★★★★★ Theatre Review: Hedda Gabler by National Theater Company of Korea (SIFA 2026)

Lee Hyeyoung delivers a masterclass performance in Park Jung-hee’s hypnotic, sexually charged reimagining of Ibsen’s classic, now transformed into a suffocating psychological thriller of a K-drama. Before we see anything in the National Theater Company of Korea’s Hedda Gabler, we hear a gunshot. It tears through the darkness with such violence that the audience visibly jolts. And from that very first moment, director Park Jung-hee … Continue reading ★★★★★ Theatre Review: Hedda Gabler by National Theater Company of Korea (SIFA 2026)

SIFA 2026: Lush Life – An interview with director Ong Keng Sen on making art out of life and legacy

Before streaming platforms, before bedroom recordings, and before Singapore had any real infrastructure for popular music, there were artists like Jacintha Abisheganaden and Dick Lee, figures who carved out creative lives with few precedents and even fewer guarantees. Their songs, relationships and artistic decisions did not just define their own careers; they helped shape what it meant to be a musician in Singapore at all. … Continue reading SIFA 2026: Lush Life – An interview with director Ong Keng Sen on making art out of life and legacy

SIFA 2026: Hedda Gabler – An interview with director Park Jung Hee on Henrik Ibsen’s universal cultural resonance

Few characters in modern theatre are as enduringly enigmatic as Hedda Gabler, a figure suspended between control and chaos, desire and restraint. In this latest staging by Park Jung-hee, Artistic Director of the National Theater Company of Korea, the question is not how to modernise Hedda Gabler, but how to encounter it anew. Rather than imposing a contemporary veneer, Park approaches the work as a … Continue reading SIFA 2026: Hedda Gabler – An interview with director Park Jung Hee on Henrik Ibsen’s universal cultural resonance

SIFA 2026: Salesman之死 – An interview with director Danny Yeo on translating and adapting Arthur Miller

In the spring of 1983, despite not speaking a word of Mandarin, Arthur Miller travelled to Beijing to direct Death of a Salesman with an all-Chinese cast. The encounter, later documented in his memoir Salesman in Beijing, has since become a touchstone of cross-cultural theatre-making. More than two decades later, that improbable collaboration now finds new life in Salesman之死, a multilingual, documentary-inflected work that traces … Continue reading SIFA 2026: Salesman之死 – An interview with director Danny Yeo on translating and adapting Arthur Miller

25th Singapore International Piano Festival: Dang Thai Son (Review)

The Vietnamese pianist’s performance is a masterclass brought to life onstage. Dang Thai Son first came to fame as the first prize winner at the 10th International Chopin Piano Competition in 1980. Since then, he’s gone on to play in over 40 countries with countless international orchestras, and can be considered a master in his own right. It’s no wonder then that his masterclass sold … Continue reading 25th Singapore International Piano Festival: Dang Thai Son (Review)

25th Singapore International Piano Festival: Jeremy Denk (Review)

  Jeremy Denk guides lost audiences home in a series of three works by master composers Mozart, Beethoven and Bach.  American pianist Jeremy Denk is an intelligent man. The winner of a MacArthur ‘Genius’ Fellowship, Denk is a frequent contributor to publications such as The New Yorker and The Guardian. A contemporary of other acclaimed musicians such as Joshua Bell and Steven Isserlis, Denk’s intellect is … Continue reading 25th Singapore International Piano Festival: Jeremy Denk (Review)

25th Singapore International Piano Festival: Seong-Jin Cho (Review)

The Korean boy genius and Chopin/Debussy expert opens the 25th Singapore International Piano Festival. Maintaining a festival for 25 years is no mean feat, signifying how far the Singapore Symphony Orchestra’s Singapore International Piano Festival (SIPF) has come all this time. Delivering the opening address, SIPF artistic director Lionel Choi expressed how much the festival has grown, with the sheer amount of pianists and achievements … Continue reading 25th Singapore International Piano Festival: Seong-Jin Cho (Review)

Singapore International Piano Festival: An Interview with Pianist Seong-Jin Cho

Presented by the Singapore Symphony Orchestra, the 25th Singapore International Piano Festival begins this week, where several acclaimed pianists will be making their Singapore debuts, from the likes of the legendary Argentinian pianist Martha Argerich to Vietnamese-Canadian pianist Dang Thai Son. Opening the festival this year on 7th June is young South Korean prodigy Seong-Jin Cho. Born in 1994, he became the youngest-ever winner of Japan’s … Continue reading Singapore International Piano Festival: An Interview with Pianist Seong-Jin Cho

Preview: 25th Singapore International Piano Festival presented by SSO

The Singapore Symphony Orchestra is having a big celebration this year – they’re marking the 25th anniversary of the annual Singapore International Piano Festival! Helmed by Lionel Choi in his final year as artistic director, the festival returns once again to celebrate the biggest and brightest talents in piano today, and marks its silver jubilee with its grandest edition yet. This year, they’re  bringing in … Continue reading Preview: 25th Singapore International Piano Festival presented by SSO

Preview: BREAK OUT presented by Mediacorp VizPro

Choi Chul Ki is the gift that keeps on giving. After presenting a grand total of three of his shows in 2017 (Chef, JUMP, and Flying Through Time), the Korean master of non-verbal theatre is back again in 2018 with the return of his bestselling show BREAK OUT.  Since wowing the crowds at Edinburgh in 2007, BREAK OUT has since gone on to charm audiences all over the world from London’s West End to New York, … Continue reading Preview: BREAK OUT presented by Mediacorp VizPro