★★★☆☆ Theatre Review: The Fourth Trimester by Checkpoint Theatre

by D.Y. Faith Ng tears down the celebratory façade of childbirth, investigating the realities of post-partum parenthood. ‘The Fourth Trimester’ might not be a term every parent knows, but it’s an experience that they all eventually come to experience. Referring to the three months immediately after the birth of a child, it is a crucial time for parents to not only look after their newborn’s … Continue reading ★★★☆☆ Theatre Review: The Fourth Trimester by Checkpoint Theatre

Review: Falling Falling Falling Falling by SRT’s The Young Company

Modern love is chaos, but somewhere in the mess, we still find connection. What is love? The question hangs, rhetorical, almost mocking, over the opening moments of Falling Falling Falling Falling, as the young ensemble strides down a catwalk-like runway, phones up, posing for selfies as if this were the “catwalk of fame.” It’s a clever visual choice by director Daniel Jenkins, immediately situating us … Continue reading Review: Falling Falling Falling Falling by SRT’s The Young Company

Theatre Review: Temporary Chinese Theatres《当场》by Emergency Stairs and Nanyang Academy of Fine Arts (NAFA)

Wild, absurd work that attempts to make sense of what it means to enter the contemporary Chinese Theatre scene in 2025 and beyond. What does it mean to be a maker of “contemporary Chinese theatre”? Confronting this sharp question head-on, the pioneer cohort of Nanyang Academy of Fine Arts’ (NAFA) BA (Hons) Contemporary Chinese Theatres programme grapples with the industry they are about to enter, … Continue reading Theatre Review: Temporary Chinese Theatres《当场》by Emergency Stairs and Nanyang Academy of Fine Arts (NAFA)

★★☆☆☆ Theatre Review: Congratulations, Get Rich! by Singapore Repertory Theatre, La Boite Theatre and Sydney Theatre Company

SRT, La Boite Theatre and Sydney Theatre Company’s karaoke-inspired ghost story struggles to find the note. Singapore Repertory Theatre’s Congratulations, Get Rich! arrives with an impressive pedigree, marking a first-time co-production between SRT, Sydney Theatre Company, and Brisbane’s La Boite Theatre. Written by and starring Merlynn Tong, the play promises a raucous blend of karaoke comedy, family tragedy, and ghostly intervention. On paper, it sounds … Continue reading ★★☆☆☆ Theatre Review: Congratulations, Get Rich! by Singapore Repertory Theatre, La Boite Theatre and Sydney Theatre Company

Preview: Temporary Chinese Theatres by Emergency Stairs and Nanyang Academy of Fine Arts (NAFA)

If Chinese-language theatre were to die on the spot before our very eyes, should we scatter flowers or burn incense? With this sharp question, acclaimed local director Liu Xiaoyi joins forces with the inaugural graduating cohort of the Nanyang Academy of Fine Arts’ (NAFA) BA (Hons) in Contemporary Chinese Theatres to present their latest work, Temporary Chinese Theatres, from 20 to 23 November at the … Continue reading Preview: Temporary Chinese Theatres by Emergency Stairs and Nanyang Academy of Fine Arts (NAFA)

Preview: Othello by Intercultural Theatre Institute

Intercultural Theatre Institute (ITI) presents Shakespeare’s Othello, directed and adapted by multi-award-winning theatre artist Tang Shu-wing, and performed by the graduating cohort of 2025. This is Tang’s first production in Singapore since 2013. Described as “one of the richest and most wrenching of Shakespeare’s tragedies” (Variety, 2025), the story of Othello was written in 1603 and has been told across film and stage for centuries. … Continue reading Preview: Othello by Intercultural Theatre Institute

Pangdemonium’s 2026 Season promises reinvention and resilience with ‘Force Majeure’, ‘A Mirror’ and ‘Come From Away’

Pangdemonium’s 2026 season is a powerful celebration of storytelling in all its forms, from a reimagined classic to a razor-sharp political satire and a musical that reminds us of the best in humanity. The line-up features the world premiere of Force Majeure by Stephanie Street, the Singapore premiere of Sam Holcroft’s A Mirror, and the Olivier Award-winning musical Come From Away, three productions that promise … Continue reading Pangdemonium’s 2026 Season promises reinvention and resilience with ‘Force Majeure’, ‘A Mirror’ and ‘Come From Away’

★★★★★ Theatre Review: Kimberly Akimbo by Pangdemonium!

Life-affirming, powerful and incredibly fun musical anchored by a stellar Menchu Lauchengco-Yulo emerges as one of the best of the year. Every so often, a musical comes along that simply knocks the wind out of you through sheer sincerity. In their final show of their 2025 season, Pangdemonium’s Kimberly Akimbo achieves that, one of the best shows of the year that is both hilarious and … Continue reading ★★★★★ Theatre Review: Kimberly Akimbo by Pangdemonium!

★★★☆☆ Theatre Review: The Serangoon Gardens Techno Party of 1993 by Wild Rice

Joel Tan’s new play is a manic punk dream that takes us on a trippy ride on being a rebel without a cause in sanitised Singapore. In Singapore, rebellion often feels like a memory we’ve outgrown. We live orderly lives, shaped and honed for maximum efficiency, stability, and safety. Yet beneath that calm hum, there’s the quiet ache of a frustration we rarely name. To … Continue reading ★★★☆☆ Theatre Review: The Serangoon Gardens Techno Party of 1993 by Wild Rice

★★★★☆ Theatre Review: Yusof – Portrait of a President by Teater Ekamatra

A dignified and contemplative play honouring Singapore’s first president with quiet grace. Playing as part of the Esplanade’s 60 Connections – At Home and Afar SG60 celebrations, the decision to restage Yusof: Portrait of a President marks an invitation to look deeper into the life story of our first president, alongside his enduring ideas and belief that dignity, unity, and justice should form the foundations … Continue reading ★★★★☆ Theatre Review: Yusof – Portrait of a President by Teater Ekamatra