Review: My Grandfather’s Road by Neo Kim Seng (Cantonese versions, performed by Tan Cher Kian and Gary Tang)

Two ways to tell a poignant story of growing up in Cantonese.  First written as a book, in My Grandfather’s Road, Neo Kim Seng explores his familial history through the lens and geography of a bygone Singapore, thinking of his childhood growing up on what is literally his grandfather’s road (Neo Pee Teck Lane) and told through personal memories and anecdotes. While we previously watched the full … Continue reading Review: My Grandfather’s Road by Neo Kim Seng (Cantonese versions, performed by Tan Cher Kian and Gary Tang)

Beauty of Bettas: An Interview with Photographer Visarute Angkatavanich

If you didn’t know any better, the subjects in Thai photographer Visarute Angkatavanich’s exhibition at the Sun Yat Sen Nanyang Memorial Hall may appear completely enigmatic. It can be difficult to tell what exactly these glorious, silk-like creatures are in these photographs, as they dance gracefully in the light, taking on watery shapes that bend and fold to become anything from flowers to fashion. But as … Continue reading Beauty of Bettas: An Interview with Photographer Visarute Angkatavanich

M1 CONTACT Contemporary Dance Festival 2018: EARTH and Filled with sadness, the old body attacks by T.H.E Dance Company (Review)

A double-bill of movement heavy pieces open the 2018 M1 CONTACT Contemporary Dance Festival. T.H.E Dance Company opened the 2018 M1 CONTACT Contemporary Dance Festival with a double bill of work. Featuring ‘EARTH’ by Humanhood and ‘Filled with sadness, the old body attacks’ by Kim Jae Duk, the festival kicked off to a strong start with both these thought-provoking, physically challenging pieces.  EARTH by Humanhood In … Continue reading M1 CONTACT Contemporary Dance Festival 2018: EARTH and Filled with sadness, the old body attacks by T.H.E Dance Company (Review)

Review: Framed, By Adolf by The Finger Players

Dark fairytale meets con-job for justice in this story-within-a-story about the holocaust and art. The art world is fickle and subjective, with the monetary worth of a painting determined by market forces and its value by its frame, specifically the way a backstory ‘frames’ and positions an artwork to give it legitimacy. But even the volatile art market is in agreement that a controversial work … Continue reading Review: Framed, By Adolf by The Finger Players

Review: My Grandfather’s Road by Neo Kim Seng (English version, performed by Karen Tan)

Put on your nostalgia goggles for this monologue about people and places past, laced with a pinch of death and loss.  To call a stretch of land your grandfather’s road sounds like an audacious claim. But for theatremaker Neo Kim Seng, that claim is rooted in truth, with Neo Pee Teck Lane quite literally named after his paternal grandfather. My Grandfather’s Road is adapted from … Continue reading Review: My Grandfather’s Road by Neo Kim Seng (English version, performed by Karen Tan)

Preview: dead was the body till i taught it how to move by Bhumi Collective

Life has a habit of throwing the greatest of curveballs when you least expect it. And in Bhumi Collective’s latest production, they’ll be tackling the story of one man who finds his once clear path now at a crossroads when faced with an unexpected crisis. Written by Edward Eng, directed by the Second Breakfast Company artistic director Adeeb Fazah, and with dramaturgy and movement direction … Continue reading Preview: dead was the body till i taught it how to move by Bhumi Collective

Preview: A Samsui Love Story by Project Plait X Tung Lok

Project Plait has formed a bit of a niche for itself in the years it’s been around. Adopting a form of site-specific dance performance, it stands out from the crowd by including a concept dear to all our hearts: food. Previous editions have included their virgin production Cardinal Sins at the now defunct Portico on Alexandra Road in 2015 surrounding the seven deadly sins, before evolving to … Continue reading Preview: A Samsui Love Story by Project Plait X Tung Lok

Blue Note Tokyo: A Touch of Class In The Heart of Tokyo

I’m convinced Tokyo is one of the most magical megalopolises to exist on the face of the earth. Beyond being situated in Japan (no doubt a favourite country of ours), there’s life all about the city from the crack of dawn to the fading of the last sunbeams. And in particular, Roppongi comes out tops when it comes to the king of Tokyo nightlife. But … Continue reading Blue Note Tokyo: A Touch of Class In The Heart of Tokyo

Keeping Teochew Opera Alive: An Interview with Tan Wei Tian, Wendy Lee and Teo Meng Hock of Nam Hwa Opera

This June, Nam Hwa Opera continues their 2018 season with two one night only shows at the Singapore Chinese Cultural Centre – Teochew Opera film classics《告亲夫》Prosecuting the Husband and《刘明珠》Lady Liu Ming Zhu. Whether you’re a Chinese Opera diehard fan or completely new to the scene, don’t miss this chance to relive the glory days of the past and catch this traditional art form performed by one of Singapore’s leading … Continue reading Keeping Teochew Opera Alive: An Interview with Tan Wei Tian, Wendy Lee and Teo Meng Hock of Nam Hwa Opera

25th Singapore International Piano Festival: Dang Thai Son (Review)

The Vietnamese pianist’s performance is a masterclass brought to life onstage. Dang Thai Son first came to fame as the first prize winner at the 10th International Chopin Piano Competition in 1980. Since then, he’s gone on to play in over 40 countries with countless international orchestras, and can be considered a master in his own right. It’s no wonder then that his masterclass sold … Continue reading 25th Singapore International Piano Festival: Dang Thai Son (Review)