In conjunction with their 30th Anniversary celebration this year, Teater Kami is set to restage Anak Melayu – a play that was first staged in 1992 at The Substation, as written and directed by a then 18 year old Noor Effendy Ibrahim. Anak Melayu follows six Malay teenagers going through a tumultuous period in their lives as they attempt to find themselves and discover those around them in … Continue reading Preview: Anak Melayu by Teater Kami
Celebrated clarinettist Sabine Meyer returns to Singapore to radiate joy with the meditative serenity of Mozart’s Clarinet Concerto. Having played with more than 300 orchestras worldwide, Sabine Meyer is now considered one of the world’s most renowned instrumental soloists. Her efforts alone are part of the reason why the previously underestimated clarinet has recaptured the attention of the concert platform. Born in Crailsheim, Meyer studied … Continue reading Preview: Sabine Meyer – Mozart Clarinet Concerto presented by Singapore Symphony Orchestra
Around 40% of the world population has an internet connection today. In 1995, it was less than 1%. LONDON – Nothing to Fear is a collaboration between technology and the human voice. Throughout, Benjamin explores our relentless relationship with the internet and why taking ownership of our data is now more important than ever. Part gig, part lecture, with a blend of beatboxing and experimental … Continue reading In London’s (Off) West End 2019: Nothing to Fear at the Blue Elephant Theatre (Preview)
When we first met Dana Lam at a preview of her new play Still Life last year, we were struck by the quiet strength the former AWARE president exuded as she confidently performed a poetic interpretation of scenes from her life. This was helped in part by the countless artworks displayed all around her studio in Goodman Arts Centre, offering us a glimpse into Dana’s life not just … Continue reading Checkpoint Theatre’s Still Life: An Interview with Playwright/Performer Dana Lam
“What you allow is what will continue.” This March, coinciding with International Women’s Day, artist collective -wright Assembly have gathered both male and female artists specialising in multiple art disciplines to create Kotor, a multidisciplinary performance responding to writer Natalie Wang’s anthology The Woman Who Turned Into a Vending Machine. The project originated when Creative Producer Farhanah Diyanah (FD) spoke to choreographer Ismail Jemaah, developing a new … Continue reading Preview: Kotor by -wright Assembly
Frontier Danceland begins their 2019 edition with a showcase of new works this March with LEAP 2019. Led by Artistic Director Low Mei Yoke, company artists Faye Tan, Keigo Nozaki and Sammantha Yue, and project choreographers Adelene Stanley and Chew Shaw En will showcase brand new choreography featuring the talented young dancers from the M1-Frontier Danceland PULSE Programme as they explore issues of the everyday, from … Continue reading Preview: LEAP 2019 by Frontier Danceland
10 years ago, leading local theatre company The Necessary Stage (TNS) started their Theatre for Seniors (TFS) programme, a platform for pioneers and older citizens to find a creative and educational space to learn and perform theatre. Now, TFS has come into its own as a professional theatre group, and this year, will present a brand new production jointly devised and performed by seniors. Says Alvin … Continue reading Preview: It Takes All Kinds by Theatre for Seniors (The Necessary Stage)
This March, UltraSuperNew Gallery is set to present Planes & Envelopes, a brand new exhibition by Hazel Lim and Ginette Chittick, brought together for the first time. Both artists are known for using simple materials such as yarn and paper to create woven artworks, primarily focusing on intersections of contemporary art, design and craft. Using pared down materials such as the kapok yarn and semi-translucent paper, they fashion … Continue reading Museum Musings: Planes & Enevelopes at UltraSuperNew Gallery
Organised by Yale-NUS College in support of the Singapore Bicentennial, next week sees the launch of the inaugural The Future of Our Pasts Festival (TFOOPFest), seeking to explore lesser-known narratives in Singapore history through various art mediums. Running from 16th February to 17th March, the month-long festival features 11 projects created by local undergraduates, young artists and cultural advocates. The programme lineup is set to showcase a range of … Continue reading Preview: The Future of Our Pasts Festival by Yale-NUS College
LONDON – 2019 is here, and we still live in a time where white feminism runs rampant, blackface happens from time to time, and racism and discrimination are well and alive. How do we strengthen the move for change and be inclusive, and tell white people themselves that they are part of the problem such that they just get it? Writer Rachel De-Lahay and director Milli Bhatia … Continue reading In London’s (Off) West End 2019: My White Best Friend and Other Letters Left Unsaid at the Bunker Theatre (Preview)
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