★★★★☆ Review: A Doll’s House, Part 2 by Pangdemonium!

The past comes knocking, as Pangdemonium tackles the resounding fallout from the dramatic decision made by one of Ibsen’s most iconic heroines. Nora Helmer is perhaps one of theatre’s most iconic heroines of all times, famed for daring to fight back against oppressive, conservative Norwegian society by walking out on her family, slamming the door behind to pursue her independence, in Henrik Ibsen’s A Doll’s … Continue reading ★★★★☆ Review: A Doll’s House, Part 2 by Pangdemonium!

An Interview with Pangdemonium on staging the dramedy of confrontation in ‘A Doll’s House, Part 2’

Across the many great works of theatre in the literary canon, Henrik Ibsen’s A Doll’s House possesses an iconic ending scene that ranks among the very best, with a door slamming shut as protagonist Nora Helmer walks away from her husband and children, choosing herself over the constraints of 19th-century domesticity. But what happens to those left behind after that exit? What does it mean … Continue reading An Interview with Pangdemonium on staging the dramedy of confrontation in ‘A Doll’s House, Part 2’

Preview: A Doll’s House, Part 2 by Pangdemonium!

Henrik Ibsen will always be a titan of contemporary theatre, and it’s no surprise that there remains great admiration and adulation for his work. Among them, A Doll’s House remains one of his most beloved, in its future-thinking feminist slant that saw an unhappily married woman break the chains of her nuptial prison, and slam the door behind her in an iconic final scene. Now, … Continue reading Preview: A Doll’s House, Part 2 by Pangdemonium!

Preview: Intercultural Theatre Institute Final Year Individual Projects

Following productions in March and June, the latest batch of students from the Intercultural Theatre Institute are fast approaching their graduation date. In September, each of the four students will be presenting brand new, original works conceived by them, as part of their Final Year Individual Project showcase. Considered a critical and integral aspect of ITI’s actor training programme, the FYIP is a project students have … Continue reading Preview: Intercultural Theatre Institute Final Year Individual Projects

Review: The Cyclist by Intercultural Theatre Institute

A surreal cast of quirky characters and a final emotional gut punch in one of ITI’s most light-hearted shows. For many people, growing up can feel like an odyssey, with countless perils to face in adolescence as one becomes increasingly exposed to the cold, cruel world around them. In the case of Vijay Tendulkar’s The Cyclist, growing up becomes a literal journey, as we follow a protagonist choosing … Continue reading Review: The Cyclist by Intercultural Theatre Institute

Preview: The Cyclist by Intercultural Theatre Institute

Following a thought provoking first public production in March, the latest batch of Intercultural Theatre Institute (ITI) graduating students return to the Drama Centre Black Box to present their second show of the year: Vijay Tendulkar’s The Cyclist. Translated into English by Balwant Bhaneja, The Cyclist tells of the adventure of life from the perspective of a nameless cyclist as she sets off on a solo journey. But this is … Continue reading Preview: The Cyclist by Intercultural Theatre Institute

SIFA 2018: An Enemy of the People by Schaubühne Berlin (Review)

A contemporary version of Ibsen’s play effectively brings out its newfound urgency and relevance in our crazy, messed up modern world. Henrik Ibsen’s An Enemy of the People was initially considered one of his minor works in his lifetime. But in recent years, the play has seen an increasing number of stagings and new interpretations, and come to represent a disturbingly prescient rallying cry for the uncertain, messy … Continue reading SIFA 2018: An Enemy of the People by Schaubühne Berlin (Review)

Review: When We Dead Awaken by Intercultural Theatre Institute

You’ve never seen Ibsen quite like this in ITI alumnus Sankar Venkateswaran’s stripped down, physical-focused interpretation. When We Dead Awaken is often considered one of Henrik Ibsen’s most unusual plays. Set in a spa town amidst snowy mountains and mysterious women, Ibsen’s final play was also his most oneiric, along with being his darkest, in dealing with themes of unhappy marriages, artistic death and actual mortality. … Continue reading Review: When We Dead Awaken by Intercultural Theatre Institute

Preview: When We Dead Awaken by Intercultural Theatre Institute

Henrik Ibsen is perhaps one of the greatest playwrights. But amongst his many celebrated plays, there still remain a couple that are so rarely staged, dwarfed by the success of his better known works such as A Doll’s House or An Enemy of the People. In the first show of 2018 from the Intercultural Theatre Institute’s (ITI) latest graduating batch, the students will be presenting Ibsen’s final written … Continue reading Preview: When We Dead Awaken by Intercultural Theatre Institute