★★★★★ Theatre Review: Fragments of Tuah by Mark Teh and Five Arts Centre

Mesmerising docutheatre production delves into the myth of Malayan national hero Hang Tuah while asking who gets to shape history, and why we continue to believe the stories we inherit. Duration: 90min Mythological figures have long served as vessels for morality, identity and national aspiration. Their stories are repeated until they begin to feel inseparable from the societies that tell them, their contradictions smoothed over … Continue reading ★★★★★ Theatre Review: Fragments of Tuah by Mark Teh and Five Arts Centre

Esplanade’s The Studios 2026: An Interview with Mark Teh on retelling legends of national heroes in Five Arts Centre’s ‘Fragments of Tuah’

Hang Tuah has occupied a singular place in the Malaysian imagination for centuries. The legendary warrior appears in school textbooks, literature, films and political speeches, often held up as the embodiment of loyalty, courage and duty. It is precisely because he is so deeply embedded in the national consciousness that theatre-maker Mark Teh never imagined he would make a work about him. “He’s a mythic … Continue reading Esplanade’s The Studios 2026: An Interview with Mark Teh on retelling legends of national heroes in Five Arts Centre’s ‘Fragments of Tuah’

★★★★☆ Theatre Review: Teater Normcore – Odisi Romansa by Ridhwan Saidi

Ridhwan Saidi crafts a haunting, cosmic space drama about androids to remind us what it means to be human. Ridhwan Saidi’s Teater Normcore: Odisi Romansa begins with surveillance. Before the theatre fully settles into darkness, before language and philosophy take over the stage, a grainy video emerges onscreen like recovered memory. Through the detached gaze of a CCTV camera, we follow a man and woman … Continue reading ★★★★☆ Theatre Review: Teater Normcore – Odisi Romansa by Ridhwan Saidi

Arts of Malaysia: An interview with writer/director Ridhwan Saidi on Teater Normcore – Odisi Romansa

There is something fitting about the long journey of Teater Normcore: Odisi Romansa, a play about distance, time, and memory that itself had to wait years before reaching the stage. First written in 2019, the production was disrupted by the pandemic, before finally returning in 2026. And for playwright-director Ridhwan Saidi, that passage of time was never something to erase. “I wrote Odisi Romansa back … Continue reading Arts of Malaysia: An interview with writer/director Ridhwan Saidi on Teater Normcore – Odisi Romansa

Arts of Malaysia: Teater Normcore – Odisi Romansa by Ridhwan Saidi (Preview)

If you’re drawn to theatre that lingers somewhere between poetry and philosophy, Teater Normcore: Odisi Romansa might be one of the more intriguing productions to catch this season. Staged at the Black Box, Damansara Performing Arts Centre (DPAC) this May, the latest work by Malaysian playwright-director Ridhwan Saidi arrives with all the hallmarks of his signature style: quiet lyricism, a touch of deadpan humour, and … Continue reading Arts of Malaysia: Teater Normcore – Odisi Romansa by Ridhwan Saidi (Preview)

★★★★☆ Review: ENTOURAGE – Murder Amongst Friends by Dramalab

Jit Murad’s lost play transforms The Playhouse into a spiralling night of ’90s excess, nostalgia, and danger, resurrecting his voice with bold direction and an unforgettable ensemble. KUALA LUMPUR – Stepping into The Playhouse, it begins as though the audience has stumbled into a party already in progress: a beautiful, artsy house with a bar, a living room, and the specific kind of lived-in aesthetic … Continue reading ★★★★☆ Review: ENTOURAGE – Murder Amongst Friends by Dramalab

Reviving Jit Murad’s Lost Play: An Interview with director Zahim Albakri, and cast members Ghafir Akbar and Sabrina Hassan of ‘ENTOURAGE – Murder Amongst Friends’

It begins, unexpectedly, with a laugh. “I actually think it’s one of his most well-crafted plays,” says Dato’ Zahim Albakri, the director of ENTOURAGE – Murder Amongst Friends, and one of the late Jit Murad’s closest collaborators. “Some of the writing is his best and really quite fabulous. It’s different from his other plays, but it’s definitely him; you recognise the writing.” Then, almost in … Continue reading Reviving Jit Murad’s Lost Play: An Interview with director Zahim Albakri, and cast members Ghafir Akbar and Sabrina Hassan of ‘ENTOURAGE – Murder Amongst Friends’

Arts of Malaysia: KL Art Book Fair 2025 celebrates fair’s 5th edition with over 125 local and international exhibitors

Bigger than ever, the Kuala Lumpur Art Book Fair (KLABF) is back for its fifth edition to honour the city’s vibrant artist-run culture and self-publishing scene. KLABF 2025 invites artists, designers, illustrators, writers, photographers, printmakers, independent publishers, alongside enthusiasts from Malaysia and beyond to gather under one roof for an exciting three-day celebration of the art book community. Founded in 2021, the KLABF is an … Continue reading Arts of Malaysia: KL Art Book Fair 2025 celebrates fair’s 5th edition with over 125 local and international exhibitors

★★★★☆ Theatre Review: Fat Kids Are Harder to Kidnap® – The Musical by How Drama

How Drama returns with the 2025 edition of their hit show, tackling politics, musicals, and pop culture with a bundle of laughs. In a year where the headlines have been equal parts surreal and exhausting from election chatter to global trade fallouts, sometimes the only way to keep up is to burst into song. And if there’s one show that can turn the chaos of … Continue reading ★★★★☆ Theatre Review: Fat Kids Are Harder to Kidnap® – The Musical by How Drama

Review: Kuah Jenhan – Like This, Like Dad.

Laughter and heart rolled into one big comedy special. Malaysian comedian Kuah Jenhan knows how to take careful potshots and make witty observations about the world we live in today. But in his solo outing Kuah Jenhan: Like This, Like Dad, Kuah offers something more than just a barrel full of laughs; he takes audiences on a deeply personal journey through memory, grief, identity, and, … Continue reading Review: Kuah Jenhan – Like This, Like Dad.