Preview: Constellations by The Winter Players

If love had infinite versions, in how many would you recognize yourself? That’s the tantalizing question at the heart of Nick Payne’s Olivier award-winning play, Constellations, coming to Singapore this April courtesy of the dynamic youth-led collective, The Winter Players (TWP). Fresh off their sold-out rendition of Much Ado About Nothing, TWP are back to open their 2026 season with a bold, contemporary exploration of … Continue reading Preview: Constellations by The Winter Players

Preview: Pesta Raya – Malay Festival of Arts 2026 by Esplanade – Theatres on the Bay

As Pesta Raya – Malay Festival of Arts marks its 25th edition in 2026, the beloved festival returns not just as a celebration, but as a living archive of the Nusantara’s cultural imagination. Taking place from 16 to 19 April at Esplanade – Theatres on the Bay, this milestone edition reflects how far the festival has come, from a platform for artistic expression to a … Continue reading Preview: Pesta Raya – Malay Festival of Arts 2026 by Esplanade – Theatres on the Bay

A Dream of Red Mansions: An Interview with the dancers and choreographer of National Ballet of China’s acclaimed ballet adaptation of the classic tale 

When audiences step into A Dream of Red Mansions this March, they will be entering a world suspended somewhere between memory and dream. The ballet, performed by the National Ballet of China, transforms one of China’s most beloved literary works into a lyrical stage experience. Inspired by Cao Xueqin’s 18th-century novel, the production blends classical ballet vocabulary with Chinese movement aesthetics to evoke a fragile … Continue reading A Dream of Red Mansions: An Interview with the dancers and choreographer of National Ballet of China’s acclaimed ballet adaptation of the classic tale 

An Invitation to Play: Chong Tze Chien to honour Legacy and evoke paradigm shifts for his tenure as SIFA’s newest Festival Director

“Let’s play” sounds like an unexpected invitation at a time like this. In recent years, Singapore’s arts ecosystem has felt increasingly brittle, one defined by closures, stagnant funding, and a growing sense that artistic labour must constantly justify itself in numbers, outcomes, and economic value. Against this pragmatic backdrop, theatremaker Chong Tze Chien has emerged from the wings and prepares to stage his first act … Continue reading An Invitation to Play: Chong Tze Chien to honour Legacy and evoke paradigm shifts for his tenure as SIFA’s newest Festival Director

Singapore International Festival of Arts 2026 set to turn city into a playground for the arts with theme ‘Let’s Play’

For two weeks in May, Singapore becomes a stage. Across theatres, parks and historic civic spaces, the Singapore International Festival of Arts (SIFA) returns from 15 to 30 May with performances that stretch from aerial dance spectacles and immersive theatre to experimental late-night encounters. This year’s edition carries an unusually simple invitation: “Let’s Play.” The phrase captures the spirit of a festival that wants audiences … Continue reading Singapore International Festival of Arts 2026 set to turn city into a playground for the arts with theme ‘Let’s Play’

Civility Falls Apart: An Interview with director Nelson Chia and the cast of Nine Years Theatre’s God of Carnage 《杀戮之神》

At the start of Yasmina Reza’s God of Carnage, everything looks reasonable. Veronica has prepared food. Michael has arranged the living room. Annette arrives determined to be gracious. Alan, distracted by his phone, still shows up. Four adults sit down to discuss their sons’ playground conflict calmly, civilly, like responsible people should. That the evening collapses into chaos feels less like a shock than a … Continue reading Civility Falls Apart: An Interview with director Nelson Chia and the cast of Nine Years Theatre’s God of Carnage 《杀戮之神》

★★★★★ Theatre Review: Le Père (The Father) 父亲 by Shanghai Dramatic Arts Centre

by D.Y. Mandarin adaptation of acclaimed Florian Zeller play finds heartbreaking new resonance; spotlighting the Asian sensibilities of a family at war with Alzheimer’s disease.  In theatre, there are few plays that break the trust between audience and performer in its storytelling; And with an unassuming title such as ‘The Father’, the audience is lured into a false sense of familiarity. But, when the naturalistic, … Continue reading ★★★★★ Theatre Review: Le Père (The Father) 父亲 by Shanghai Dramatic Arts Centre

★★★★★ Theatre Review: Force Majeure by Pangdemonium

A storm of memory, art and family marks the beginning of Pangdemonium’s final season. Pangdemonium opens its 2026 season with Force Majeure, a quietly devastating meditation on art, family and the fragile structures that hold both together. Written by Stephanie Street and directed by Tracie Pang, the play reimagines Chekhov’s Three Sisters within a contemporary Southeast Asian context, where artists find themselves negotiating not just … Continue reading ★★★★★ Theatre Review: Force Majeure by Pangdemonium

Arts of Hong Kong: The Hong Kong Academy for Performing Arts and Hong Kong Arts Festival Strengthen Strategic Partnership through signing a Memorandum of Understanding

HONG KONG – The Hong Kong Academy for Performing Arts (HKAPA) and the Hong Kong Arts Festival (HKAF) are delighted to announce the signing of a Memorandum of Understanding (MoU), marking a new chapter in their long-standing partnership. The agreement builds on the two parties’ rich legacy of artistic exchange and collaboration, reinforcing both organisations’ shared vision for the future development of the arts. This MoU establishes a framework for strategic collaboration. By leveraging their complementary strengths, … Continue reading Arts of Hong Kong: The Hong Kong Academy for Performing Arts and Hong Kong Arts Festival Strengthen Strategic Partnership through signing a Memorandum of Understanding

An Interview with director Tracie Pang, and cast members Sharda Harrison and Benjamin Kheng on Pangdemonium’s ‘Force Majeure’

In its final season, Pangdemonium returns to a writer who has haunted stages for more than a century: Anton Chekhov. But this is not a museum piece, nor a reverent period revival. Force Majeure, written by Stephanie Street and adapted from Three Sisters, relocates the ache of Chekhov’s provincial dreamers into a contemporary landscape of global drift and fragile belonging. The soldiers and samovars are … Continue reading An Interview with director Tracie Pang, and cast members Sharda Harrison and Benjamin Kheng on Pangdemonium’s ‘Force Majeure’