M1 Singapore Fringe Festival 2019: An Interview with Ayer Hitam’s Creative Team (Preview)

With the advent of 2019, the Bicentennial celebrations too will fast be upon us, as a series of activities look back not just on the 200 years of history we have from the time of Sang Nila Utama, but further back still, to the very origins of our island home. Appropriately enough then, there seems no better time than to peel back the veil of … Continue reading M1 Singapore Fringe Festival 2019: An Interview with Ayer Hitam’s Creative Team (Preview)

M1 Singapore Fringe Festival 2019: An Interview With Sean Cham, Creator of This Is Where

In the now immortal words of Dick Lee as sung by Singaporeans everytime August comes around, “this is where I won’t be alone, for this is where I know it’s home.” But as much as it’s nice to imagine that we live as one Singapore, it’s important to remember that reality isn’t often as rosy as National Day songs might lead us to believe, and … Continue reading M1 Singapore Fringe Festival 2019: An Interview With Sean Cham, Creator of This Is Where

Preview: The Severing Sword (情断昆吾剑) by Nam Hwa Opera

Nam Hwa Opera rounds off its 55th anniversary celebrations with the world premiere of a brand new Wuxia Teochew Opera! Titled The Severing Sword, the opera will premiere in March 2019, and be directed by Toy Factory artistic direction Goh Boon Teck. Based on a popular wuxia novel by genre master Liang Yu Sheng, The Severing Sword follows a series of unfortunate events set into motion … Continue reading Preview: The Severing Sword (情断昆吾剑) by Nam Hwa Opera

Review: Projek Suitcase 2018 by Teater Ekamatra

An assortment of short monodramas reflecting on what it means to live – and die. Teater Ekamatra’s site-specific Projek Suitcase series follows a simple poor theatre format – one actor performs a short monodrama, equipped with minimal props, lighting and costumes, celebrating the power of the voice and traditional storytelling techniques. For their latest edition, held at the brand new Wisma Geylang Serai, they’ve taken on the … Continue reading Review: Projek Suitcase 2018 by Teater Ekamatra

Preview: Projek Suitcase 2018 by Teater Ekamatra

Ending off their 30th anniversary celebrations, Teater Ekamatra completes their season with a brand new edition of Projek Suitcase this December! Created by the company in 2003, Projek Suitcase adopted a poor theatre format involving one actor and one suitcase in a performance space, showcasing the effectiveness of a play even in spite of minimal setup, and the power of storytelling from the actor alone. Now, … Continue reading Preview: Projek Suitcase 2018 by Teater Ekamatra

Kalaa Utsavam 2018: Bali by Adishakti Theatre (Review)

Adishakti Theatre delivers both monkey business and human emotion in equal amounts in this surprisingly powerful fringe show. The Hindi epic The Ramayana is an account of the heroic deeds performed by the hero Rama, often considered a ‘champion of dharma’, or righteous deeds. But as we all know, morality exists in shades of grey, and when put to close examination, one comes to realise … Continue reading Kalaa Utsavam 2018: Bali by Adishakti Theatre (Review)

Review: Charlie by Bhumi Collective

A brief encounter with a true innocent. In the wake of politically-charged, tumultuous events such as the rise of Brexit and POTUS Trump, the world as we know it has changed irrevocably, a much more terrifying place to wake up in each morning. How does one stand to live everyday like this? In Bhumi Collective’s Charlie, actress Victoria Chen has imagined a hypothetical situation in which a … Continue reading Review: Charlie by Bhumi Collective

Review: A $ingapore Carol by W!ld Rice

The Dickensian holiday classic gets a Singaporean twist There are few shows more quintessential to Christmas than Charles Dickens’ A Christmas Carol, having received countless adaptations and stagings each holiday season. And here in sunny Singapore, while it may not be the most familiar tale to most, all that might just change with W!ld Rice’s Singaporean twist on the classic – A $ingapore Carol. Written … Continue reading Review: A $ingapore Carol by W!ld Rice

Offenbach’s Le 66: An Interview with Director Andy Pang and Performer Charmaine Tan

Local Western chamber opera company Spot Pocket Opera Theatre is back this week with a brand new production, as the present a localised version of Jacques Offenbach’s Le 66.  Adapted by Tan Jia Yee, the one act operetta follows best friends Franz and Grittly, as they go on a journey to Starsbourg, only to encounter both setbacks and fortunes along the way, amongst which is a … Continue reading Offenbach’s Le 66: An Interview with Director Andy Pang and Performer Charmaine Tan

Preview: Jacques Offenbach’s Le 66 by Spot Pocket Opera Theatre

Local chamber western opera company Spot Pocket Opera Theatre is a frequent sight at the Esplanade Concourse and Botanic Gardens. But if you’re interested in something a little meatier, then don’t miss out on their brand new production next week, as they present Jacques Offenbach’s Le 66. The one act operette was written in 1856, and follows Franz and Grittly, two starving travellers en route … Continue reading Preview: Jacques Offenbach’s Le 66 by Spot Pocket Opera Theatre