★★★★★ Theatre Review: LACRIMA by Caroline Guiela Nguyen (SIFA 2026)

A searing commentary on the countless hours of tears and unseen labour it takes to weave a work of art. In the realm of fashion, haute couture (literally “high dressmaking”) exists as the pinnacle of craftsmanship: exclusive, custom-fitted garments made almost entirely by hand using some of the world’s most luxurious fabrics. It is legally protected in France, strictly regulated by the Fédération de la … Continue reading ★★★★★ Theatre Review: LACRIMA by Caroline Guiela Nguyen (SIFA 2026)

SIFA 2026: Makan Culture – An interview with playwright Jo Tan and director Krish Natarajan on makan, mayhem and making meaning

What happens when theatre stops asking audiences to sit still and instead invites them to eat, speak, and play? At the festival village of the 2026 Singapore International Festival of Arts, new experience Makan Culture unfolds as a lively, unpredictable encounter that sits somewhere between performance and gathering. Created by Jo Tan and directed by Krish Natarajan, the work brings together music, puppetry, and audience … Continue reading SIFA 2026: Makan Culture – An interview with playwright Jo Tan and director Krish Natarajan on makan, mayhem and making meaning

SIFA 2026: Tempo – An interview with choreographer Fernando Melo on twisting and turning time through dance and illusion

Time slips, stretches, and occasionally seems to stand still in Tempo, a dreamlike work presented at the Singapore International Festival of Arts. In this collaboration between director Kalle Nio and choreographer Fernando Melo, falling bodies hover mid-air, actions reverse, and the ordinary becomes quietly uncanny. Rather than treating illusion as spectacle, Melo approaches it as a byproduct of attention, of bodies, space, and time aligning … Continue reading SIFA 2026: Tempo – An interview with choreographer Fernando Melo on twisting and turning time through dance and illusion

SIFA 2026: The Lighthouse – An interview with Patch Theatre artistic director Geoff Cobham on light and children’s theatre

In The Lighthouse, light isn’t something you simply watch, but something you step into. Created by Geoff Cobham for Patch Theatre, the work invites audiences, both young and the young-at-heart, to move through a glowing landscape of shifting rooms, reflections, and surprises, where curiosity leads the way. Presented as part of the 2026 Singapore International Festival of Arts, this immersive experience rethinks what theatre for … Continue reading SIFA 2026: The Lighthouse – An interview with Patch Theatre artistic director Geoff Cobham on light and children’s theatre

SIFA 2026: Salesman之死 – An interview with director Danny Yeo on translating and adapting Arthur Miller

In the spring of 1983, despite not speaking a word of Mandarin, Arthur Miller travelled to Beijing to direct Death of a Salesman with an all-Chinese cast. The encounter, later documented in his memoir Salesman in Beijing, has since become a touchstone of cross-cultural theatre-making. More than two decades later, that improbable collaboration now finds new life in Salesman之死, a multilingual, documentary-inflected work that traces … Continue reading SIFA 2026: Salesman之死 – An interview with director Danny Yeo on translating and adapting Arthur Miller

SIFA 2026: LACRIMA – An interview with director Caroline Guiela Nguyen on painstaking, invisible labour and craftsmanship

What fascinated French artist Caroline Guiela Nguyen about the fashion world was never the glamour of haute couture itself, but the invisible human machinery that sustains it. LACRIMA, which comes to Singapore this week as one of the opening shows of the 2026 Singapore International Festival of Arts (SIFA), may begin with the commission of a royal wedding dress, the kind of object typically associated … Continue reading SIFA 2026: LACRIMA – An interview with director Caroline Guiela Nguyen on painstaking, invisible labour and craftsmanship

Preview: cont·act Dance Festival 2026 (16th edition)

This June, Singapore’s dance calendar welcomes back one of its most transformative festivals, with the 16th edition of cont·act Dance Festival, now with a refreshed identity, a bold international lineup, and an invitation to experience dance beyond categories. Running from 8 to 28 June 2026, the festival unfolds across the iconic Esplanade – Theatres on the Bay and other creative spaces, bringing together artists from … Continue reading Preview: cont·act Dance Festival 2026 (16th edition)

Preview: Flipside 2026 by Esplanade – Theatres on the Bay

Presented by Esplanade – Theatres on the Bay, Flipside 2026 returns from 29 May to 7 June as a bold celebration of risk, play and artistic daring. Known for its vibrant mix of circus, physical theatre, puppetry and comedy, the festival invites audiences into a space where uncertainty becomes part of the experience and the thrill. Flipside has always been a festival built on the … Continue reading Preview: Flipside 2026 by Esplanade – Theatres on the Bay

Preview: Singapore’s maritime history comes alive at Singapore HeritageFest 2026

There’s something about the sea that feels inseparable from Singapore. Maybe it’s the hum of ships on the horizon, the stories tucked into old piers, or the flavours and cultures that arrived on these shores over centuries. This May, that connection takes centre stage as the Singapore HeritageFest 2026 returns with a sweeping, islandwide celebration of maritime life: past, present, and still unfolding. Running from … Continue reading Preview: Singapore’s maritime history comes alive at Singapore HeritageFest 2026

★★★★★ Theatre Review: Randai Macbeth by ASWARA

Shakespeare meets the Nusantara in a bold, visceral Macbeth reborn through randai. It’s no small feat to make a 400-year-old play feel fresh, but Randai Macbeth achieves exactly that, and then some. Presented by Malaysia’s ASWARA and directed by Dr Norzizi Zulkifli, this bold adaptation reimagines Macbeth through the cultural lens of the Nusantara, transforming Shakespeare’s tale of ambition and moral decay into something visceral, … Continue reading ★★★★★ Theatre Review: Randai Macbeth by ASWARA