Amidst the hubbub and constant construction going on at Orchard Road, you may or may not have noticed a new hotel that’s sprung up about 2 months ago. Tucked away behind the Shaw Centre away from the noise pollution of the main road, YOTEL is the newest kid on the hotel block to set up shop in Singapore. YOTEL was started by Simon Woodroffe, … Continue reading Say Yo! to YOTEL’s Grains and Hops Restaurant and Bar
A chance to hear from the misunderstood ranks of society and learn a little more about subcultures. We’re going to start this review with a disclaimer: we have just about zero experience interacting with any of the subcultures mentioned in SUB II. A punk, metalhead or skinhead is about the furthest thing from our usual social circles, and it’s completely refreshing to see these subcultures take the … Continue reading Review: SUB II – The Art of Exploitation by Underground Theatre
There’s magic in words as Rebekah Sangeetha Dorai and Jun Vinh Teoh bring to life classic characters from beloved stories from the 90s. There are some books you read as you’re growing up that you never forget. For producer Tan Kheng Hua, they include works from 90s writers Gopal Baratham, Colin Cheong, Philip Jeyaretnam and Simon Tay, all of whom are proudly showcased in The Page … Continue reading Review: The Page on Stage – A Performance of Words from the stories of Baratham, Cheong, Jeyaretnam and Tay
If you’ve ever taken a walk behind the hustle and bustle of Orchard Road, just a little beyond the refurbished bars, you’ll find a wonderland of colonial houses arranged across Emerald Hill. Take a moment and imagine how years ago, this place used to be a nutmeg plantation, encompassing the dreams and lives of colonials and the colonised as the boom thrived and died. With OH! … Continue reading Revisiting Colonialism Through Art: OH! Emerald Hill
Singapore Design Week is upon us again, and creative placemaking studio Shophouse & Co. are back with the fifth edition of The City Ramble Design Trails! One of their most popular programmes, each trail is a chance for participants to discover a side of the city they’ve never known, ripe with inspiration and the most creative of designs. At the media preview held on 8th … Continue reading Unexpected Innovation and Fresh Perspectives: The City Ramble Design Trails by Shophouse & Co.
SINGAPORE – Just in time for Chinese New Year and its 6th anniversary in Singapore, PAUL, one of France’s best known and oldest boulangerie chains has finally decided to break away from tradition and launched an all new, locally inspired menu this February. Conceptualized by Executive Chef Benjamin Lee, the innovative new menu features dishes that will remind diners of some of our most familiar … Continue reading A Taste of France: PAUL Melds Flavours of Singapore with French Cuisine In New Menu
Singapore’s Queen of Comedy shows he’s still no drag at age 50 with a celebration shrouded in joy and laughter. There is no argument that Kumar is a national icon. Dream Academy artistic director and longtime collaborator and friend Selena Tan has made an absolutely on point decision to stage Kumar 50, giving Singapore’s very own Queen of Comedy a golden jubilee to end all others. Sweeping … Continue reading Review: Kumar 50 by Dream Academy
Same same but different – Pangdemonium’s The Father is a terrifying take on dementia as seen through one man’s eyes. Florian Zeller’s The Father is a difficult play to watch. Not necessarily because it’s complicated (although it’ll certain leave you confused and terrified by the end), but because it’s a play that deals with the inevitable – growing old, and the very real possibility of encountering … Continue reading Review: The Father by Pangdemonium!
Finding love in a hopeless place, with a side of ghosts, graves and a long list of ex-lovers. In Why We Chat?, director Edward Lam and writer Wong Wing Sze reimagine Pu Songling’s classic Strange Tales From A Chinese Studio (聊斋志异) for the times, taking inspiration from its supernatural themes and crafting an all new story about the contemporary horrors of feeling completely, utterly alone within the modern … Continue reading Huayi 2018: Why We Chat? (聊斋) by Edward Lam Dance Theatre (Review)
Nine Years Theatre and T.H.E. Dance Company take audiences on a nightmarish journey that explores the chaos within our minds. When Nine Years Theatre and T.H.E. Dance Company come together, it’s almost certain that something incredibly out of this world will be born from the collaboration. And when you add a heavy dose of surrealism, you’d probably get something along the lines of Cut Kafka. … Continue reading Huayi 2018: Cut Kafka! (咔嚓卡夫卡!) by Nine Years Theatre and T.H.E. Dance Company (Review)
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