Preview: Are You Game, Sau(dara)? by Centre 42 and Five Arts Centre

This March, Singapore’s Centre 42 and Malaysia’s Five Arts Centre unite to present a cross-Causeway double-bill in the form of Are You Game, Sau(dara)? Created by Singapore theatre company Bhumi Collective and Malaysian director Fasyali Fadzly,  Are You Game, Sau(dara)? will be co-presented Centre 42 (Singapore) and Five Arts Centre (Malaysia), in the first collaboration between the two companies, and performed at Kotak @ Five Arts Centre, Kuala Lumpur before heading … Continue reading Preview: Are You Game, Sau(dara)? by Centre 42 and Five Arts Centre

Teater Kami’s Anak Melayu: An Interview with Cast Member Masturah Oli

This year, Teater Kami celebrates their 30th Anniversary, and starts off their season with a restaging of Noor Effendy Ibrahim’s 1992 play Anak Melayu. Now directed by Adib Kosnan, the play about the rollercoaster lives Malay teenagers lead growing up in Singapore is set to hit hard with its truths, played by a diverse new cast of performers. Of these is performer Masturah Oli, who we last saw … Continue reading Teater Kami’s Anak Melayu: An Interview with Cast Member Masturah Oli

SIFA 2019: Ryuichi Sakamoto – Fragments, First SIFA 2019 Show To Already Be All Sold Out

It’s been less than a day since the tickets for the 2019 edition of the Singapore International Festival of Arts (SIFA) have been released, and some shows are already being snapped up like hotcakes. Of these, it is music performance Ryuichi Sakamoto – Fragments that has already been completed booked. The one night only performance was priced at $150 per ticket for a limited seating, and those lucky … Continue reading SIFA 2019: Ryuichi Sakamoto – Fragments, First SIFA 2019 Show To Already Be All Sold Out

Preview: Singapore International Festival of Arts 2019

In 2018, the Singapore International Festival of Arts (SIFA) saw the arrival of Gaurav Kripalani, taking on the mantle of Festival Director for the next three editions along with his capable team. Aiming to use this new edition of SIFA to act as the cornerstone and building blocks for future festivals to come, seeing an attendance of over 55,000 audience members, 84% of ticket sales … Continue reading Preview: Singapore International Festival of Arts 2019

Preview: Bette Davis on the Edge presented by Wag the Dog Theatre

While putting up the final touches before announcing their main stage production, Wag the Dog theatre begins 2019 as producers of the Asian premiere of Christine St. John’s Bette Davis on the Edge. In this one woman show, both written and performed by St. John, Bette Davis on the Edge takes audiences to the wee hours of October 31st 1962, a day rife with potential as motion … Continue reading Preview: Bette Davis on the Edge presented by Wag the Dog Theatre

OH! Open House 2019: PASSPORT (Preview)

A passport summarises you in an instant. It opens up the world or damns you to bureaucratic hell. It affirms your identity or is just a booklet with benefits. A way out or a guarantee of a home to come back to. What do passports mean to you?  Departing from OH! Open House’s typical style, Singapore’s favourite neighbourhood art walk takes on not one but … Continue reading OH! Open House 2019: PASSPORT (Preview)

Review: Late Company by Pangdemonium

Emotional, poignant drama unfolds at the worst dinner ever.  Dinner parties can be absolute nightmares. But dinner parties aimed to make peace with the parents who bullied your son into suicide? Unthinkable. Such is the case for grieving parents Debora and Michael (Janice Koh and Edward Choy) in Late Company, who invite Tamara and Bill (Karen Tan and Adrian Pang), and their son Curtis (Xander … Continue reading Review: Late Company by Pangdemonium

Huayi Festival 2019: That Which Cannot Be Divided (无法被整除) by Bulareyaung Pagarlava & Albert Tiong (Review)

United we stand, divided we fall. Inspired by the concept of prime numbers – numbers indivisible by anything other than themselves and 1 and with no immediately apparent pattern, former Cloud Gate Dance Theatre members Bulareyaung Pagarlava (Taiwan) and Albert Tiong (Singapore) each choreographed a work attempting to unravel the mysteries behind them, showcasing how they may have more application to daily life than we … Continue reading Huayi Festival 2019: That Which Cannot Be Divided (无法被整除) by Bulareyaung Pagarlava & Albert Tiong (Review)

Huayi Festival 2019: The Way of Zhuang Zi (庄子兵法) by Story Works (Review)

Nerve wracking thriller of a play that keeps you guessing every step of the way. Happiness is the absence of striving for happiness. I do not know whether I was then a man dreaming I was a butterfly, or whether I am now a butterfly dreaming I am a man. Of the many Chinese philosophers we grew up learning from our scholar of a Chinese teacher … Continue reading Huayi Festival 2019: The Way of Zhuang Zi (庄子兵法) by Story Works (Review)

Singapore Symphony Appoints Hans Sørensen as Director of Artistic Planning

The Singapore Symphony Orchestra (SSO) has appointed Hans Sørensen to its newly created position of Director of Artistic Planning. Sørensen was most recently Artistic Planner and Orchestra Manager for the Göteborgs Symfoniker (the National Orchestra of Sweden). Says Chng Hak-Peng, CEO of the Singapore Symphony Group (SSG), which manages the SSO, Singapore’s national orchestra: “We are delighted to welcome Hans on board as one of … Continue reading Singapore Symphony Appoints Hans Sørensen as Director of Artistic Planning