An Interview with the Cast and Creatives of My Grandfather’s Road

“Eh, you think this one your grandfather’s road ah?” Is a common retort to careless drivers or pedestrians acting as if they own the roads. But in the case of Neo Kim Seng, it can be taken quite literally if you ever find him walking down Neo Pee Teck Lane, named after his grandfather. First presented in 2015 as an English-language monologue, a photo exhibition … Continue reading An Interview with the Cast and Creatives of My Grandfather’s Road

Review: The Consultant by Wag the Dog Theatre

Office politics makes for prime dramedy in this tightly scripted, well performed second outing for Wag the Dog.  Love it or hate it, we all form inextricable links to the office as we step into work each day. In a sense, an office even becomes a kind of intimate community, and it’s no wonder that for years, it’s been the source of both drama and … Continue reading Review: The Consultant by Wag the Dog Theatre

Review: Underclass《贱民》by The Necessary Stage and Drama Box

Disclaimer: The following review contains plot information for Underclass The Necessary Stage and Drama Box present a rich script about the poor and destitute, discomforting as it shines a spotlight on the invisible people we turn a blind eye to. How often do you have to think about whether you can afford your next meal, or how much you can save by taking a series … Continue reading Review: Underclass《贱民》by The Necessary Stage and Drama Box

The Necessary Stage and Drama Box’s Underclass: An Interview with the Cast and Co-director Alvin Tan

Following their overwhelmingly successful collaboration with Drama Box with Manifesto back in 2016, the two theatre companies are teaming up once again for their new show Underclass. Tackling, as the title suggests, concepts of class and social conditions in Singapore, this multilingual work will feature a cast of some of Singapore’s best actors, with a script by Haresh Sharma and co-directed by Kok Heng Leun and Alvin Tan. We … Continue reading The Necessary Stage and Drama Box’s Underclass: An Interview with the Cast and Co-director Alvin Tan

Wag the Dog Theatre: An Interview with the Cast of The Consultant

In a little over a week, co-op theatre group Wag The Dog returns to the scene with their second production. Following last year’s The Memory of Water, they’ll once again be heading back to the Drama Centre Black Box to present a rather different play – Heidi Schreck’s corporate comedy-drama The Consultant. First staged in 2014 in America, The Consultant is set during 2008, as colleagues attempt to survive … Continue reading Wag the Dog Theatre: An Interview with the Cast of The Consultant

Preview: The Consultant by Wag the Dog Theatre

After their 2017 production of Shelagh Stephenson’s family drama The Memory of Water, Wag the Dog returns in 2018 with their sophomore production, this time with Heidi Schreck’s corporate drama The Consultant. Set in a cutthroat office environment, colleagues at a small New York pharmaceutical advertising agency continue to draw their paychecks as the company grows smaller and smaller, no thanks to the 2008 economic collapse. … Continue reading Preview: The Consultant by Wag the Dog Theatre

The Studios 2018: How Did The Cat Get So Fat? (Review)

It’s been 11 years since How Did The Cat Get So Fat? was last staged and its message of a hollow pledge still rings true. Besides literally referring to corpulent felines, a fat cat can of course, also refer to corrupt businessmen and politicians abusing their wealth or power. And in Zizi Azah’s play How Did The Cat Get So Fat?, it is these members of the upper class … Continue reading The Studios 2018: How Did The Cat Get So Fat? (Review)

Preview: The Moon Is Less Bright by The Second Breakfast Company

When The Second Breakfast Company (2BCo) made their debut in 2016, they leapt onto the scene with a contemporary twist to Leow Puay Tin’s Family to sold out runs. Now, with their third production this May, they’re returning to revive yet another Singaporean classic: Cultural Medallion recipient Goh Poh Seng’s The Moon Is Less Bright.  First staged in 1964, The Moon Is Less Bright is set during the height of … Continue reading Preview: The Moon Is Less Bright by The Second Breakfast Company

The Studios 2018: An Interview with Siti Khalijah (How Did The Cat Get So Fat?)

First performed in 2006 to critical acclaim, Zizi Azah’s monodrama How Did The Cat Get So Fat? makes a return this April as part of the Esplanade’s 2018 season of The Studios. In this version, the play will be helmed by The Finger Players Artistic Director Tan Beng Tian, who has injected the performance with her signature blend of puppetry. Siti Khalijah Zainal will once again be … Continue reading The Studios 2018: An Interview with Siti Khalijah (How Did The Cat Get So Fat?)

Preview: Underclass by The Necessary Stage and Drama Box

After the runaway success of Manifesto in 2016 to a sold out run, The Necessary Stage and Drama Box return for a second collaboration this May! Following on from Manifesto, Underclass sees the two companies producing an all new multi-lingual work that takes a critical look at issues of social inequality and human dignity in Singapore. Written by Haresh Sharma and directed by Alvin Tan together with Kok Heng Leun, Underclass tells the story of … Continue reading Preview: Underclass by The Necessary Stage and Drama Box