Review: ‘Til The End Of The World, We’ll Meet In No Man’s Land by Theatreworks

Inch Chua takes audiences to deepest south in an aural journey to remember.  Over the last few years, indie singer-songwriter Inch Chua has gradually been expanding her repertoire, advancing beyond music alone to develop an artist, as she delves into acting and full-on multidisciplinary work for the stage. With Theatreworks’ brand new season of Women & Voice, featuring works from female artists, Inch takes her artistry one … Continue reading Review: ‘Til The End Of The World, We’ll Meet In No Man’s Land by Theatreworks

Preview: Civilised by The Necessary Stage

Break out the party poppers, cut the cake, and celebrate Singapore’s Bicentennial with The Necessary Stage (TNS)! But hold on a minute – should we really be celebrating our Bicentennial, an anniversary marked and marred by the complications of colonialism and an almost reverent commemoration of the white men and founding fathers who arrived on our shores to transform us from small fishing villages to booming metropolis, … Continue reading Preview: Civilised by The Necessary Stage

The Studios 2019: My Grandfather’s Road (RHDS) (English Version) by Neo Kim Seng (Review)

Return to Neo Pee Teck Lane. Neo Kim Seng’s My Grandfather’s Road is back, this time as part of the Esplanade’s 2019 season of The Studios. While overall following the same plot and arc as the last time we watched it. Now taking place in the Esplanade Theatre Studio, our experience begins even before we step into the performance space, where Kim Seng has set up … Continue reading The Studios 2019: My Grandfather’s Road (RHDS) (English Version) by Neo Kim Seng (Review)

The Studios 2019: An Interview with Playwrights Neo Kim Seng, Gary Tang and Tan Cher Kian of My Grandfather’s Road (RHDS)

Neo Kim Seng’s My Grandfather’s Road has had a wild journey since it was first created in 2015 for Cake Theatrical Productions’ Running with Strippers. The biographical work was based on the history of his actual grandfather Neo Pee Teck, which had a side road in Pasir Panjang named after him, and has gone on not only to become published as a book, but also a Cantonese version … Continue reading The Studios 2019: An Interview with Playwrights Neo Kim Seng, Gary Tang and Tan Cher Kian of My Grandfather’s Road (RHDS)

The Studios 2019: Mergers and Accusations (Review)

The ties that bind us are frayed in this revival of a Singaporean LGBTQ classic. Written by Eleanor Wong in 1993, 16 years on, Mergers and Accusations remains one of Singapore’s most seminal queer theatrical works. Dripping with sarcastic wit and rapid fire legal jargon, the play remains relevant even today for its unabashed portrayal of citizens afraid to come out of the closet for fear of the impact … Continue reading The Studios 2019: Mergers and Accusations (Review)

The Studios 2019: An Interview with Director Chen Yingxuan and Performer Oon Shu An of Mergers & Accusations

Eleanor Wong is sometimes better known for her position as a law professor at NUS’ Faculty of Law. But to most of the arts community, she is perhaps best known for her seminal Invitation to Treat trilogy of plays, narratively linked by their protagonist, Ellen Toh. Set in the 90s, Ellen is a lawyer who realises she is a lesbian. But coming out, both to society and … Continue reading The Studios 2019: An Interview with Director Chen Yingxuan and Performer Oon Shu An of Mergers & Accusations

Preview: ‘Til The End Of The World, We’ll Meet In No Man’s Land by Theatreworks

“Silence is silence. What’s deafening is the strain to hear it through the thunderous throbs of my blood pumping through my veins. What are you? Where am I?” This year, Theatreworks is set to make waves with Singapore’s very first women’s season of theatre, spotlighting female artists, and the specificity, duality, and impact of the Woman’s voice. The season opens with a brand new production … Continue reading Preview: ‘Til The End Of The World, We’ll Meet In No Man’s Land by Theatreworks

The Studios 2019: Miss British by The Art of Strangers (Review)

Post-colonial blues from the personal stories of three minority actresses.  With a title like Miss British, it’s easy to assume that the second show of the Esplanade’s 2019 The Studios Season is all about British identity. It’s a misnomer, and in fact, deals primarily with the impact, trauma and legacy that British colonialism has left behind on minorities. Directed by Felipe Cervera, Miss British comes at a timely … Continue reading The Studios 2019: Miss British by The Art of Strangers (Review)

The Studios 2019: An Interview with Felipe Cervera, Director of Miss British

As the Esplanade’s 2019 seasons of The Studios roars into its second week, The Art of Strangers presents a brand new show – Miss British. Based off an original idea by Sharon Frese, who stars alongside Grace Kalaiselvi, Rebekah Sangeetha Dorai and Riduan Zalani, Miss British is a devised, multi-disciplinary work questioning the British identity, thinking about issues of both the monarchy and slave trade. What then are the prejudices and social hierarchies left behind … Continue reading The Studios 2019: An Interview with Felipe Cervera, Director of Miss British

Review: Always Every Time by Ground Z-0

Between living and dying, as presented by Ground Z-0. There are only two things that are certain in life – birth and death. With Always Every Time, Ground Z-0 presents the Singapore premiere of two new works each dealing with one of these certainties – Adib Kosnan’s Tiap Kali Aku… (Every Time I…) and Zelda Tatiana Ng’s 我在你左右 (Always On My Mind).  The double-bill began with Tiap Kali … Continue reading Review: Always Every Time by Ground Z-0