous musicals, Andrew Lloyd Webber’s The Phantom of the Opera needs little to no introduction for anyone with even a little knowledge of musical theatre. From the West End to Broadway, to numerous international tours all around the world, The Phantom of the Opera has stunned and enchanted an infinitum of audience members across the … Continue reading Review: The Phantom of the Opera presented by BASE Entertainment Asia

Review: Fantasy Island Cruise by L’arietta Productions

An operatic holiday from L’arietta. In the grand scheme of modern opera, L’arietta Productions has time and again proven that the art form doesn’t have to be a stuffy affair, presenting accessible, fun operatic works of art onstage for both opera vets and newcomers to enjoy. With Fantasy Island Cruise, the company presents a double bill of light-hearted works, namely Joseph Horowitz’s Gentleman’s Island and Gian Carlo … Continue reading Review: Fantasy Island Cruise by L’arietta Productions

Review: ‘Til The End Of The World, We’ll Meet In No Man’s Land by Theatreworks

Inch Chua takes audiences to deepest south in an aural journey to remember.  Over the last few years, indie singer-songwriter Inch Chua has gradually been expanding her repertoire, advancing beyond music alone to develop an artist, as she delves into acting and full-on multidisciplinary work for the stage. With Theatreworks’ brand new season of Women & Voice, featuring works from female artists, Inch takes her artistry one … Continue reading Review: ‘Til The End Of The World, We’ll Meet In No Man’s Land by Theatreworks

Review: Masterpieces by Peng Xiuwen 《乐坛巨人》by Ding Yi Music Company

A rousing showcase of the late Chinese Orchestra master’s best work. With over 400 compositions and arrangements to his name, it’s nigh impossible to choose the very best pieces to represent the late Maestro Peng Xiuwen in a 2 hour concert. For Ding Yi Music Company’s Masterpieces by Peng Xiuwen 《乐坛巨人》, it just takes the eight pieces chosen to convince us of the master’s skill and … Continue reading Review: Masterpieces by Peng Xiuwen 《乐坛巨人》by Ding Yi Music Company

The Studios 2019: Mergers and Accusations (Review)

The ties that bind us are frayed in this revival of a Singaporean LGBTQ classic. Written by Eleanor Wong in 1993, 16 years on, Mergers and Accusations remains one of Singapore’s most seminal queer theatrical works. Dripping with sarcastic wit and rapid fire legal jargon, the play remains relevant even today for its unabashed portrayal of citizens afraid to come out of the closet for fear of the impact … Continue reading The Studios 2019: Mergers and Accusations (Review)

Review: A Silent Hour – Buskers of Singapore by Toy Factory

Bridging the distance between audiences and buskers. Toy Factory is breaking new ground this year with their outreach programme for inclusive theatre sharing, presenting brand new ways and forms of experiencing the arts, not only through new technologies or ways of staging, but even the form itself. With A Silent Hour: Buskers of Singapore, creator Stanley Seah puts the spotlight on musician Yee Kien, one of … Continue reading Review: A Silent Hour – Buskers of Singapore by Toy Factory