★★★★★ Theatre Review: Fragments of Tuah by Mark Teh and Five Arts Centre

Mesmerising docutheatre production delves into the myth of Malayan national hero Hang Tuah while asking who gets to shape history, and why we continue to believe the stories we inherit. Duration: 90min Mythological figures have long served as vessels for morality, identity and national aspiration. Their stories are repeated until they begin to feel inseparable from the societies that tell them, their contradictions smoothed over … Continue reading ★★★★★ Theatre Review: Fragments of Tuah by Mark Teh and Five Arts Centre

★★★★★ Theatre Review: Charged (2026) by Teater Ekamatra

Haunting revival interrogates the fragile foundations of Singapore’s racial harmony with unsettling force. Duration: 105min Singapore likes to tell itself a comforting story: that we are a multiracial nation where harmony is one of our greatest achievements. And while that may be true to a large extent, beneath the familiar choreography of Racial Harmony Day celebrations, bilingual policies and shared national rituals lies the assumption … Continue reading ★★★★★ Theatre Review: Charged (2026) by Teater Ekamatra

Theatre Review: Just Maybe by Orangedot Productions

A production that seeks to challenge our assumptions about privilege, fairness and access to justice, with too many unresolved storylines. What does justice look like when life is not lived in black and white? Just Maybe follows Kayleigh, an ambitious law student who believes she has earned everything through hard work. When she is required to complete 20 hours at Pro Bono SG before graduating, … Continue reading Theatre Review: Just Maybe by Orangedot Productions

Design: Award-winning Prototype Island exhibition comes home to ArtScience Museum to showcase Singapore design identity

The award-winning exhibition returns from Milan Design Week, revealing that Singapore’s greatest design export isn’t an aesthetic but a relentless culture of questioning, prototyping and care. If you walk into Prototype Island expecting just another typical national design showcase, often stereotyped to a parade of beautifully crafted furniture, sleek consumer products or impeccably finished objects, you’ll probably miss the point. “My curatorial intent was not … Continue reading Design: Award-winning Prototype Island exhibition comes home to ArtScience Museum to showcase Singapore design identity

Design: Singapore Archifest 2026 is reimagining what an architecture festival can be

Twenty years after it first began, Singapore Archifest has grown into far more than an annual gathering for architects. It has become a reflection of how the profession itself has evolved, more collaborative, more outward-looking and increasingly aware that conversations about design cannot remain within the walls of studios and lecture halls. Walking through this year’s festival, which marks its 20th anniversary under the theme … Continue reading Design: Singapore Archifest 2026 is reimagining what an architecture festival can be

Art: Maria Taniguchi – Afterimage at Singapore Art Museum

There is a temptation to describe Maria Taniguchi’s work as meditative. For nearly two decades, the Filipino artist has devoted herself to painting what appears, at first glance, to be the same image: vast fields of carefully hand-painted rectangles, meticulously built one brushstroke at a time until they resemble endless brick walls. Their monumental scale, subdued palettes and rigorous repetition have often led viewers to … Continue reading Art: Maria Taniguchi – Afterimage at Singapore Art Museum

Dracula – Ballet at its Darkest: Joel Burke on reimagining Stoker’s classic and the rise of contemporary dance

Following its sold-out West End run, Dracula: Ballet at its Darkest arrived in Singapore with a bold reimagining of Bram Stoker’s gothic classic. Under the artistic direction and choreography of Joel Burke, the production traded traditional ballet conventions for cinematic storytelling, psychological tension and an evocative score featuring works by Bach, Mozart, Rachmaninov, Liszt and Debussy, inviting audiences into a haunting world where love, grief … Continue reading Dracula – Ballet at its Darkest: Joel Burke on reimagining Stoker’s classic and the rise of contemporary dance

★★★☆☆ Theatre Review: Common Room by Checkpoint Theatre

Checkpoint Theatre tackles queer themes by presenting an honest depiction of queer co-living that succeeds more as an act of representation than a piece of theatre. Duration: 90min Although Singapore has made significant strides towards LGBTQ+ acceptance, many queer Singaporeans continue to negotiate conservative workplaces, families and social expectations. For those unable to live fully out in public, chosen family and queer kinship become not … Continue reading ★★★☆☆ Theatre Review: Common Room by Checkpoint Theatre

★★★☆☆ Theatre Review: Be A Star – A Musical Fable by Musical Theatre Limited

A nostalgic musical throwback to a simpler time, when dreams were big and morality came a little too neatly packaged with a happy ending. Duration: 135min (including a 15min intermission) There is an admirable sincerity running through Musical Theatre Limited’s Be A Star, one that feels increasingly uncommon in contemporary musical theatre. Originally conceived as Lost in Transit in 2005 by lyricist Stella Kon and … Continue reading ★★★☆☆ Theatre Review: Be A Star – A Musical Fable by Musical Theatre Limited

Legally Blonde: Breaking stereotypes with stars Vanessa Kee, Sandra Riley Tang and Siti Khalijah Zainal

For a musical that’s become synonymous with pink outfits, pop anthems and perfectly coiffed hair, Legally Blonde spends surprisingly little time asking audiences to admire appearances. Instead, it focuses on dismantling them. Nearly every major woman in the show enters the story wearing a label. Protagonist Elle Woods is the most obvious example, quickly dismissed as the ditzy blonde. But while she may be the … Continue reading Legally Blonde: Breaking stereotypes with stars Vanessa Kee, Sandra Riley Tang and Siti Khalijah Zainal