Using drag as a form of female empowerment in this one woman show by Jo Tan. Under T:>works’ N.O.W. Festival of Women, diversity is the name of the game, with women of all backgrounds and personalities celebrated through its range of programmes. And with this year’s edition, that even includes the rarely seen concept of the drag king, as highlighted in Jo Tan’s one-woman show King. … Continue reading N.O.W. 2020: King by Jo Tan (Review)
T:>works (formerly known as Theatreworks) has never been one to shy away from trying new things, even with the coronavirus rendering them unable to proceed with live events. For the second edition of Not Ordinary Work (N.O.W.), Noorlinah Mohamed and her all-woman team have pivoted from their original plans and taken the festival fully online, and fully accessible, with its slew of digital programmes free … Continue reading Preview: T:>Works presents fully virtual, fully free second edition of N.O.W. Festival of Women
As much as the current COVID-19 pandemic has brought live performances to a halt, local theatre company Theatreworks has found an opportunity to rebrand and look into the future instead. Says Dr Ong Keng Sen, who has now returned as artistic director of the company: “COVID-19 is probably the first major disruption we’ve experienced across the company’s 35-year history. Realistically speaking, we are likely to … Continue reading TheatreWorks Rebrands as T:>Works As Artistic Director Ong Keng Sen Looks To The Future
Review of Four Horse Road 2020 Continue reading ★★★★★ Review: Four Horse Road 四马路 2020 by The Theatre Practice
First constructed in 1837, Singapore’s Waterloo Street now has over 170 years of history to its name, and a whole lot of lives and stories that have been intertwined with it. Stretched out between Rochor and Bras Basah, if you’ve lived in Singapore for any amount of time, you’re likely to have encountered its landmarks in some form or the other, be it Bras Basah MRT … Continue reading The Banter: A Bigger And Better Four Horse Road With Kuo Jian Hong and Jonathan Lim
★★★★☆ (Performance attended 22/2/20) Sometimes, love just isn’t enough. For a play that’s titled The Son, it’s interesting how it ends up becoming a show that reveals far less about the eponymous son than it does about the people surrounding him. In Pangdemonium’s latest production, Nicolas (Zachary Pang), a troubled 16-year old, seems to be undergoing problems far bigger than the usual dose of teenage angst. His recently … Continue reading Review: The Son by Pangdemonium!
When The Theatre Practice produced Four Horse Road back in 2018, the project was a sprawling, massive undertaking. Taking its cues from immersive theatre and heavily vested in a firm foundation of research of the actual Waterloo Street to do justice to its history, the promenade theatre production was unlike anything the local theatre scene had ever seen before. Now, they’re bringing the remarkable production back for … Continue reading Preview: Four Horse Road 四马路 2020 by The Theatre Practice
It’s not every day that you get a face-to-face interview with the people behind critically-acclaimed local theatre company Pangdemonium! Run by husband and wife super team Adrian and Tracie Pang, 2020 marks a big year for Singapore’s most ‘ass-kicking’ theatre company, as they celebrate their milestone 10th anniversary. “There’s a lot of pressure to plan the entire season by the previous September, but we have … Continue reading The Banter: An Interview with Adrian, Tracie, and Zachary Pang (Pangdemonium’s The Son)
Ass-kicking theatre company Pangdemonium! is back this February to start their 10th anniversary on the scene with Florian Zeller’s The Son (translated by Christopher Hampton). Following on from their sold-out production of Zeller’s The Father in 2018, The Son shifts the focus from mental illness in the aged to mental illness in the young, much like how they started with Late Company in 2019, which dealt with a teenage suicide. … Continue reading Preview: The Son by Pangdemonium!
★★★★☆ (Performance attended 17/12/19) Dream Academy’s A-Team come together for a festive variety show to do what they do best – having fun, spreading joy and laughter. If it’s one company that knows how to play to their strengths, it’s Dream Academy. Following a four year hiatus since its last edition in 2015, the local theatre company has triumphantly brought back their crowd-pleasing Crazy Christmas once again, … Continue reading Review: Crazy Christmas 2019 – Crazy Grinch Asians by Dream Academy
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