SIFA 2026: Tempo – An interview with choreographer Fernando Melo on twisting and turning time through dance and illusion

Time slips, stretches, and occasionally seems to stand still in Tempo, a dreamlike work presented at the Singapore International Festival of Arts. In this collaboration between director Kalle Nio and choreographer Fernando Melo, falling bodies hover mid-air, actions reverse, and the ordinary becomes quietly uncanny. Rather than treating illusion as spectacle, Melo approaches it as a byproduct of attention, of bodies, space, and time aligning … Continue reading SIFA 2026: Tempo – An interview with choreographer Fernando Melo on twisting and turning time through dance and illusion

SIFA 2026: The Lighthouse – An interview with Patch Theatre artistic director Geoff Cobham on light and children’s theatre

In The Lighthouse, light isn’t something you simply watch, but something you step into. Created by Geoff Cobham for Patch Theatre, the work invites audiences, both young and the young-at-heart, to move through a glowing landscape of shifting rooms, reflections, and surprises, where curiosity leads the way. Presented as part of the 2026 Singapore International Festival of Arts, this immersive experience rethinks what theatre for … Continue reading SIFA 2026: The Lighthouse – An interview with Patch Theatre artistic director Geoff Cobham on light and children’s theatre

SIFA 2026: Salesman之死 – An interview with director Danny Yeo on translating and adapting Arthur Miller

In the spring of 1983, despite not speaking a word of Mandarin, Arthur Miller travelled to Beijing to direct Death of a Salesman with an all-Chinese cast. The encounter, later documented in his memoir Salesman in Beijing, has since become a touchstone of cross-cultural theatre-making. More than two decades later, that improbable collaboration now finds new life in Salesman之死, a multilingual, documentary-inflected work that traces … Continue reading SIFA 2026: Salesman之死 – An interview with director Danny Yeo on translating and adapting Arthur Miller

SIFA 2026: LACRIMA – An interview with director Caroline Guiela Nguyen on painstaking, invisible labour and craftsmanship

What fascinated French artist Caroline Guiela Nguyen about the fashion world was never the glamour of haute couture itself, but the invisible human machinery that sustains it. LACRIMA, which comes to Singapore this week as one of the opening shows of the 2026 Singapore International Festival of Arts (SIFA), may begin with the commission of a royal wedding dress, the kind of object typically associated … Continue reading SIFA 2026: LACRIMA – An interview with director Caroline Guiela Nguyen on painstaking, invisible labour and craftsmanship

Preview: Scaredy Kat Presents by Gateway Arts

There’s something quietly powerful about watching your fears play out in front of you—especially when they’re wrapped in story, light, and imagination. This May, Singapore audiences will get exactly that with Scaredy Kat Presents, a new youth theatre production by Gateway Arts. But this isn’t just another stage show, it’s an immersive, multimedia experience that transforms anxiety into something tangible, and ultimately, something hopeful. Inspired … Continue reading Preview: Scaredy Kat Presents by Gateway Arts

Preview: Flipside 2026 by Esplanade – Theatres on the Bay

Presented by Esplanade – Theatres on the Bay, Flipside 2026 returns from 29 May to 7 June as a bold celebration of risk, play and artistic daring. Known for its vibrant mix of circus, physical theatre, puppetry and comedy, the festival invites audiences into a space where uncertainty becomes part of the experience and the thrill. Flipside has always been a festival built on the … Continue reading Preview: Flipside 2026 by Esplanade – Theatres on the Bay

★★★★☆ Theatre Review: Teater Normcore – Odisi Romansa by Ridhwan Saidi

Ridhwan Saidi crafts a haunting, cosmic space drama about androids to remind us what it means to be human. Ridhwan Saidi’s Teater Normcore: Odisi Romansa begins with surveillance. Before the theatre fully settles into darkness, before language and philosophy take over the stage, a grainy video emerges onscreen like recovered memory. Through the detached gaze of a CCTV camera, we follow a man and woman … Continue reading ★★★★☆ Theatre Review: Teater Normcore – Odisi Romansa by Ridhwan Saidi

Preview: Broadway Beng 20th Anniversary TWENTY POON PIPI by Dream Academy

If there’s one Singaporean stage icon who has managed to outshine sequins, satire, and even the most dramatic Broadway crescendos, it’s Broadway Beng®. And this July, the larger-than-life persona returns—older, glitzier, and arguably more fabulous than ever. At the centre of it all is Sebastian Tan, the man who has spent two decades perfecting the art of being unapologetically “Beng”, equal parts cheeky, heartfelt, and … Continue reading Preview: Broadway Beng 20th Anniversary TWENTY POON PIPI by Dream Academy

Arts of Malaysia: An interview with writer/director Ridhwan Saidi on Teater Normcore – Odisi Romansa

There is something fitting about the long journey of Teater Normcore: Odisi Romansa, a play about distance, time, and memory that itself had to wait years before reaching the stage. First written in 2019, the production was disrupted by the pandemic, before finally returning in 2026. And for playwright-director Ridhwan Saidi, that passage of time was never something to erase. “I wrote Odisi Romansa back … Continue reading Arts of Malaysia: An interview with writer/director Ridhwan Saidi on Teater Normcore – Odisi Romansa

Singapore Fringe Festival presses on and returns in January 2027

There’s good news for lovers of boundary-pushing, socially conscious art: the Singapore Fringe Festival is officially set to return from 13 to 24 January 2027. Organised by The Necessary Stage (TNS), the Festival’s comeback reflects not just resilience, but the strength of a community that continues to rally behind meaningful artistic expression. Following a three-month fundraising campaign, the Festival raised $59,592 through the generosity of … Continue reading Singapore Fringe Festival presses on and returns in January 2027