Textures 2019: A Night of Terrifying Tales by Moonshadow Stories (Review)

The Arts House plays host to Kamini Ramachandran’s troupe of storytellers in a supernatural-themed after dark special. Who doesn’t love a good ghost story? As a historic building, the Arts House naturally lends itself as a space rife with phantoms of the past roaming its walls. As the home of literary arts, one then imagines that a natural extension to this would be to tell … Continue reading Textures 2019: A Night of Terrifying Tales by Moonshadow Stories (Review)

Preview: NUS Arts Festival 2019 – A Game of Numbers

Far too often, the arts are seen as in direct conflict with the maths and sciences, unable to co-exist in harmony and worlds apart. Yet with the 2019 NUS Arts Festival, for its 14th edition, the team has decided to do the impossible, and show the world that arts and math do in fact, have a lot in common with each other, at “Singapore’s First … Continue reading Preview: NUS Arts Festival 2019 – A Game of Numbers

Textures 2019: The Page on Stage – Samping by Spare Room Productions (Review)

Moving monodrama that will move even the hardest of hearts. Adapted from Cyril Wong’s short story The Mistake by M. Raihan Halim, who also directs, Samping’s simple premise gives way to an emotionally riveting performance from TV actor Norman Ishak, in his theatrical debut. The title of Samping refers to a piece of cloth used to complete the traditional Malay baju kurung, left behind by protagonist Aiman’s late father. On the day … Continue reading Textures 2019: The Page on Stage – Samping by Spare Room Productions (Review)

Textures 2019: Performing Malay Sketches by The Second Breakfast Company (Review)

Metatheatrical examination of Malay representation onstage brims with potential. Theatrical adaptations from one medium to another are tricky businesses, with the fear that the essence of the original is lost in translation, rather than enhanced. It is to the credit of playwright/director Adeeb Fazah and the Second Breakfast Company team then that Performing Malay Sketches is in fact, not a direct adaptation of Alfian Sa’at’s eponymous short story … Continue reading Textures 2019: Performing Malay Sketches by The Second Breakfast Company (Review)

Preview: Skechers Sundown Festival 2019 – Asia Music Wonderland

The Skechers Sundown Festival, Asia’s definitive music and arts festival, returns to Singapore for its 10th and biggest edition to date this April. Organised by Red Spade Entertainment and presented by Skechers, the festival gathers some of the best artists, both musical and visual, to our island for a larger-than-life 3D2N party. Uniting artists from 11 countries, expect to catch architects, films, musicians and more … Continue reading Preview: Skechers Sundown Festival 2019 – Asia Music Wonderland

Preview: Textures 2019 – Love and Loss (And Some Things In Between) by The Arts House

After a successful first edition held in 2018, The Arts House’s Textures returns to fill Singaporeans’ weekend with words with a lineup of literary activities from 7th to 10th March. This time, the annual festival, co-commissioned by both The Arts House and #BuySinglit, takes on the theme of Love and Loss (and some things in between), focusing on how words can capture and decipher a spectrum of … Continue reading Preview: Textures 2019 – Love and Loss (And Some Things In Between) by The Arts House

SIFA 2019: Ryuichi Sakamoto – Fragments, First SIFA 2019 Show To Already Be All Sold Out

It’s been less than a day since the tickets for the 2019 edition of the Singapore International Festival of Arts (SIFA) have been released, and some shows are already being snapped up like hotcakes. Of these, it is music performance Ryuichi Sakamoto – Fragments that has already been completed booked. The one night only performance was priced at $150 per ticket for a limited seating, and those lucky … Continue reading SIFA 2019: Ryuichi Sakamoto – Fragments, First SIFA 2019 Show To Already Be All Sold Out

Preview: Singapore International Festival of Arts 2019

In 2018, the Singapore International Festival of Arts (SIFA) saw the arrival of Gaurav Kripalani, taking on the mantle of Festival Director for the next three editions along with his capable team. Aiming to use this new edition of SIFA to act as the cornerstone and building blocks for future festivals to come, seeing an attendance of over 55,000 audience members, 84% of ticket sales … Continue reading Preview: Singapore International Festival of Arts 2019

In London’s West End 2018: The Cane by the Royal Court Theatre (Review)

A wicked reflection on victimization in the age of snowflakes. LONDON – For many adults, the image of a cane dredges up the memory of unpleasant childhoods, a symbol of punishment, fear and judgment. But as the years have gone by, corporeal punishment has in turn gone out of vogue, leaving the physical cane very much a thing of the past, becoming a hollow reminder of … Continue reading In London’s West End 2018: The Cane by the Royal Court Theatre (Review)

Crazy Poor Sita: An Interview with Sharul Channa On Her Newest Show

Comedian extraordinaire Sharul Channa may be better known for her acid-tongued acerbic wit and jabs, but last year, surprised us with a series of dramatic monologues presenting the stories of various women in the Indian community at Kalaa Utsavam 2018. Now, Sharul is back to kickstart her 2019 season with a brand new show that continues to build on that craft, with Crazy Poor Sita premiering in … Continue reading Crazy Poor Sita: An Interview with Sharul Channa On Her Newest Show