In the not so distant future, storms will rage and civilisation itself will be sent into disarray. As the world begins to collapse, one man finds himself at a crossroads, his once happy family torn asunder with a single death, plummeting him into a spiral of one tragedy after another… Following its premiere run at the 2017 Singapore International Festival of the Arts, Pangdemonium is … Continue reading Preview: Dragonflies by Pangdemonium
Multiple Tony Award winning musical Fun Home makes its ways to British shores at last, the the Young Vic gears up for an all new production this June! Directed by Sam Gold in his Young Vic debut, Fun Home is adapted by Lisa Kron from artist Alison Bechdel’s (yes, she of the Bechdel Test) autobiographical graphic novel of the same name. The original book, officially referred to … Continue reading Preview: Fun Home at the Young Vic
When The Second Breakfast Company (2BCo) made their debut in 2016, they leapt onto the scene with a contemporary twist to Leow Puay Tin’s Family to sold out runs. Now, with their third production this May, they’re returning to revive yet another Singaporean classic: Cultural Medallion recipient Goh Poh Seng’s The Moon Is Less Bright. First staged in 1964, The Moon Is Less Bright is set during the height of … Continue reading Preview: The Moon Is Less Bright by The Second Breakfast Company
First performed in 2006 to critical acclaim, Zizi Azah’s monodrama How Did The Cat Get So Fat? makes a return this April as part of the Esplanade’s 2018 season of The Studios. In this version, the play will be helmed by The Finger Players Artistic Director Tan Beng Tian, who has injected the performance with her signature blend of puppetry. Siti Khalijah Zainal will once again be … Continue reading The Studios 2018: An Interview with Siti Khalijah (How Did The Cat Get So Fat?)
There’s something impossibly magnificent about the way Singaporean artist Zai Kuning’s gigantic skeleton of a ship hangs in 72-13. Entering the exhibition space, an air of the mystical and awe-inspiring emanates forth when witnessing the handwoven beast in person, as the obelisk-like structure towers over you and stretches out and across the entire room. Suspended in mid-air, the ship seems to defy gravity itself as it … Continue reading Dapunta Hyang: Zai Kuning’s Magnificent Ship Sails Home at Last to Theatreworks
In this day and age, local bands are a dime a dozen, and far too many come and go in the blink of an eye. It’s a rarity to even release one album, let alone two, which is precisely why funk-rock band Ugly In The Morning’s third release is absolutely significant in the history of Singapore music. 3 Or More If You Can Afford It was officially launched … Continue reading No Such Thing As Magic: Ugly In The Morning Launches 3rd Album – 3 Or More If You Can Afford It
‘My name is Risa, which means laughter.’ These are the words that start us off on an intense journey of self-reflection into the mind of 28 year old Risa (Ellison Tan) as she speaks to Dr Robert, her $280/hour psychiatrist about her life. Penned by rising star Michelle Tan, who was nominated for a Life! Theatre Award for Best Script in 2017, I Am Trying To … Continue reading The Studios 2018: I Am Trying To Say Something True (Review)
Sing it loud from the rooftops: reveal The Secret and let everyone know how fantastic it is. The biggest challenge jukebox musicals often face is finding the right songs in an artists’ repertoire to fit a decent storyline. If done wrong, the entire musical could come off as hackneyed and forced. But in the event it does succeed, then expect only roaring success, mining the … Continue reading Review: The Secret presented by BASE Entertainment Asia and Perfect World Pictures
A woman’s will is put to the test when hit by the double whammy of divorce and death. Grief is one of the most common topics covered in theatre, making it an increasingly difficult subject to portray in a new light. But with Hatch Theatrics’ latest production and final show of their residency at the Malay Heritage Centre, it’s a topic that feels fresh with Lanang’s … Continue reading Review: Lanang by Hatch Theatrics
After the runaway success of Manifesto in 2016 to a sold out run, The Necessary Stage and Drama Box return for a second collaboration this May! Following on from Manifesto, Underclass sees the two companies producing an all new multi-lingual work that takes a critical look at issues of social inequality and human dignity in Singapore. Written by Haresh Sharma and directed by Alvin Tan together with Kok Heng Leun, Underclass tells the story of … Continue reading Preview: Underclass by The Necessary Stage and Drama Box
Bakchormeeboy 