M1 Singapore Fringe Festival 2019: A Fortunate Man by New Perspectives (Review)

Doctors get sad too.  For a performance dealing with doctors and depression, it’s remarkable how clinical New Perspectives’ A Fortunate Man is; beyond the actual waiting room-like setup complete with plastic chairs, our hosts tell us exactly how many acts this is going to take, and reveal how the book will end with the suicide of our protagonist, English country doctor Dr John Sassall. Written and directed by … Continue reading M1 Singapore Fringe Festival 2019: A Fortunate Man by New Perspectives (Review)

M1 Singapore Fringe Festival 2019: An Interview with Jemima Foxtrot of Unholy Mess (Preview)

Arranging for our interview at the iconic Foyle’s bookstore on Tottenham Court Road in London couldn’t be more appropriate. Jemima Foxtrot, one half of Unholy Mess is, after all, a performance poet, and words, naturally, become a tool in her hands. Arriving in Singapore next week, Jemima will be making her debut with Above the Mealy-mouthed Sea at the 2019 M1 Singapore Fringe Festival, a … Continue reading M1 Singapore Fringe Festival 2019: An Interview with Jemima Foxtrot of Unholy Mess (Preview)

M1 Singapore Fringe Festival 2019: Ayer Hitam by Sharon Frese, Ng Yi-Sheng and Irfan Kasban (Review)

Black never goes out of style. When one thinks of the cultural makeup of Singapore, rarely does Africa come to mind, let alone daily conversation. Yet, as Sharon Frese, Ng Yi-Sheng and Irfan Kasban reveal in their performance lecture Ayer Hitam, Singapore has plenty of surprising ties to the continent, as they uncover the hidden black history and African disapora of our island home. As … Continue reading M1 Singapore Fringe Festival 2019: Ayer Hitam by Sharon Frese, Ng Yi-Sheng and Irfan Kasban (Review)

M1 Singapore Fringe Festival 2019: Kaspar by Edith Podesta and NAFA (Review)

Language is a prison in this cerebral play about oppressive society.  In line with her penchant for cerebral scripts heavy on text, director Edith Podesta’s efforts at bringing Austrian writer Peter Handke’s Kaspar to life with the help of NAFA’s BA Theatre students is a valiant one, no easy feat given its absurdist, non-linear flow and often nonsensical, non-sequitur language. Loosely inspired by the story … Continue reading M1 Singapore Fringe Festival 2019: Kaspar by Edith Podesta and NAFA (Review)

M1 Singapore Fringe Festival 2019: Jogging by Hanane Hajj Ali (Review)

What we talk about when we talk about jogging. The subject of jogging may seem like an unusual entry point into theatre, but for 50-something year old Lebanese actress and activist Hanane Hajj Ali, jogging is an exercise and activity that awakens the storyteller within her. Directed by Eric Deniaud, Jogging showcases Hanane’s mastery over storytelling as she recounts her daily routine of jogging through … Continue reading M1 Singapore Fringe Festival 2019: Jogging by Hanane Hajj Ali (Review)

M1 Singapore Fringe Festival 2019: An Interview with Michael Pinchbeck, Writer/Director of A Fortunate Man (Preview)

50 years ago, writer John Berger (Ways of Seeing) and Swiss photographer Jean Mohr collaborated on the book A Fortunate Man, a visionary, philosophical tome that meditated on what it means to be a doctor or member of the healthcare professional. Following the life of English country general practitioner John Sassall, a combination of storytelling and photography brings to life his daily routines, his compassions and practice. … Continue reading M1 Singapore Fringe Festival 2019: An Interview with Michael Pinchbeck, Writer/Director of A Fortunate Man (Preview)

M1 Singapore Fringe Festival 2019: An Interview with Nabilah Said and Noor Effendy Ibrahim of ANGKAT (Preview)

Having helmed our favourite play of 2018, suffice to say that we’re excited about director Noor Effendy Ibrahim taking the reins once more and starting off 2019 with a brand new play, premiering as part of the 2019 M1 Singapore Fringe Festival. Written by Nabilah Said, ANGKAT: A Definitive, Alternative, Reclaimed Narrative of a Native is set to be a highlight of the festival, and follows the … Continue reading M1 Singapore Fringe Festival 2019: An Interview with Nabilah Said and Noor Effendy Ibrahim of ANGKAT (Preview)

M1 Singapore Fringe Festival 2019: An Interview with Ayer Hitam’s Creative Team (Preview)

With the advent of 2019, the Bicentennial celebrations too will fast be upon us, as a series of activities look back not just on the 200 years of history we have from the time of Sang Nila Utama, but further back still, to the very origins of our island home. Appropriately enough then, there seems no better time than to peel back the veil of … Continue reading M1 Singapore Fringe Festival 2019: An Interview with Ayer Hitam’s Creative Team (Preview)

M1 Singapore Fringe Festival 2019: An Interview With Sean Cham, Creator of This Is Where

In the now immortal words of Dick Lee as sung by Singaporeans everytime August comes around, “this is where I won’t be alone, for this is where I know it’s home.” But as much as it’s nice to imagine that we live as one Singapore, it’s important to remember that reality isn’t often as rosy as National Day songs might lead us to believe, and … Continue reading M1 Singapore Fringe Festival 2019: An Interview With Sean Cham, Creator of This Is Where

In London’s West End 2018: Hole by the Royal Court Theatre (Review)

Hell hath no fury like a woman scorned. LONDON – Armed with six women, diverse in colour and shape making up the cast of Hole, Game of Thrones star Ellie Kendrick’s playwriting debut rolls out like a storm. Hole crackles with static energy and rumbles like the peal of thunder, gathering the rage of centuries of women before unleashing it in a fiery rain of flashing lights and sheer energy … Continue reading In London’s West End 2018: Hole by the Royal Court Theatre (Review)