Art: Passion is Volcanic – Desire in Southeast Asian Art at National Gallery Singapore

At National Gallery Singapore, its latest exhibition, Passion is Volcanic, announces itself with a sense of anticipation the moment the tour begins, not as a quiet, contemplative walkthrough, but as something far more alive. Even before the artworks begin, the tone is set: there’s a heightened awareness that this is a space with boundaries, with its unprecedented R18 rating, and strict rules of no photography … Continue reading Art: Passion is Volcanic – Desire in Southeast Asian Art at National Gallery Singapore

★★★★☆ Theatre Review: [title of show] (2026) by Sing’theatre

Metatheatrical musical pokes fun at the Broadway dream with charm and twee humour. Few musicals are as self-mythologising or as beloved within musical theatre circles as [title of show]. Since its debut, the meta-musical about two writers racing to create a musical has earned a kind of cult status, not just for its wit, but for how closely it mirrors the aspirations, anxieties, and inside … Continue reading ★★★★☆ Theatre Review: [title of show] (2026) by Sing’theatre

★★★★★ Theatre Review: Randai Macbeth by ASWARA

Shakespeare meets the Nusantara in a bold, visceral Macbeth reborn through randai. It’s no small feat to make a 400-year-old play feel fresh, but Randai Macbeth achieves exactly that, and then some. Presented by Malaysia’s ASWARA and directed by Dr Norzizi Zulkifli, this bold adaptation reimagines Macbeth through the cultural lens of the Nusantara, transforming Shakespeare’s tale of ambition and moral decay into something visceral, … Continue reading ★★★★★ Theatre Review: Randai Macbeth by ASWARA

★★★★★ Theatre Review: PUNO – Sewing Memories by Papermoon Puppet Theatre

A universally affecting, timeless tale of love and loss by masters of the puppetry form. PUNO: Sewing Memories is, in many ways, a ghost story. Or perhaps more precisely, it is the story of a ghost, though not in the way we might expect. From the very outset of the show, which played as part of the Esplanade’s 2026 Pesta Raya – Malay Festival of … Continue reading ★★★★★ Theatre Review: PUNO – Sewing Memories by Papermoon Puppet Theatre

★★★☆☆ Theatre Review: La Luna by Teater Ekamatra

A lively but unfocused stage adaptation of La Luna struggles to balance satire and substance, losing the impact and weight of its source material. Adapting a film for the stage is never about simple reproduction. Theatre demands transformation, with a rethinking of form, rhythm, and storytelling. But that transformation must still serve the story. The most successful adaptations do not replicate but reinterpret with purpose. … Continue reading ★★★☆☆ Theatre Review: La Luna by Teater Ekamatra

★★★★☆ Theatre Review: The Christians by Wild Rice

Hell is other Christians. The Christians arrives as one of the most unexpected entries in Wild Rice’s 2026 programming, and perhaps one of its most surprisingly provocative. A company long associated with sharp political critique, queer advocacy, and a willingness to satirise conservative structures, this is a show that feels almost disarming in its restraint. Where one might expect irreverence, Lucas Hnath’s critically-acclaimed play instead … Continue reading ★★★★☆ Theatre Review: The Christians by Wild Rice

★★★★★ Theatre Review: Handle with Care by Ontroerend Goed (HKAF 2026)

A tiny theatrical miracle is experienced as you forge memories with complete strangers under an hour. HONG KONG – Belgian avant-garde theatre company Ontroerend Goed has long built a reputation for dismantling what theatre is supposed to be. With Handle with Care, they take that idea to its most radical extreme: there are no actors, no technicians, just a box, a stage, and an audience. … Continue reading ★★★★★ Theatre Review: Handle with Care by Ontroerend Goed (HKAF 2026)

Arts of Hong Kong: “Treasures of Global Jewellery from The Metropolitan Museum of Art: The Body Transformed” Opens at the Hong Kong Palace Museum

HONG KONG – In Hong Kong this spring, jewellery is no longer just something to wear—it becomes a language of memory, myth, and identity. At the heart of the city’s cultural landscape, the Hong Kong Palace Museum has unveiled “Treasures of Global Jewellery from The Metropolitan Museum of Art: The Body Transformed”, a landmark exhibition that feels as much like a sensory journey as it … Continue reading Arts of Hong Kong: “Treasures of Global Jewellery from The Metropolitan Museum of Art: The Body Transformed” Opens at the Hong Kong Palace Museum

Concert Review: Traversing 《“樂”无界》by Ding Yi Music Company

Ding Yi opens their 2026/27 season with a bold, celebratory selection of works that shows off the chamber ensemble’s capabilities and global vision. Opening its 2026/27 season, Traversing by Ding Yi Music Company makes an ambitious artistic claim: that a Chinese chamber ensemble can be not only rooted in tradition, but also be expansive, borderless, and globally resonant. Under the direction of maestro Tsung Yeh, … Continue reading Concert Review: Traversing 《“樂”无界》by Ding Yi Music Company

Pesta Raya 2026: An Interview with Maria Tri Sulistyani, founder of Papermoon Puppet Theatre, and playwright/director of ‘PUNO – Sewing Memories’

Twelve years ago, the story that would become PUNO: Sewing Memories began with a promise. Back in 2013, Papermoon Puppet Theatre was planning a collaboration with a close friend from the Philippines: puppetry artist Don Salubayba. “It was kind of like, wow, it’s amazing that we have so much in common, let’s do something together,” recalls director and playwright Maria Tri Sulistyani, also a co-founder … Continue reading Pesta Raya 2026: An Interview with Maria Tri Sulistyani, founder of Papermoon Puppet Theatre, and playwright/director of ‘PUNO – Sewing Memories’