★★★★★ Circus Review: A Simple Space by Gravity & Other Myths (Flipside 2026)

Ingeniously simple concept that reminds us of the joy of circus, stripping is back to its essentials and delivering on a rollicking good time. When most people think of circus, they imagine massive spectacle: towering big tops, elaborate costumes, dazzling lighting rigs, and performers transformed into larger-than-life characters. Contemporary circus after all, often leans towards ever-greater scale, bigger stunts, more ambitious concepts, and increasingly elaborate … Continue reading ★★★★★ Circus Review: A Simple Space by Gravity & Other Myths (Flipside 2026)

Flipside 2026: Lachlan Binns on how ‘A Simple Space’ celebrates human connection, trust, and play

When A Simple Space first premiered in 2013, contemporary circus was undergoing a global shift. Traditional big-top spectacles and variety-style performances were still dominant, shaped in part by the influence of companies like Cirque du Soleil, with their elaborate staging, narrative framing, and theatrical spectacle. But for co-creator and performer Lachlan Binns, the goal was to go in the opposite direction. “We made the show … Continue reading Flipside 2026: Lachlan Binns on how ‘A Simple Space’ celebrates human connection, trust, and play

Theatre Review: The Lighthouse by Patch Theatre (SIFA 2026)

Surreal, interactive series of experiential light installations that turn physics into magic, ideal for younger audiences. For those who have never quite learnt about reflection and refraction in science class, interactions with light can feel like pure magic. That sense of innocent mystery is exactly what Patch Theatre harnesses in The Lighthouse, an experiential promenade work that guides audiences through a series of interconnected rooms … Continue reading Theatre Review: The Lighthouse by Patch Theatre (SIFA 2026)

★★★☆☆ Theatre Review: A Lesbian Love Story – The Musical by Woody Avenue

A metatheatrical musical discovering love beyond the romance it promises. It’s a known fact that there is simply not enough lesbian representation in media And far too often, when it does appear, it comes freighted with emotional torture, tragedy, and pain. When, one wonders, do the lesbians finally get their happy ending? That’s a wrong Woody Avenue hopes to make right with its debut production, … Continue reading ★★★☆☆ Theatre Review: A Lesbian Love Story – The Musical by Woody Avenue

Singapore Fringe Festival 2026: An Interview with Woody Avenue on normalising queerness and representing love in ‘A Lesbian Love Story: The Musical’

When theatre-makers Rosie McGowan and Kluane Saunders first started writing a musical about a woman trying to create the happiest lesbian love story ever put on stage, they didn’t realise they were also building a company. “The idea for the production came first and the company came after,” Rosie laughs. “A lot of people asked who was the company behind it, and we thought, oh, … Continue reading Singapore Fringe Festival 2026: An Interview with Woody Avenue on normalising queerness and representing love in ‘A Lesbian Love Story: The Musical’

★★☆☆☆ Theatre Review: Congratulations, Get Rich! by Singapore Repertory Theatre, La Boite Theatre and Sydney Theatre Company

SRT, La Boite Theatre and Sydney Theatre Company’s karaoke-inspired ghost story struggles to find the note. Singapore Repertory Theatre’s Congratulations, Get Rich! arrives with an impressive pedigree, marking a first-time co-production between SRT, Sydney Theatre Company, and Brisbane’s La Boite Theatre. Written by and starring Merlynn Tong, the play promises a raucous blend of karaoke comedy, family tragedy, and ghostly intervention. On paper, it sounds … Continue reading ★★☆☆☆ Theatre Review: Congratulations, Get Rich! by Singapore Repertory Theatre, La Boite Theatre and Sydney Theatre Company

★★★★☆ Dance Review: Chapter 2 by Pichet Klunchun

ChatGPT becomes a conversation partner, co-creator and dramaturg in Pichet Klunchun’s new show. Artificial Intelligence (AI) has rapidly developed to the point where it can hold conversations, generate images, and even craft videos. But as it increasingly encroaches on the arts, one question lingers: can AI dance? For Thai dancer, choreographer and khon master Pichet Klunchun, the answer is a tentative yes. In his newest … Continue reading ★★★★☆ Dance Review: Chapter 2 by Pichet Klunchun

★★★★☆ Dance Review: Softmachine – The Return by Choy Ka Fai

Choy Ka Fai reunites five artists to reflect on change, growth, and their relationship to body and the world. The world in 2015 was a very different place. Since then, politics, pandemics, technology, and society at large have shifted dramatically, but so have each of us, for better or worse. Yet one thing remains constant: our individuality and the human drive to innovate. This is … Continue reading ★★★★☆ Dance Review: Softmachine – The Return by Choy Ka Fai

★★★★☆ Dance Review: U>N>I>T>E>D by Chunky Move

The future of human evolution is on display as man and machine meld into a cohesive whole. In a world where art is often dismissed as derivative, Melbourne-based dance company Chunky Move continues to prove that originality is alive and well. Their latest work, U>N>I>T>E>D, conceived and choreographed by Artistic Director Antony Hamilton, pushes audiences into new imaginative territory, conjuring visions of what humanity might … Continue reading ★★★★☆ Dance Review: U>N>I>T>E>D by Chunky Move

★★★★☆ Review: Wicked (2025) by Base Entertainment Asia

Theatrical sorcery, an unforgettable soundtrack, and sheer spectacle keeps this Australian touring cast defying gravity. Wicked has long ascended to the ranks of musical theatre royalty, with legions of fans who know every song by heart. Now, two decades after its debut, this Australian touring production at Marina Bay Sands proves why the show continues to captivate. With its blend of steampunk aesthetics, stunning costumes, … Continue reading ★★★★☆ Review: Wicked (2025) by Base Entertainment Asia