★★★★☆ Review: Crazy Christmas Fun-raising Concert – Keep the DREAM Alive by Dream Academy

The show must go on, as Dream Academy brings back their beloved Crazy Christmas revue to save 2020. It’s been a tough year for all of us, but if it’s one thing we’ve learnt, it’s that there’s always a light at the end of the tunnel. And for us at least, over the last few years, we’ve come to look forward to our new annual … Continue reading ★★★★☆ Review: Crazy Christmas Fun-raising Concert – Keep the DREAM Alive by Dream Academy

Preview: Crazy Christmas Fun-raising Concert – Keep the DREAM Alive by Dream Academy

As with all arts companies this year, Dream Academy has had to cancel most of their 2020 season, making the abrupt switch to producing digital content in lieu of live performances, and taking a hit to their finances. But with the slow and steady return of live theatre, Dream Academy is ready to welcome audiences back to their shows, with the return of their seasonal … Continue reading Preview: Crazy Christmas Fun-raising Concert – Keep the DREAM Alive by Dream Academy

Preview: How To Break A Window by T:>Works

Following their hybrid edition of Festival of Women: N.O.W. 2020 (not ordinary work) in July, this December, T:>Works is set to re-open their doors for their final programme of 2020. Taking place from 16th to 19th December 2020, T:>Works will be welcoming a limited audience to attend a hybrid theatrical experience at their home at 72-13, with the intention of deepening engagement with an emerging community of … Continue reading Preview: How To Break A Window by T:>Works

N.O.W. 2020: King by Jo Tan (Review)

Using drag as a form of female empowerment in this one woman show by Jo Tan. Under T:>works’ N.O.W. Festival of Women, diversity is the name of the game, with women of all backgrounds and personalities celebrated through its range of programmes. And with this year’s edition, that even includes the rarely seen concept of the drag king, as highlighted in Jo Tan’s one-woman show King.  … Continue reading N.O.W. 2020: King by Jo Tan (Review)

Preview: T:>Works presents fully virtual, fully free second edition of N.O.W. Festival of Women

T:>works (formerly known as Theatreworks) has never been one to shy away from trying new things, even with the coronavirus rendering them unable to proceed with live events. For the second edition of Not Ordinary Work (N.O.W.), Noorlinah Mohamed and her all-woman team have pivoted from their original plans and taken the festival fully online, and fully accessible, with its slew of digital programmes free … Continue reading Preview: T:>Works presents fully virtual, fully free second edition of N.O.W. Festival of Women

TheatreWorks Rebrands as T:>Works As Artistic Director Ong Keng Sen Looks To The Future

As much as the current COVID-19 pandemic has brought live performances to a halt, local theatre company Theatreworks has found an opportunity to rebrand and look into the future instead. Says Dr Ong Keng Sen, who has now returned as artistic director of the company: “COVID-19 is probably the first major disruption we’ve experienced across the company’s 35-year history. Realistically speaking, we are likely to … Continue reading TheatreWorks Rebrands as T:>Works As Artistic Director Ong Keng Sen Looks To The Future

The Banter: A Bigger And Better Four Horse Road With Kuo Jian Hong and Jonathan Lim

First constructed in 1837, Singapore’s Waterloo Street now has over 170 years of history to its name, and a whole lot of lives and stories that have been intertwined with it. Stretched out between Rochor and Bras Basah, if you’ve lived in Singapore for any amount of time, you’re likely to have encountered its landmarks in some form or the other, be it Bras Basah MRT … Continue reading The Banter: A Bigger And Better Four Horse Road With Kuo Jian Hong and Jonathan Lim

Review: The Son by Pangdemonium!

★★★★☆ (Performance attended 22/2/20) Sometimes, love just isn’t enough.  For a play that’s titled The Son, it’s interesting how it ends up becoming a show that reveals far less about the eponymous son than it does about the people surrounding him. In Pangdemonium’s latest production, Nicolas (Zachary Pang), a troubled 16-year old, seems to be undergoing problems far bigger than the usual dose of teenage angst. His recently … Continue reading Review: The Son by Pangdemonium!

Preview: Four Horse Road 四马路 2020 by The Theatre Practice

When The Theatre Practice produced Four Horse Road back in 2018, the project was a sprawling, massive undertaking. Taking its cues from immersive theatre and heavily vested in a firm foundation of research of the actual Waterloo Street to do justice to its history, the promenade theatre production was unlike anything the local theatre scene had ever seen before. Now, they’re bringing the remarkable production back for … Continue reading Preview: Four Horse Road 四马路 2020 by The Theatre Practice