Preview: Project Transit – Echoes of Waterloo by Veshnu Narayanasamy, in collaboration with Wong Chee Meng and Grain Performance & Research Lab

After catching their new production Happy Waiting back in July, Grain Performance & Research Lab are back this October to present a brand new site-specific work by Indian classical dancer Veshnu Narayanasamy and historian Wong Chee Meng, as the team dives deep into the history of Waterloo Street. Playing at Stamford Arts Centre, Project Transit: Echoes of Waterloo sees the team tackle an interdisciplinary work exploring cultural memories centred … Continue reading Preview: Project Transit – Echoes of Waterloo by Veshnu Narayanasamy, in collaboration with Wong Chee Meng and Grain Performance & Research Lab

Review: Being Mrs. Gandhi by HuM Theatre

The tragicomic life of the wife of India’s most iconic historical figure. There is perhaps no better time than now to remember India’s most internationally renowned figure – Mohandas Gandhi. Commemorating the 150th year since his birth, HuM Theatre celebrates the anniversary with a play about the Mahatma. Yet, rather unusually, instead of directly portraying Gandhi himself, writer and director Subin Subaiah has chosen to … Continue reading Review: Being Mrs. Gandhi by HuM Theatre

In London’s (Off) West End 2019: Before I Was A Bear at The Bunker (Preview)

LONDON – A satirical and contemporary take on Greek mythology and the social media slut-shaming generation, Before I Was A Bear is a one-woman/one-bear ménage à deux about friendship, fluid sexuality and irresistibly hot TV detectives, starring award-winning Jacoba Williams Before I Was A Bear presents a darkly comic tale from a female perspective, exploring the shame and treatment that comes with stepping outside of the … Continue reading In London’s (Off) West End 2019: Before I Was A Bear at The Bunker (Preview)

Nine Years Theatre’s Dear Elena: An Interview with Nelson Chia, Mia Chee and Timothy Wan

Near the start of 2019, local theatre company Nine Years Theatre (NYT) announced their new season, starting with FAUST/US in February, original play First Fleet in July, before rounding off with a restaging of SIFA 2017’s Art Studio in October. But midway through, due to unforeseen circumstances, Art Studio was unable to proceed as planned, and the team had to find an alternative production to round off their year. Enter Dear Elena … Continue reading Nine Years Theatre’s Dear Elena: An Interview with Nelson Chia, Mia Chee and Timothy Wan

The Page on Stage: An Interview with Lee Thean-Jeen, Lim Yu-Beng and Janice Koh (Seven Views of Redhill)

Following their last edition of The Page on Stage in July, this October, The Arts House continues their streak of successful stage adaptations of local literary short stories with their third and final instalment for the year – Dora Tan’s Seven Views of Redhill. Once again pairing a television director with prominent local actors, this time around, Seven Views of Redhill is helmed by director Lee Thean-jeen, in his … Continue reading The Page on Stage: An Interview with Lee Thean-Jeen, Lim Yu-Beng and Janice Koh (Seven Views of Redhill)

Preview: M1 Singapore Fringe Festival 2020 – My Country and My People

What truly unites a people or a country, and how do we achieve this? Can union only come at the expense of excluding others? How much of it is embedded in shared trial and tragedy? As with every year, the Singapore arts calendar starts off on a high note with not one, not two, but an entire festival’s worth of works with each edition of … Continue reading Preview: M1 Singapore Fringe Festival 2020 – My Country and My People

Preview: MILIEU 2019 by Frontier Danceland

Frontier Danceland is back this November with a new edition of their annual MILIEU programme. Everybody loves a good story. Stories can be told in a myriad of ways: with the strokes of a brush, the rhythm of music, the movement of bodies. With MILIEU 2019, Frontier Danceland brings together two exciting choreographers – Marioenrico D’Angelo (Italy) and Sita Ostheimer (Germany), to share their new stories … Continue reading Preview: MILIEU 2019 by Frontier Danceland

In London’s (Off) West End 2019: Parabolic Theatre’s Crisis? What Crisis at The Colab Factory (Preview)

LONDON – Taking audiences back to 1979 when Britain was on the brink of political collapse for the second time in a decade, Parabolic Theatre’s thrilling live-action board game Crisis? What Crisis? comes to The Colab Factory this autumn. The innovative immersive theatre company cracks open the government machine to give participants the chance to get hands-on with the levers of power. Crisis? What Crisis? puts … Continue reading In London’s (Off) West End 2019: Parabolic Theatre’s Crisis? What Crisis at The Colab Factory (Preview)

Preview: Toy Factory’s The Wright Stuff Festival 2019

If the Singapore theatre scene is to continue to grow, then it must lay the groundwork for the next generation of theatremakers to inherit it when the time comes. For local theatre company Toy Factory, they’ve taken on that responsibility in the form of The Wright Stuff Festival, making its return this October as they mentor the playwrights of tomorrow. The Wright Festival began with … Continue reading Preview: Toy Factory’s The Wright Stuff Festival 2019

Voilah! 2019: SSO Gala – Vladimir Ashkenazy & Gautier Capuçon (Review)

A lavish opening for Voilah! 2019  Although never positioned as such, it feels as if the underlying theme of the individual battling insurmountable odds runs through the latest SSO Gala’s set. Opening the 2019 Voilah! France Singapore Festival, the concert invites internationally celebrated conductor Vladimir Ashkenazy along with French cellist Gautier Capuçon to perform two pieces by Schumann, and a Tchaikovsky symphony to finish. The gala … Continue reading Voilah! 2019: SSO Gala – Vladimir Ashkenazy & Gautier Capuçon (Review)