A colourful romp of unbridled fun through Malay folklore opens Pesta Raya 2018. The Malay oral tradition is a rich one, full of colourful characters and unforgettable stories. But as these tales become increasingly hard to hear in the traditional form, so must they evolve with the times to find a new audience. That evolution can be seen in the 2018 Pesta Raya – Malay … Continue reading Pesta Raya 2018: Alkesah (Review)
Created by and starring Malaysian singer and actor Sean Ghazi, TARAKUCHA! is described as “the Terrer-Menerrer Big Band with a Malaysian twist”, and essentially continues Sean Ghazi’s fascination with the Malaysian songbook, after the release of his AIM award-winning album ‘Semalam’. In TARAKUCHA!, expect a night of music from Malaysia’s greatest composers and songwriters, ranging from P. Ramlee to Sudirman to Jimmy Boyle. But know that these won’t be straight covers … Continue reading Pesta Raya 2018: TARAKUCHA! by Sean Ghazi and Ida Mariana (Preview)
Just as one’s ears prick up for a story the moment one hears the magical words ‘once upon a time’, storytellers of Malay folklore begin their tales with an equally powerful opener – ‘alkesah’, or ‘as the story goes’. And celebrating that long history of oral tradition then, is the aptly titled Esplanade commissioned musical Alkesah, opening the Esplanade’s 2018 Pesta Raya – Malay Festival of the … Continue reading Pesta Raya 2018: An Interview with Zulfadli ‘Big’ Rashid (Alkesah)
This Hari Raya, get ready as we welcome the first ever Malay standup comedy show in Singapore! Presented by DMR Productions, Indonesian comedian Mo Sidik and Kuala Lumpur based JD Raja Lawak will be in town this June to tickle your funny bone and bring laughter during this celebratory season. The larger than life Mo Sidik is one of Indonesia’s foremost comedians, being the first … Continue reading Preview: Komedi Raya – An Interview with Mo Sidik
Coinciding with the celebration of Hari Raya Aidilfitri, the 17th edition of Esplanade – Theatres on the Bay’s Pesta Raya – Malay Festival of Arts returns this July! This year, the festival will showcase the rich history of the Nusantara (Malay Archipelago), with a spectrum of programmes set to appeal to everyone from the young ones all the way to the oldtimers and hipsters! … Continue reading Preview: Pesta Raya 2018 by Esplanade – Theatres on the Bay
It’s been 11 years since How Did The Cat Get So Fat? was last staged and its message of a hollow pledge still rings true. Besides literally referring to corpulent felines, a fat cat can of course, also refer to corrupt businessmen and politicians abusing their wealth or power. And in Zizi Azah’s play How Did The Cat Get So Fat?, it is these members of the upper class … Continue reading The Studios 2018: How Did The Cat Get So Fat? (Review)
First performed in 2006 to critical acclaim, Zizi Azah’s monodrama How Did The Cat Get So Fat? makes a return this April as part of the Esplanade’s 2018 season of The Studios. In this version, the play will be helmed by The Finger Players Artistic Director Tan Beng Tian, who has injected the performance with her signature blend of puppetry. Siti Khalijah Zainal will once again be … Continue reading The Studios 2018: An Interview with Siti Khalijah (How Did The Cat Get So Fat?)
A woman’s will is put to the test when hit by the double whammy of divorce and death. Grief is one of the most common topics covered in theatre, making it an increasingly difficult subject to portray in a new light. But with Hatch Theatrics’ latest production and final show of their residency at the Malay Heritage Centre, it’s a topic that feels fresh with Lanang’s … Continue reading Review: Lanang by Hatch Theatrics
This April, Hatch Theatrics will be closing the latest chapter of their lives. The theatre company will be ending their two year residency with the Malay Heritage Centre with their 9th production, and will be presenting Hafidz Rahman’s Lanang. Prior to its premiere, we spoke to artistic director and Lanang director Faizal Abdullah, general manager Nur Khairiyah (Khai) and Lanang playwright Hafidz Rahman about the process leading up to Lanang and where Hatch might … Continue reading Lanang: An Interview with Hatch Theatrics
Get schooled with Bhumi Collective’s very first lecture-performance about traditional cultural dance forms. In Bhumi Collective’s latest production, they’re breaking new ground as they deviate from plays to explore the medium of performance research lecture. Bringing together practitioners/researchers, the collective aims to use the series to question and critique performance practices of today, and present to the public the research process behind it, opening up new … Continue reading Review: Traditionally Speaking by Bhumi Collective
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