Preview: Always Every Time by Ground Z-0

Following the site-specific Shadows IN The Walls at the National Gallery earlier this year, Ground Z-0 springs back onstage with a double-bill of works come end March. The relatively new theatre company’s presentation, Always Every Time, brings to stage stories of parent-child relationships put to the test within 20-minute windows where life and death intersect. Faced with such a crucial moment in their life, it is now or … Continue reading Preview: Always Every Time by Ground Z-0

Preview: Esplanade presents The Studios 2019 – The Weight Of A Stone In A Pocket

Esplanade – Theatres on the Bay returns with another season of intimate performances with The Studios 2019. This year, the programme takes on the theme The weight of a stone in a pocket, referring to the concept of how stones in one’s pocket are often forgotten, yet the moment one reaches in to touch and feel it, one is triggered to remember the reason for its presence … Continue reading Preview: Esplanade presents The Studios 2019 – The Weight Of A Stone In A Pocket

Review: It Takes All Kinds by Theatre for Seniors (The Necessary Stage)

Community theatre-style presentation of honest, heartfelt stories. The Necessary Stage’s (TNS) Theatre for Seniors programme turns 10 this year, and over the last decade, has slowly but surely instilled a small interest group of seniors with the power of theatre and the arts. Over the last weekend, the community theatre group presented devised work It Takes All Kinds this weekend, comprising a medley of scenes inspired by the … Continue reading Review: It Takes All Kinds by Theatre for Seniors (The Necessary Stage)

Review: Still Life by Checkpoint Theatre

An activist uses art as a means of  finding new ways of seeing and recalling her mother.  Former AWARE president Dana Lam is known more for being an activist than an artist. But take a peek at her biography in the programme booklet, and you’ll notice that she’s performed in more shows that you’d expect. In addition, Dana is also a trained painter, and it … Continue reading Review: Still Life by Checkpoint Theatre

An Interview with the Cast of BASE Entertainment Asia’s Matilda the Musical

Based off Roald Dahl’s beloved children’s novel of the same name, Matilda the Musical has finally made its Singapore premiere, and is set to stun audiences for the month it plays at the Sands Theatre at Marina Bay Sands with its timeless tale of a misfit schoolgirl standing up for what’s right, and discovering she has a few secrets of her own. At the media call, we … Continue reading An Interview with the Cast of BASE Entertainment Asia’s Matilda the Musical

Huayi Festival 2019: Painted Skin by Singapore Chinese Orchestra (Review)

Western meets Chinese opera in a spectacle to remember. Inspired by the short story of the same name from Pu Songling’s Strange Tales from a Chinese Studio (Liaozhai Ziyi), the Singapore Chinese Opera adapts Painted Skin for the stage as a 100 minute opera in concert. The classic tale follows a Chinese scholar when he comes across a beautiful woman crying in the rain, giving her an … Continue reading Huayi Festival 2019: Painted Skin by Singapore Chinese Orchestra (Review)

Preview: FAUST/US (浮世/德) by Nine Years Theatre

“I often feel like there are two souls living in me. One with an overwhelming zest with love for life, desperately clinging onto the world and all its wonders, the other is immensely yearns to fly above the dust, and into the light.” The classic tale of a deal with the devil gets the Nine Years Theatre (NYT) treatment as the company presents FAUST/US this March. … Continue reading Preview: FAUST/US (浮世/德) by Nine Years Theatre

Huayi Festival 2019: Love Letters by The Nonsensemakers/Nelson Chia & Mia Chee (Review)

Two melodramatic lives, their destinies intertwined by a flurry of love letters. It’s one thing to be married, or married to your job, but quite another to be married to someone who runs a company with you. Such is the case for both The Nonsensemakers (Hong Kong) and Nine Years Theatre (Singapore), run by partners Rensen Chan and Jo Ngai, and Nelson Chia and Mia … Continue reading Huayi Festival 2019: Love Letters by The Nonsensemakers/Nelson Chia & Mia Chee (Review)

Preview: Goddesses of Words – Sarojini Naidu by Grace Kalaiselvi

You were the last one at the office. You were coming back home from a party. You were only 10 years old when it happened. He stared at you throughout your commute and followed you after. He was the friend taking you home. He was your uncle. He. You. You. The stories are many but no two are the same. Inspired by true narratives and … Continue reading Preview: Goddesses of Words – Sarojini Naidu by Grace Kalaiselvi

Preview: Are You Game, Sau(dara)? by Centre 42 and Five Arts Centre

This March, Singapore’s Centre 42 and Malaysia’s Five Arts Centre unite to present a cross-Causeway double-bill in the form of Are You Game, Sau(dara)? Created by Singapore theatre company Bhumi Collective and Malaysian director Fasyali Fadzly,  Are You Game, Sau(dara)? will be co-presented Centre 42 (Singapore) and Five Arts Centre (Malaysia), in the first collaboration between the two companies, and performed at Kotak @ Five Arts Centre, Kuala Lumpur before heading … Continue reading Preview: Are You Game, Sau(dara)? by Centre 42 and Five Arts Centre