Review: Sweeney Todd – The Demon Barber of Fleet Street by Atlantis Theatrical Entertainment, Presented by Singapore Repertory Theatre

★★★★☆ (Performance attended 28/11/19) Reimagined version of Sondheim’s macabre musical thriller a refreshing take on an oft-forgotten classic, with Broadway star Lea Salonga a highlight.   In the Victorian era, penny dreadfuls were some of the more popular forms of entertainment, a serialised form of literature that derives its name from how every issue would cost just one penny. As for the ‘dreadful’ portion, well, that … Continue reading Review: Sweeney Todd – The Demon Barber of Fleet Street by Atlantis Theatrical Entertainment, Presented by Singapore Repertory Theatre

God, That’s Good!: An Interview with Lea Salonga and Jett Pangan, Stars of Sweeney Todd – The Demon Barber of Fleet Street

Celebrating its 40th anniversary this year, it’s a wonder that the Stephen Sondheim musical thriller has never before been brought to Singapore. Thankfully, Atlantis Theatrical Entertainment Group and the Singapore Repertory Theatre are here to resolve that, as Sweeney Todd hits the Sands Theatre at Marina Bay Sands for a two week run, fresh from a critically-acclaimed run in Manila. Beyond the fact that it’ll be making … Continue reading God, That’s Good!: An Interview with Lea Salonga and Jett Pangan, Stars of Sweeney Todd – The Demon Barber of Fleet Street

Toy Factory’s The Wright Stuff Festival 2019: The Puppet King (玩具王) by Titus Yim

★☆☆☆☆ (Attended 2/11/19, Matinee) Final production of The Wright Stuff 2019 meanders in its exploration of existentialism.  While the characters of Pixar’s Toy Story have always dealt with inherent struggles surrounding ideas of abandonment and purpose, none of the ever faced these ideas head-on, at least, not with quite as much darkness as the one infused into Titus Yim’s The Puppet King. Directed by Renee Chua, The Puppet King is set … Continue reading Toy Factory’s The Wright Stuff Festival 2019: The Puppet King (玩具王) by Titus Yim

Review: Lie With Me by Intercultural Theatre Institute

★★☆☆☆ (Attended 7/11/19) Graduating show from latest batch of ITI students a modern exploration of human relationships, but is marred by actors getting lost in iffy chemistry and a dragged out pace. Taking inspiration from Arthur Schnitzler’s 1897 play Reigen (La Ronde), Kaite O’Reilly’s Lie With Me was originally written for a group of graduating theatre students from London’s LAMDA in 2017, and has now been adapted for the … Continue reading Review: Lie With Me by Intercultural Theatre Institute

Review: A Fiend’s Diary by The Finger Players

Powerful work that highlights the meaninglessness and absurdity in everyday living.  How do we recover from a traumatic incident? For artist and theatremaker Oliver Chong, the answer was to take a break, stepping down from his position as a Resident Director at The Finger Players and plunging himself headlong into absurdism and belief in the inherent purposelessness and meaninglessness of life amidst a chaotic universe. … Continue reading Review: A Fiend’s Diary by The Finger Players

Toy Factory’s The Wright Stuff Festival 2019: Random Access Memory by Mark Cheong (Review)

Techno thriller collides with family drama and spells the future of humanity.  What are humans if not an organic computer? With Mark Cheong’s Random Access Memory, the age-old question of what it means to be human is explored as a group of anthropomorphic computer parts attempt to resolve over the course of the 75-minute play. Directed by Stanley Seah, Random Access Memory feels a little like a cross between … Continue reading Toy Factory’s The Wright Stuff Festival 2019: Random Access Memory by Mark Cheong (Review)

Preview: Lie With Me by Intercultural Theatre Institute

The latest batch of students from Intercultural Theatre Institute (ITI) is just about ready to graduate,  but before they do, they’ll be presenting one last show, with the Asian premiere of Lie With Me by award-winning playwright Kaite O’Reilly this November at the Esplanade Theatre Studio. Directed by internationally renowned director Phillip Zarrilli, Lie With Me looks at contemporary life in Singapore through glimpses into the lives … Continue reading Preview: Lie With Me by Intercultural Theatre Institute

Toy Factory’s The Wright Stuff Festival 2019: Ashes, Ashes by Rajkumar Thiagaras (Review)

Some things are better left fed to the flames.  Two years ago, the Straits Times reported on the demolition of Lakshmi Villa, a generations old family home that had grown too costly to maintain, with the land sold off for development of new condominiums. Taking inspiration from this story, Rajkumar Thiagaras wrote his debut play Ashes, Ashes, presented as part of Toy Factory’s Wright Stuff Festival 2019. Directed … Continue reading Toy Factory’s The Wright Stuff Festival 2019: Ashes, Ashes by Rajkumar Thiagaras (Review)

Preview: A Fiend’s Diary by The Finger Players + An Interview with Oliver Chong

There are some people who have lost touch with society, or rather, no longer find meaning in life. They find their existence to be absurd. If that’s the case, is their existence meaningful, if at all? A man does not shed a single tear during his mother’s funeral. He commits an irreversible act, deemed unforgivable under the judicial system. Witnesses take to the stand, each … Continue reading Preview: A Fiend’s Diary by The Finger Players + An Interview with Oliver Chong

Review: Dear Elena (青春禁忌游戏) by Nine Years Theatre

Worst birthday ever makes for one of the best shows of 2019. Growing up in Singapore, the hard and fast path to ‘success’ has always been made abundantly clear to each and every child: study hard, get into a good school, rinse and repeat, and you’ll lead a happy life. But for those who don’t follow exactly as the system dictates, the consequences could be … Continue reading Review: Dear Elena (青春禁忌游戏) by Nine Years Theatre