Category: Theatre Companies

Arts, Chinese Theatre, Interview, Nine Years Theatre, Preview, Theatre, Theatre Companies

Civility Falls Apart: An Interview with director Nelson Chia and the cast of Nine Years Theatre’s God of Carnage 《杀戮之神》

At the start of Yasmina Reza’s God of Carnage, everything looks reasonable. Veronica has prepared food. Michael has arranged the living room. Annette arrives determined to be gracious. Alan, distracted by his phone, still shows up. Four adults sit down to discuss their sons’ playground conflict calmly, civilly, like responsible people should. That the evening collapses into chaos feels less like a shock than a … Continue reading Civility Falls Apart: An Interview with director Nelson Chia and the cast of Nine Years Theatre’s God of Carnage 《杀戮之神》

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Arts, Pangdemonium, Review, Singapore, Victoria Theatre

★★★★★ Theatre Review: Force Majeure by Pangdemonium

A storm of memory, art and family marks the beginning of Pangdemonium’s final season. Pangdemonium opens its 2026 season with Force Majeure, a quietly devastating meditation on art, family and the fragile structures that hold both together. Written by Stephanie Street and directed by Tracie Pang, the play reimagines Chekhov’s Three Sisters within a contemporary Southeast Asian context, where artists find themselves negotiating not just … Continue reading ★★★★★ Theatre Review: Force Majeure by Pangdemonium

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Arts, Interview, Pangdemonium, Singapore, Victoria Theatre

An Interview with director Tracie Pang, and cast members Sharda Harrison and Benjamin Kheng on Pangdemonium’s ‘Force Majeure’

In its final season, Pangdemonium returns to a writer who has haunted stages for more than a century: Anton Chekhov. But this is not a museum piece, nor a reverent period revival. Force Majeure, written by Stephanie Street and adapted from Three Sisters, relocates the ache of Chekhov’s provincial dreamers into a contemporary landscape of global drift and fragile belonging. The soldiers and samovars are … Continue reading An Interview with director Tracie Pang, and cast members Sharda Harrison and Benjamin Kheng on Pangdemonium’s ‘Force Majeure’

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Arts, musical, Preview, Singapore, SRT

Nathania Ong returns home to star as Elle Woods in Singapore Repertory Theatre’s ‘Legally Blonde’

When Elle Woods steps into Harvard Law, she’s armed not just with pink heels and impeccable hair, but with an unshakeable belief in herself, and a community of women who have her back. This July, that spirit of confidence and camaraderie returns to Singapore in a glossy, contemporary new production of Legally Blonde – The Musical, led by one of our country’s most accomplished theatre … Continue reading Nathania Ong returns home to star as Elle Woods in Singapore Repertory Theatre’s ‘Legally Blonde’

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Arts, Chinese Theatre, Nine Years Theatre, Preview, Theatre, Theatre Companies

Preview:《杀戮之神》God of Carnage by Nine Years Theatre

This March, one of the sharpest, funniest dissections of modern adulthood comes to Singapore as Nine Years Theatre (NYT) stages God of Carnage, Yasmina Reza’s internationally celebrated dark comedy. Running from 20 to 29 March 2026 at The Ngee Ann Kongsi Theatre @ Funan, the production promises an evening that begins politely, and ends gloriously unhinged. If NYT’s sold-out run of Twelve Angry Men proved … Continue reading Preview:《杀戮之神》God of Carnage by Nine Years Theatre

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Arts, award, BCM Awards, Capitol Theatre, Checkpoint Theatre, Esplanade Theatre, Esplanade Theatre Studio, Review, Sing Theatre, Singapore, The Theatre Practice, Theatre, Theatre Companies, Theatres, Theatreworks

Bakchormeeboy Awards 2025: SG60 brings restagings and reimaginings as theatre grapples with a ‘milestone’ year

It’s been sixty years since Singapore’s independence, a milestone that reminds us how young this country still is, and how much artistic possibility should still lie ahead. Yet 2025 has felt like a strangely uncertain year for theatre, one where our artists have found themselves caught between commemoration and complacency. Not quite an anniversary year, but treated as one nonetheless, it became a season where … Continue reading Bakchormeeboy Awards 2025: SG60 brings restagings and reimaginings as theatre grapples with a ‘milestone’ year

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Arts, Checkpoint Theatre, Review, Singapore

★★★☆☆ Theatre Review: The Fourth Trimester by Checkpoint Theatre

by D.Y. Faith Ng tears down the celebratory façade of childbirth, investigating the realities of post-partum parenthood. ‘The Fourth Trimester’ might not be a term every parent knows, but it’s an experience that they all eventually come to experience. Referring to the three months immediately after the birth of a child, it is a crucial time for parents to not only look after their newborn’s … Continue reading ★★★☆☆ Theatre Review: The Fourth Trimester by Checkpoint Theatre

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Arts, Review, Singapore, SRT, Theatre

Review: Falling Falling Falling Falling by SRT’s The Young Company

Modern love is chaos, but somewhere in the mess, we still find connection. What is love? The question hangs, rhetorical, almost mocking, over the opening moments of Falling Falling Falling Falling, as the young ensemble strides down a catwalk-like runway, phones up, posing for selfies as if this were the “catwalk of fame.” It’s a clever visual choice by director Daniel Jenkins, immediately situating us … Continue reading Review: Falling Falling Falling Falling by SRT’s The Young Company

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Arts, Emergency Stairs, Preview, Singapore, Theatre

Theatre Review: Temporary Chinese Theatres《当场》by Emergency Stairs and Nanyang Academy of Fine Arts (NAFA)

Wild, absurd work that attempts to make sense of what it means to enter the contemporary Chinese Theatre scene in 2025 and beyond. What does it mean to be a maker of “contemporary Chinese theatre”? Confronting this sharp question head-on, the pioneer cohort of Nanyang Academy of Fine Arts’ (NAFA) BA (Hons) Contemporary Chinese Theatres programme grapples with the industry they are about to enter, … Continue reading Theatre Review: Temporary Chinese Theatres《当场》by Emergency Stairs and Nanyang Academy of Fine Arts (NAFA)

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Arts, Review, SRT, Theatre

★★☆☆☆ Theatre Review: Congratulations, Get Rich! by Singapore Repertory Theatre, La Boite Theatre and Sydney Theatre Company

SRT, La Boite Theatre and Sydney Theatre Company’s karaoke-inspired ghost story struggles to find the note. Singapore Repertory Theatre’s Congratulations, Get Rich! arrives with an impressive pedigree, marking a first-time co-production between SRT, Sydney Theatre Company, and Brisbane’s La Boite Theatre. Written by and starring Merlynn Tong, the play promises a raucous blend of karaoke comedy, family tragedy, and ghostly intervention. On paper, it sounds … Continue reading ★★☆☆☆ Theatre Review: Congratulations, Get Rich! by Singapore Repertory Theatre, La Boite Theatre and Sydney Theatre Company

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