National Arts Council’s Arts In Your Neighbourhood 12: Tampines

The National Arts Council’s Arts In Your Neighbourhood programme is back, and this time, they’re taking Tampines by storm. As Singapore’s third largest new town, Tampines was once a rubber plantation at the turn of the 20th century, home to sand quarries for a long time before developing into the residential hub it is today. Over 50 arts activities will be happening across 16 locations islandwide, … Continue reading National Arts Council’s Arts In Your Neighbourhood 12: Tampines

Preview: Always Every Time by Ground Z-0

Following the site-specific Shadows IN The Walls at the National Gallery earlier this year, Ground Z-0 springs back onstage with a double-bill of works come end March. The relatively new theatre company’s presentation, Always Every Time, brings to stage stories of parent-child relationships put to the test within 20-minute windows where life and death intersect. Faced with such a crucial moment in their life, it is now or … Continue reading Preview: Always Every Time by Ground Z-0

Preview: Esplanade presents The Studios 2019 – The Weight Of A Stone In A Pocket

Esplanade – Theatres on the Bay returns with another season of intimate performances with The Studios 2019. This year, the programme takes on the theme The weight of a stone in a pocket, referring to the concept of how stones in one’s pocket are often forgotten, yet the moment one reaches in to touch and feel it, one is triggered to remember the reason for its presence … Continue reading Preview: Esplanade presents The Studios 2019 – The Weight Of A Stone In A Pocket

Review: Still Life by Checkpoint Theatre

An activist uses art as a means of  finding new ways of seeing and recalling her mother.  Former AWARE president Dana Lam is known more for being an activist than an artist. But take a peek at her biography in the programme booklet, and you’ll notice that she’s performed in more shows that you’d expect. In addition, Dana is also a trained painter, and it … Continue reading Review: Still Life by Checkpoint Theatre

Huayi Festival 2019: Painted Skin by Singapore Chinese Orchestra (Review)

Western meets Chinese opera in a spectacle to remember. Inspired by the short story of the same name from Pu Songling’s Strange Tales from a Chinese Studio (Liaozhai Ziyi), the Singapore Chinese Opera adapts Painted Skin for the stage as a 100 minute opera in concert. The classic tale follows a Chinese scholar when he comes across a beautiful woman crying in the rain, giving her an … Continue reading Huayi Festival 2019: Painted Skin by Singapore Chinese Orchestra (Review)

Huayi Festival 2019: Love Letters by The Nonsensemakers/Nelson Chia & Mia Chee (Review)

Two melodramatic lives, their destinies intertwined by a flurry of love letters. It’s one thing to be married, or married to your job, but quite another to be married to someone who runs a company with you. Such is the case for both The Nonsensemakers (Hong Kong) and Nine Years Theatre (Singapore), run by partners Rensen Chan and Jo Ngai, and Nelson Chia and Mia … Continue reading Huayi Festival 2019: Love Letters by The Nonsensemakers/Nelson Chia & Mia Chee (Review)

Preview: Goddesses of Words – Sarojini Naidu by Grace Kalaiselvi

You were the last one at the office. You were coming back home from a party. You were only 10 years old when it happened. He stared at you throughout your commute and followed you after. He was the friend taking you home. He was your uncle. He. You. You. The stories are many but no two are the same. Inspired by true narratives and … Continue reading Preview: Goddesses of Words – Sarojini Naidu by Grace Kalaiselvi

Huayi Festival 2019: That Which Cannot Be Divided (无法被整除) by Bulareyaung Pagarlava & Albert Tiong (Review)

United we stand, divided we fall. Inspired by the concept of prime numbers – numbers indivisible by anything other than themselves and 1 and with no immediately apparent pattern, former Cloud Gate Dance Theatre members Bulareyaung Pagarlava (Taiwan) and Albert Tiong (Singapore) each choreographed a work attempting to unravel the mysteries behind them, showcasing how they may have more application to daily life than we … Continue reading Huayi Festival 2019: That Which Cannot Be Divided (无法被整除) by Bulareyaung Pagarlava & Albert Tiong (Review)

Huayi Festival 2019: The Way of Zhuang Zi (庄子兵法) by Story Works (Review)

Nerve wracking thriller of a play that keeps you guessing every step of the way. Happiness is the absence of striving for happiness. I do not know whether I was then a man dreaming I was a butterfly, or whether I am now a butterfly dreaming I am a man. Of the many Chinese philosophers we grew up learning from our scholar of a Chinese teacher … Continue reading Huayi Festival 2019: The Way of Zhuang Zi (庄子兵法) by Story Works (Review)

Review: The Transition Room by Toy Factory

Waiting rooms can feel like hell.  Over the years, purgatory onstage has taken a great many forms, from the horrific to the mundane. With Stanley Seah’s The Transition Room, the face of limbo takes an absurdist approach towards the middle ground, as we open with four characters finding themselves in a bare, abstract room, each dressed in shades of grey, with no memory or knowledge … Continue reading Review: The Transition Room by Toy Factory