M1 Contact Contemporary Dance Festival 2019: M1 Open Stage – Programme B (Review)
Four thought-provoking works from female choreographers and dancers. The M1 Contact Dance Festival’s Open Stage programme remains one of the mostContinue Reading
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M1 Contact Contemporary Dance Festival 2019: Mr Sign by T.H.E Dance Company (Review)
Absurd, dystopian world where thoughts and language are thrown into disarray. First performed in 2013, the 2019 M1 ContactContinue Reading
M1 Contact Contemporary Dance Festival 2019: Off Stage (Review)
Strong potential evident in each of these works-in-progress Created as a platform to showcase new works-in-progress from local and regionalContinue Reading
M1 Contact Contemporary Dance Festival 2019: Dance at Dusk by T.H.E Second Company (Review)
Highlighting communication breakdowns in the light of the setting sun. Returning to the M1 Contact Festival once again since itsContinue Reading
M1 Contact Contemporary Dance Festival 2019: DiverCity (Review)
Three works that prove Singapore’s dance scene is ever bold and ever dynamic. Playing as part of the 2019Continue Reading
Preview: M1 CONTACT Contemporary Dance Festival 2019
A 10th anniversary is always cause for celebration, and for T.H.E Dance Company, the 10th edition of the annual M1Continue Reading
Review: liTHE 2018 by T.H.E Second Company
Three works that showcase T.H.E Second Company’s progress. T.H.E Dance Company’s semi-professional wing, T.H.E Second Company, presented the 7th editionContinue Reading
M1 CONTACT Contemporary Dance Festival 2018: M1 Open Stage + DiverCity (Review)
Slick, skilful choreographies that explore our relationship with our space, each other and our very selves. Dance has always beenContinue Reading
M1 CONTACT Contemporary Dance Festival 2018: EARTH and Filled with sadness, the old body attacks by T.H.E Dance Company (Review)
A double-bill of movement heavy pieces open the 2018 M1 CONTACT Contemporary Dance Festival. T.H.E Dance Company opened the 2018Continue Reading
M1 CONTACT Contemporary Dance Festival 2018: An Interview with Festival Director Kuik Swee Boon and Festival Manager Athelyna Swee
Often assumed to be esoteric, avant garde or incomprehensible, reserved only for the educated, upper echelons of society, contemporary danceContinue Reading
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