Huayi Festival 2019: Dear John by M.O.V.E. Theatre (Review)
A musical soundscape through unorthodox means. When John Cage’s controversial 4’33 premiered in 1952, never might the avant-garde composer have imagined the sheer impact he might have had in the field of music theory. Infamous for being four minutes and thirty three seconds of ‘silence’ as an orchestra stands still onstage, the work reflects Cage’s interests in Zen Buddhism, and his magnum opus epitomizing the theory … Continue reading Huayi Festival 2019: Dear John by M.O.V.E. Theatre (Review)
