Preview: Gardens by the Bay’s Sakura Matsuri Returns This March With More Free Activities

After a successful inaugural edition last year, Gardens by the Bay’s Sakura Matsuri returns for a second round this March, as the Japanese-themed festival sees cherry blossoms come into bloom at the gardens from now till 31st March. A total of four components will be featured this time around: the cherry blossom floral display, Cultural Programmes, Nippon Street and Anime Garden. At the launch, Minister for … Continue reading Preview: Gardens by the Bay’s Sakura Matsuri Returns This March With More Free Activities

In Kuala Lumpur 2019: An Interview with the Creative Team of Gold Rain & Hailstones (The Instant Cafe Theatre Company)

KUALA LUMPUR – Jit Murad is one of Malaysia’s most prominent playwrights, having penned some of the country’s sharpest and most scintillating plays effectively highlighting and presenting the Malaysian identity onstage. Last staged in Malaysia in 2006, it seemed only right that as part of their comeback and 30th anniversary, the Instant Cafe Theatre Company’s 30th anniversary would then stage Jit’s very first professional play: Gold Rain … Continue reading In Kuala Lumpur 2019: An Interview with the Creative Team of Gold Rain & Hailstones (The Instant Cafe Theatre Company)

Textures 2019: The Page on Stage – Samping by Spare Room Productions (Review)

Moving monodrama that will move even the hardest of hearts. Adapted from Cyril Wong’s short story The Mistake by M. Raihan Halim, who also directs, Samping’s simple premise gives way to an emotionally riveting performance from TV actor Norman Ishak, in his theatrical debut. The title of Samping refers to a piece of cloth used to complete the traditional Malay baju kurung, left behind by protagonist Aiman’s late father. On the day … Continue reading Textures 2019: The Page on Stage – Samping by Spare Room Productions (Review)

Textures 2019: Performing Malay Sketches by The Second Breakfast Company (Review)

Metatheatrical examination of Malay representation onstage brims with potential. Theatrical adaptations from one medium to another are tricky businesses, with the fear that the essence of the original is lost in translation, rather than enhanced. It is to the credit of playwright/director Adeeb Fazah and the Second Breakfast Company team then that Performing Malay Sketches is in fact, not a direct adaptation of Alfian Sa’at’s eponymous short story … Continue reading Textures 2019: Performing Malay Sketches by The Second Breakfast Company (Review)

Review: Are You Game, Sau(dara)? by Five Arts Centre (KL) and Bhumi Collective (SG)

Experimental responses to Leow Puay Tin’s 3 Children still very much cerebral works in progress. KUALA LUMPUR – Cross Causeway arts projects are always to be celebrated, showcasing the keen relationship Singapore continues to share with our closest neighbours. The most recent of these would be Malaysia’s Five Arts Centre and Singapore’s Centre 42 joint collaboration on Are You Game, Sau(dara)?, a double bill of new work from … Continue reading Review: Are You Game, Sau(dara)? by Five Arts Centre (KL) and Bhumi Collective (SG)

Review: Alice, Bob & Eve, conceptualised by Teow Yue Han in collaboration with RAW Moves Dancers

A living laboratory that examines the Singaporean obsession with facts and figures. In RAW Moves’ first show of 2019, the contemporary dance company breaks new ground with the all new Alice, Bob & Eve, as conceptualised by visual artist Teow Yue Han in collaboration with the RAW Moves Dancers. Taking over a gallery space in the School of the Arts, Alice, Bob & Eve (titled after placeholder … Continue reading Review: Alice, Bob & Eve, conceptualised by Teow Yue Han in collaboration with RAW Moves Dancers

Review: Not In My Lifetime? by The Finger Players

Inclusive theatre highlighting the aesthetics of access and the lives of SPED teachers. Some say originality is dead, but one would be surprised to find that each year, theatre companies continue to find new ways to innovate or put untold stories on the stage. Not In My Lifetime?, The Finger Players’ first production of 2019, happens to be one of them. Written by Alvan Yap, Not … Continue reading Review: Not In My Lifetime? by The Finger Players

Review: Drum Tao 2019 – Rhythm of Tribe presented by Mediacorp VizPro

An exhilarating contemporary twist to traditional Japanese drumming. Watching the CNA Lifestyle documentary playing onscreen before the performance begins, one immediately realises how A day in the life of a Drum Tao member is no easy feat. Waking up at the crack of dawn, the group gathers to warm up before a 20km jog around the mountainous, high altitude area, regardless of rain or shine. … Continue reading Review: Drum Tao 2019 – Rhythm of Tribe presented by Mediacorp VizPro

National Arts Council’s Arts In Your Neighbourhood 12: Tampines

The National Arts Council’s Arts In Your Neighbourhood programme is back, and this time, they’re taking Tampines by storm. As Singapore’s third largest new town, Tampines was once a rubber plantation at the turn of the 20th century, home to sand quarries for a long time before developing into the residential hub it is today. Over 50 arts activities will be happening across 16 locations islandwide, … Continue reading National Arts Council’s Arts In Your Neighbourhood 12: Tampines

Film Review: A Land Imagined (幻土) dir. Yeo Siew Hua

The wilderness of Tuas provides an alien backdrop for this Asian neo-noir about migrant dreams of a better life. Written and directed by Yeo Siew Hua, A Land Imagined emerged a critical favourite at the 71st Locarno Film Festival, an Asian neo-noir following Lok (Peter Yu), a grizzled hardboiled detective as he embarks on an unusual job: tracking down Wang (Liu Xiaoyi) a Chinese migrant worker who … Continue reading Film Review: A Land Imagined (幻土) dir. Yeo Siew Hua