Review: Being, and Organs by Paul Gong (Taiwan), presented by RAW Moves

Striking a balance between humanity and technology in RAW Moves latest work. From a prosthetic limbs to a bio-printed heart, technology seems to be developing at increasingly unprecedented rates. And as we find new ways and means to replace our organic body parts with artificial ones, how much longer will it be before we can truly, fully call ourselves ‘human’? Such a conundrum forms the … Continue reading Review: Being, and Organs by Paul Gong (Taiwan), presented by RAW Moves

Preview: Being, and Organs by Paul Gong (Taiwan), presented by RAW Moves

With emerging technologies, a bio-printed heart is now close to reality. With these artificial organs gaining increasingly similar structure and compatibility, a new relationship is generated between humans and their bodies. With Being, and Organs, conceptualiser Paul Gong and Movement mentor Ricky Sim, Artistic Director of RAW Moves unite to examine the topic of trans-humanism, bodily integrity and the social-ethical implications of artificial organs. Staying … Continue reading Preview: Being, and Organs by Paul Gong (Taiwan), presented by RAW Moves

Review: Subtle Downtempo No by Murasaki Penguin and RAW Moves

Minute observations made visible only in slow motion. In a brand new international collaboration with Australian/Japanese dance company Murasaki Penguin, RAW Moves continues their 2019/20 theme of Systems, and explores our roles as cogs in the system of society through dance, light and projection to further elevate their art. Choreographed by Anna Kuroda and with sound and visuals by David Kirkpatrick, Subtle Downtempo No explores the effects social … Continue reading Review: Subtle Downtempo No by Murasaki Penguin and RAW Moves

RAW Moves and Murasaki Penguin’s Subtle Downtempo No: An Interview with the Team

RAW Moves is back this July with a brand new production. Playing as part of their 2019-20 season of Systems, get ready for Subtle Downtempo No, a brand new production created together with Australian/Japanese dance company Murasaki Penguin as they explore the experience of being an outlier from society’s systems. Choreographed by Anna Kuroda and sound and visual artist David Kirkpatrick from Murasaki Penguin, Subtle Downtempo No uses an interdisciplinary combination to … Continue reading RAW Moves and Murasaki Penguin’s Subtle Downtempo No: An Interview with the Team

Preview: Subtle Downtempo No by Murasaki Penguin and RAW Moves

Ever found a shirt that wouldn’t fit properly? Or made to feel like an outlier because you didn’t fit into the system?  Coming to you this July as part of their 2019-20 season of Systems, local contemporary dance company RAW Moves and Australian/Japanese dance company Murasaki Penguin come together to present Subtle Downtempo No, a performance where, through dance, sound, light and the flow of time the … Continue reading Preview: Subtle Downtempo No by Murasaki Penguin and RAW Moves

Review: Ghost Call by RAW Moves

A call to reduce the distance technology has created. In the age of Tinder, WhatsApp, and other social media applications, the need to ever meet someone else in person for the sake of conversation has rapidly decreased. But is there still value in that face to face interaction that we’ve forgotten? That’s the crux of contemporary dance company RAW Moves’ latest production, as Ghost Call explores … Continue reading Review: Ghost Call by RAW Moves

Preview: Ghost Call by RAW Moves

A call with no one on the other line.  An accidental call you didn’t mean to make.  Wrongly addressed letters.  With the conclusion of their 2018/19 season themed around ‘Competition’, contemporary dance company RAW Moves breaks new ground for their 2019/20 season with a full year of artistic enquiry into the theme of ‘System’. For their latest production, they’ve teamed up with playwright Nabilah Said … Continue reading Preview: Ghost Call by RAW Moves

Review: Kotor by -wright Assembly

The concept of he for she gets a visceral, movement-based portrayal by -wright Assembly. In a decidedly deviant conceptualisation from the usual plethora of female-led work this International Women’s Day, -wright Assembly breaks the mould to present a new interdisciplinary, movement-based performance choreographed by Ismail Jemaah, primarily featuring male performers, as it explores the concept of male responsibility in the ongoing fight for gender equality. … Continue reading Review: Kotor by -wright Assembly

Review: Alice, Bob & Eve, conceptualised by Teow Yue Han in collaboration with RAW Moves Dancers

A living laboratory that examines the Singaporean obsession with facts and figures. In RAW Moves’ first show of 2019, the contemporary dance company breaks new ground with the all new Alice, Bob & Eve, as conceptualised by visual artist Teow Yue Han in collaboration with the RAW Moves Dancers. Taking over a gallery space in the School of the Arts, Alice, Bob & Eve (titled after placeholder … Continue reading Review: Alice, Bob & Eve, conceptualised by Teow Yue Han in collaboration with RAW Moves Dancers

Preview: Kotor by -wright Assembly

“What you allow is what will continue.” This March, coinciding with International Women’s Day, artist collective -wright Assembly have gathered both male and female artists specialising in multiple art disciplines to create Kotor, a multidisciplinary performance responding to writer Natalie Wang’s anthology The Woman Who Turned Into a Vending Machine. The project originated when Creative Producer Farhanah Diyanah (FD) spoke to choreographer Ismail Jemaah, developing a new … Continue reading Preview: Kotor by -wright Assembly