Preview: LumiNation by The Arts House

Coinciding with the nation’s 53rd birthday, the Arts House presents LumiNation, an all new programme showcasing a series of carefully curated events that explore just what it means to be a Singaporean. In its inaugural edition, the programme explores the theme of Hidden People, Hidden Words, Hidden Histories, Hidden Spaces. Held over two weekends from, LumiNation focuses primarily on taking audiences through the lens of written and spoken narratives, as … Continue reading Preview: LumiNation by The Arts House

Review: dead was the body till i taught it how to move by Bhumi Collective

Proof that theatre provides a safe space for anyone to tell the most heartwrenching of stories. There’s a saying that all stories are worth telling, if only one knows how to tell them. In dead was the body till i taught it how to move, Bhumi Collective presents the story of an ordinary boy going through extraordinary trauma and grief. While going through university in Warwick, ex-Ministry … Continue reading Review: dead was the body till i taught it how to move by Bhumi Collective

An Interview with the Creatives of dead was the body till i taught it how to move

Bhumi Collective has only been around for a couple of years, but they’ve already been showcasing a variety of genres  dipping their toes into various genres of shows, ranging from fringe theatre to lecture performance. Now, they’ll be presenting an all new, original, interdisciplinary work, co-created by a number of young theatre makers both familiar and new to the local scene in the premiere of dead … Continue reading An Interview with the Creatives of dead was the body till i taught it how to move

Preview: dead was the body till i taught it how to move by Bhumi Collective

Life has a habit of throwing the greatest of curveballs when you least expect it. And in Bhumi Collective’s latest production, they’ll be tackling the story of one man who finds his once clear path now at a crossroads when faced with an unexpected crisis. Written by Edward Eng, directed by the Second Breakfast Company artistic director Adeeb Fazah, and with dramaturgy and movement direction … Continue reading Preview: dead was the body till i taught it how to move by Bhumi Collective

Review: Traditionally Speaking by Bhumi Collective

Get schooled with Bhumi Collective’s very first lecture-performance about traditional cultural dance forms.  In Bhumi Collective’s latest production, they’re breaking new ground as they deviate from plays to explore the medium of performance research lecture. Bringing together practitioners/researchers, the collective aims to use the series to question and critique performance practices of today, and present to the public the research process behind it, opening up new … Continue reading Review: Traditionally Speaking by Bhumi Collective

Preview: Traditionally Speaking by Bhumi Collective

Bhumi Collective strides into 2018 with an all new series of works, utilising the performance-lecture medium to deliver a series of performances aimed at colliding research, process and performance. For the very first instalment of this series (titled Intersections), they begin this March with Traditionally Speaking. Directed by Muhammad Noramin Bin Mohamed Farid and in collaboration with Elizabeth Chan, these dancers will reflect back on the experiences that have shaped … Continue reading Preview: Traditionally Speaking by Bhumi Collective

Preview: Artwalk Little India 2018 – Urban Mythology (SAW 2018)

This Singapore Art Week, ARTWALK Little India returns for its 4th edition with the theme of Urban Mythology, bringing back tales of Little India in the form of murals, public art installations and free performances all around the district. Presented by LASALLE College of The Arts and Singapore Tourism Board with the support of Little India Shopkeepers and Heritage Association, this year’s edition will feature an even greater … Continue reading Preview: Artwalk Little India 2018 – Urban Mythology (SAW 2018)

Spirited Away: Meeting the Team Behind L’arietta’s Purgatory

Stepping into their rehearsal space at UWCSEA, we watch the members of L’arietta’s upcoming production of Purgatory already in the midst of a jovial conversation, easily cracking jokes with each other while chatting animatedly. It’s the very image of a happy family, and we were taken with how in sync the entire group felt at first sight. Founded in mid-2015 by soprano Akiko Otao and tenor … Continue reading Spirited Away: Meeting the Team Behind L’arietta’s Purgatory

Artist Spotlight: Performer Iain Gibbons

We’ve seen actor Iain Gibbons in many a fringe show now, from Rounds at the Blue Elephant Theatre to America’s No.1 Detective Agency off at the Drayton Arms Pub, and he’s always delighted us with his quirky sense of humour and ridiculously likable onstage presence. Now, Gibbons is going to get the stage all to himself, as the Gaulier-trained actor stars in his very own devised … Continue reading Artist Spotlight: Performer Iain Gibbons

SIFA 2017: Trojan Women by Ong Keng Sen and the National Theater of Korea (Review)

One thing that can be said about SIFA Festival Director Ong Keng Sen: whenever he attempts to create a new work, he always aims high and goes all the way, resulting at the very least in an unforgettable theatrical spectacle. With Trojan Women, Ong breathes new life into a centuries old Korean art form by applying it to an ancient Greek play. Based off Euripedes’ … Continue reading SIFA 2017: Trojan Women by Ong Keng Sen and the National Theater of Korea (Review)