Review: 四马路 Four Horse Road by The Theatre Practice

History comes alive in The Theatre Practice’s most ambitious project yet.  Waterloo Street has become one of our most frequented areas in Singapore, serving as home to both The Theatre Practice and Centre 42. But in the rush of life we’re constantly caught up in, it’s very rare we get a chance to truly appreciate just how well preserved the buildings they’re housed in are, … Continue reading Review: 四马路 Four Horse Road by The Theatre Practice

Preview: Super Mommy (我的妈妈是ENY?) by Resorts World Sentosa

Having sold out multiple runs when it played in Taiwan, Mandarin musical Super Mommy (我的妈妈是ENY?) makes its international debut this May as Resorts World Sentosa’s first production of the year! As is tradition, Super Mommy will be starring a number of local actors, including former radio deejay Lin You Fa, Queen of Theme Songs Chriz Tong, rising star Benjamin Josiah Tan, and actor Jaspers Lai, who will be playing … Continue reading Preview: Super Mommy (我的妈妈是ENY?) by Resorts World Sentosa

The Studios 2018: An Interview with Kaylene Tan (In The Silence of Your Heart)

For the second show of Esplanade’s 2018 season of the Studios, spell#7 co-founder and co-artistic director Kaylene Tan returns to Singapore to direct an all new production titled In the Silence of Your Heart. Like Kaylene’s previous works, In The Silence of Your Heart offers an alternative theatre experience, as she subverts and plays with the idea of a monologue. Utilising in-ear audio recordings, audiences become privy … Continue reading The Studios 2018: An Interview with Kaylene Tan (In The Silence of Your Heart)

Lanang: An Interview with Hatch Theatrics

This April, Hatch Theatrics will be closing the latest chapter of their lives. The theatre company will be ending their two year residency with the Malay Heritage Centre with their 9th production, and will be presenting Hafidz Rahman’s Lanang. Prior to its premiere, we spoke to artistic director and Lanang director Faizal Abdullah, general manager Nur Khairiyah (Khai) and Lanang playwright Hafidz Rahman about the process leading up to Lanang and where Hatch might … Continue reading Lanang: An Interview with Hatch Theatrics

Thick Beats for Good Girls: An Interview with Creators Pooja Nansi, Jess Bellamy and Huzir Sulaiman

Jess Bellamy and Pooja Nansi have just completed a day of rehearsals at Checkpoint Theatre in Goodman Arts Centre. Their space is marked out in colourful shades of tape, while a visualisation board consisting of rappers from Nicki Minaj to Kanye West is stuck on a wall. Joined by director and dramaturg Huzir Sulaiman, we’re here to get down and find out about Checkpoint Theatre’s … Continue reading Thick Beats for Good Girls: An Interview with Creators Pooja Nansi, Jess Bellamy and Huzir Sulaiman

Ugly In The Morning: 3 Or More If You Can Afford It

It’s a quarter past 11 on a Saturday night and we’re seated on a couch, watching the beautiful chaos that is Ugly In The Morning unfold before us in a small studio at Upper Thomson – drummer Joseph Saleem is running in and out with his ear clasped to the phone, offering us some durian on his way out, and we hear guitarist Noel Ong slightly … Continue reading Ugly In The Morning: 3 Or More If You Can Afford It

Review:《有时月光》(Sometime Moon) by Toy Factory

Toy Factory’s stellar first production charts the birth and growth of a clan association over the last hundred years. Hokkien is a language that isn’t often associated with grace or beauty, often relegated to slang used in the army or, as is the case with many dialects, seen as a relic of the past. But in Sometime Moon, Toy Factory makes a strong case for convincing audiences … Continue reading Review:《有时月光》(Sometime Moon) by Toy Factory

Review: National Theatre’s The Curious Incident of The Dog In The Night-Time by The National Theatre

Style reigns supreme in this technically brilliant adaptation of Mark Haddon’s breakthrough novel. In National Theatre’s The Curious Incident of the Dog In The Night-Time, three pieces of chalk are used in every single performance, with two spares on standby. Adrian Sutton’s opening music is counts out a 2-3-5-7 rhythm based off prime number sequences. 115 props are used in the show. Each actor playing Christopher has … Continue reading Review: National Theatre’s The Curious Incident of The Dog In The Night-Time by The National Theatre

The Studios 2018: A Good Death (Review)

The hard truths of Faith Ng’s latest play handles mortality firmly and frankly, while still ending on an emotional sting.  As much as we all know that death will come for us one day, it remains an immensely difficult and taboo topic to talk about. Imagine going through that everyday, as a palliative care doctor delicately navigating both the emotional and practical aspects that a … Continue reading The Studios 2018: A Good Death (Review)

The Studios 2018: An Interview with Faith Ng (A Good Death)

The Esplanade’s 2018 season of The Studios begins this week and this time around, present a series of works centering around the theme ‘Between Living and Dying’ , questioning how best to make the most of our limited time on earth. Starting off the season, we have playwright Faith Ng with her latest play A Good Death, marking her first new work since last year’s Whale Fall.  Directed … Continue reading The Studios 2018: An Interview with Faith Ng (A Good Death)