In London’s West End 2018: Company at the Gielgud Theatre (Review)
Mid-life crisis spells birthday blues in this bold, genderbent version of Company. LONDON – Genderbending an established work of theatre certainly isn’t a new thing in this day and age. But with Marianne Elliot’s new version of Company, there’s something excitingly modern about how the newly christened Bobbie breathes new life into Stephen Sondheim and George Furth’s quintessentially New York musical-comedy. In this production of Company, the musical … Continue reading In London’s West End 2018: Company at the Gielgud Theatre (Review)
