Teater Ekamatra drags audiences into a dangerous dystopia where nothing and nobody can be trusted. Across the history of dystopian fiction, there is perhaps none quite as visceral and teetering on the edge of existential dread and horror as the society depicted in Anthony Burgess’ A Clockwork Orange. But even more terrifying than that perhaps is the realisation that such a dystopia is becoming more and more … Continue reading Review: A Clockwork Orange by Teater Ekamatra

British author Anthony Burgess’ seminal novel A Clockwork Orange has seen countless adaptations over the years, from stage plays to its best known iteration – a 1971 film version directed by Stanley Kubrick. But of all these adaptations, one we’ve yet to see is a version created in a Singaporean context. Enter Teater Ekamatra’s newest production – a Malay language adaptation of A Clockwork Orange, set to premiere this September, … Continue reading Teater Ekamatra’s A Clockwork Orange: An Interview with the Cast and Creatives

  In a city filled with often-broken promises, I am your good narrator, brother. Now, help yourself. As I warble, and you peet. A dash of blood and a little keroncong. Alas there will be no hollow after our hearts grow stale of crying. Gathering some of the best talents in local theatre today, Teater Ekamatra is set to stun with a brand new, Malay … Continue reading Preview: A Clockwork Orange by Teater Ekamatra

Presented as part of their Artist Residency Programme, this April, Teater Ekamatra presents Rizman Putra’s Chonteng. Translating to ‘doodle’ in English, the installation takes the form of drawings exploring ideas of line and mark making based loosely on the method of automatic drawing, documenting the stream of iconography and creatures from the consciousness of the artist. First explored in previous exhibitions Labyrinth of Things I and II, which were … Continue reading Preview: Chonteng by Teater Ekamatra