Review: 7 Sages of the Bamboo Grove 竹林七贤 by Toy Factory (Huayi 2020)

★★★☆☆ (Performance attended 31/1/20) Allegorical tale of a dystopian surveillance state preaches the value of the arts, but loses itself in a myriad of subplots along the way. During the rule of the Three Kingdoms, the seven sages of the bamboo grove were a group of scholars and artists who chose to counter the bureaucracies and corruption of the time in the only way they knew … Continue reading Review: 7 Sages of the Bamboo Grove 竹林七贤 by Toy Factory (Huayi 2020)

Review: Prism of Truth 眾相 by Ground Z-0 (Huayi 2020)

★★★☆☆ (Performance attended 31/1/20) Modern rework of Rashomon allows audience to play jury in a multimedia social experiment.  In the field of conspiracy theory, so long as a claim cannot be disproven, the possibility of it being true exists, allowing the idea of multiple relative ‘truths’ to exist simultaneously without conforming to an absolute. Perhaps one of the earliest versions of this comes in the form … Continue reading Review: Prism of Truth 眾相 by Ground Z-0 (Huayi 2020)

Singapore Biennale 2019: Quora Fora – A Rehearsal by Jason Wee

In a world ravaged by militant and/or corrupt authorities, how do we, as ordinary citizens, learn to take a step in the right direction in the hopes of a better future? In Jason Wee’s Quora Fora: A Rehearsal, the local artist poses this question to the audience in attendance with a performance art piece combining opera, poetry and architecture. Playing at the Ngee Ann Kongsi Theatre at … Continue reading Singapore Biennale 2019: Quora Fora – A Rehearsal by Jason Wee

Review: Mak-Mak Menari by Bhumi Collective (M1 Singapore Fringe Festival 2020)

★★★★☆ (Performance attended 17/1/20) Poignant docu-drama about sisterhood over a lifelong passion for Malay dance.  In the performing arts world, dancers are notorious for having a short career span, with many retiring before hitting middle-age. But for one group of dance enthusiasts, age is no barrier to their passion, as the makciks of Mak-Mak Menari continue to meet, rehearse, and perform together to this day. … Continue reading Review: Mak-Mak Menari by Bhumi Collective (M1 Singapore Fringe Festival 2020)

Film Fanatic: An Interview with A Land Imagined (幻土) Director Yeo Siew Hua and Composer Teo Wei Yong

When we watched (and reviewed) A Land Imagined last year, it had just made history as the first Singaporean film to win the prestigious Golden Leopard, the highest accolade at the 71st Locarno International Film Festival. Fast forward a year later, and at Taiwan’s 56th Golden Horse Awards (the ‘Oscars of the Mandarin-speaking world’), A Land Imagined received four nominations, for Best Original Screenplay, Best Original Film Score, … Continue reading Film Fanatic: An Interview with A Land Imagined (幻土) Director Yeo Siew Hua and Composer Teo Wei Yong

Review: ATARA – For you, who has not yet found the one by Reut Shemesh (M1 Singapore Fringe Festival 2020)

★★★☆☆ (Performance attended 14/1/19) Finding the means to be who you are in a society that suppresses one’s identity. With some of her closest family members converting to Orthodox Hasidic Judaism 15 years ago, choreographer Reut Shemesh found herself suddenly embroiled in a world of new rules. Men were not allowed to express any physical affection to women with whom they are not married to, preventing … Continue reading Review: ATARA – For you, who has not yet found the one by Reut Shemesh (M1 Singapore Fringe Festival 2020)

Review: The Shadow Curriculum by Jelaine Ng (M1 Singapore Fringe Festival 2020)

★☆☆☆☆ (Performance attended 11/1/20, 2pm) Attempt to satirise motivational speakers unclear in its motives and falls flat.  In Singapore’s results-oriented society, success is everything. So it comes as no surprise that parents will try any ways and means necessary to give their children a leg up in the place that will most likely make or break their future: school. From countless tuition lessons to enrichment … Continue reading Review: The Shadow Curriculum by Jelaine Ng (M1 Singapore Fringe Festival 2020)

Review: Beside Ourselves by .gif (M1 Singapore Fringe Festival 2020)

★★☆☆☆ (Performance attended 10/1/20) Great songs from .gif stitched together with a premature theatre production unable to fully capture the theme of displacement with its form.  While primarily known as darlings of the local music scene, local electronica duo .gif has also recently dabbled in mediums such as theatre, having provided the lush, trippy soundtrack to Checkpoint Theatre’s Displaced Persons Welcome Dinner (2019). Their iconic … Continue reading Review: Beside Ourselves by .gif (M1 Singapore Fringe Festival 2020)

Review: Secretive Thing 215 by Secretive Thing (M1 Singapore Fringe Festival 2020)

★★★★☆ (Performance attended 9/1/20) Intricate, introspective experience with only our phones and a mysterious communicator. Going in to a performance of a secretive nature, knowing absolutely nothing about what to expect, feels a little unnerving and very exciting. With Secretive Thing 215, the latest ‘show’ by mysterious collective Secretive Thing, all we know is that we are to come with a phone enabled with WhatsApp, and … Continue reading Review: Secretive Thing 215 by Secretive Thing (M1 Singapore Fringe Festival 2020)

Review: Contemplating Kopitiam and Kampong Wa’Hassan by Oliver Chong and NAFA (M1 Singapore Fringe Festival 2020)

★★★☆☆ (Performance attended 9/1/20) Alfian Sa’at meets Kuo Pao Kun meets the Millennials in this well-directed but conceptually disjointed reflection on belonging and identity.   There’s something incredibly audacious about splicing two unlike plays together in an attempt to better bring out their shared concerns. Where Kuo Pao Kun’s Kopitiam was a naturalistic, three-character work in Mandarin concerning itself with an elderly coffee shop owner struggling to understand … Continue reading Review: Contemplating Kopitiam and Kampong Wa’Hassan by Oliver Chong and NAFA (M1 Singapore Fringe Festival 2020)