In London’s (Off) West End 2019: The Scene[s] – a Mini Season of Extended Scratch by Get Over It Productions in association with The Playground Theatre

LONDON – Female-led ensemble Get Over It Productions (GOI), in association with the The Playground Theatre present a brand new collection of six 60 minute plays. With London being blessed with the rich New Writing culture it has, GOI offers a platform for new creatives to extend their short works into hour long shows in The Scene[s], offering up a compendium of shows offers the next step … Continue reading In London’s (Off) West End 2019: The Scene[s] – a Mini Season of Extended Scratch by Get Over It Productions in association with The Playground Theatre

In London’s (Off) West End 2019: A Bit Of A Do by Drunken Chorus Theatre Company and Charity

LONDON – Now in its third year, the pioneering free mini-festival A Bit Of A Do from Drunken Chorus returns championing the work of artists with and without disabilities. Working with some amazing partners including BSL consultants, a visually impaired theatre company, local apprentices with learning disabilities, disability charities, artists and audiences, their aim is to empower artists to create and access theatre and dance. While … Continue reading In London’s (Off) West End 2019: A Bit Of A Do by Drunken Chorus Theatre Company and Charity

Be Alright: An Interview with Dean Lewis, the Australian Singer-Songwriter Who’s Making International Waves

Sydney-based singer-songwriter Dean Lewis has been in the industry professionally for only about three years, but has already found moderate success, certified 5x Platinum for his debut single Waves in Australia back in 2017, and 6x Platinum for his 2018 single Be Alright, as well as topping a number of international music charts. But in spite of these accolades, the 31-year old remains humble, in part owing … Continue reading Be Alright: An Interview with Dean Lewis, the Australian Singer-Songwriter Who’s Making International Waves

SIFA 2019: Crowd by Gisèle Vienne (Review)

The lines of desire are powerfully drawn over one crazy night at the rave.  While often considered a liminal space of chaos and pure freedom of expression, French choreographer Gisèle Vienne has managed to temper that manic energy and craft a scintillating, multi-layered dance work with Crowd, as we watch the lives of 14 dancers unfold over one night at a rave. Crowd dedicates itself entirely to the … Continue reading SIFA 2019: Crowd by Gisèle Vienne (Review)

SIFA 2019: Körper by Sasha Waltz & Hans Peter Kuhn (Review)

The discomfort of being in our own skin translates to the discomfort of being alive.   Often considered one of her signature works, Sasha Waltz’s Körper has remained incredibly iconic and relevant even 19 years on. While bodies are always a key part of any dance performance, rarely has a production chosen to so boldly examine the body itself in full visceral detail, tearing it down to … Continue reading SIFA 2019: Körper by Sasha Waltz & Hans Peter Kuhn (Review)

Review: #GOALS by Dwayne Lau

Can someone just get Dwayne Lau his own TV workout show already? With our modern fitspo culture taking the country by storm, it was only a matter of time before a theatre show would arrive to tackle the topic. Enter theatremaker Dwayne Lau with #GOALS, a comedy musical revue and love letter to his ongoing fitness journey, which played last weekend at the Esplanade Concourse as part … Continue reading Review: #GOALS by Dwayne Lau

SIFA 2019: A Dream Under The Southern Bough – Reverie by Toy Factory (Review)

The second instalment of this adaptation of a Ming dynasty classic brims with potential – a quintessential Toy Factory production doing what they do best.  Trust is an incredibly delicate concept in the theatre world, and with Toy Factory’s epic production A Dream Under The Southern Bough, SIFA always knew it was running a risk when they invested resources that would see the production through, one … Continue reading SIFA 2019: A Dream Under The Southern Bough – Reverie by Toy Factory (Review)

Review: Complexnya by Dance In Situ x P7:1SMA

Using the labyrinthine world of Hong Lim Complex to tease out issues of conflict and change. Much like their name suggests, contemporary dance company Dance In Situ is best known for their productions taking place in unexpected locations, eschewing the traditional stage to perform in everyday, neighbourhood spaces ranging from Bedok Maze, to Ang Mo Kio 3G Centre, to Chinatown MRT Station. This time around, … Continue reading Review: Complexnya by Dance In Situ x P7:1SMA

Theatre of the United Kingdom 2019: Aldebugh’s HighTide Festival 2019

ALDEBURGH – The 13th edition of the HighTide Festival returns to Aldeburgh this September, with six whole days of arts programming, including a world premiere and new work by local talent, curated by Steven Atkinson in his final stint as Artistic Director of the festival. East Anglian theatre company HighTide is renowned for the discovery of new playwrights, including Ella Hickson, Nick Payne and Vinay Patel. This … Continue reading Theatre of the United Kingdom 2019: Aldebugh’s HighTide Festival 2019

SIFA 2019: Ryuichi Sakamoto – Fragments with Shiro Takatani (Review)

A transcendent performance brilliantly portraying the struggle of art and life.  Nobody ever said creating art was easy. But perhaps few people know it quite as well as living legend and composer Ryuichi Sakamoto, who had an eight year gap between his latest solo album async (2017) and Out of Noise (2009), during which he struggled to find inspiration. In that time, Sakamoto was also diagnosed with throat cancer, … Continue reading SIFA 2019: Ryuichi Sakamoto – Fragments with Shiro Takatani (Review)