★★★☆☆ Theatre Review: Be A Star – A Musical Fable by Musical Theatre Limited

A nostalgic musical throwback to a simpler time, when dreams were big and morality came a little too neatly packaged with a happy ending. Duration: 135min (including a 15min intermission) There is an admirable sincerity running through Musical Theatre Limited’s Be A Star, one that feels increasingly uncommon in contemporary musical theatre. Originally conceived as Lost in Transit in 2005 by lyricist Stella Kon and … Continue reading ★★★☆☆ Theatre Review: Be A Star – A Musical Fable by Musical Theatre Limited

Legally Blonde: Breaking stereotypes with stars Vanessa Kee, Sandra Riley Tang and Siti Khalijah Zainal

For a musical that’s become synonymous with pink outfits, pop anthems and perfectly coiffed hair, Legally Blonde spends surprisingly little time asking audiences to admire appearances. Instead, it focuses on dismantling them. Nearly every major woman in the show enters the story wearing a label. Protagonist Elle Woods is the most obvious example, quickly dismissed as the ditzy blonde. But while she may be the … Continue reading Legally Blonde: Breaking stereotypes with stars Vanessa Kee, Sandra Riley Tang and Siti Khalijah Zainal

Legally Blonde: An interview with director Kate Golledge and choreographer Simon Hardwick on bringing out the best of Singapore Repertory Theatre’s all-star cast

Everybody underestimates Elle Woods. That is, after all, the entire premise of Legally Blonde. Before she even speaks, people have already decided who she is: too blonde, too fashionable, too frivolous to be taken seriously. Yet for director Kate Golledge, that’s also the biggest misconception audiences have about the musical itself. “I love Legally Blonde. I honestly think it’s one of the best-written contemporary musicals … Continue reading Legally Blonde: An interview with director Kate Golledge and choreographer Simon Hardwick on bringing out the best of Singapore Repertory Theatre’s all-star cast

Music: Meet the Singapore Symphony Orchestra’s newest musicians Bryan Chong, Martin Peh and Reina Teo

In the hearts of many young Singaporean musicians, performing with the Singapore Symphony Orchestra (SSO) is an aspiration that begins long before they step onto the concert stage. For Bryan Chong, Martin Peh and Reina Teo, that aspiration has now become reality. Horn player Bryan joined in September 2025 after years of performing alongside the SSO as a freelance musician. Violinist Martin joined full time … Continue reading Music: Meet the Singapore Symphony Orchestra’s newest musicians Bryan Chong, Martin Peh and Reina Teo

Bach Meets Broadway Beng: An Interview with Sebastian Tan and violinist Lynnette Seah on finding unexpected resonance for Broadway Beng’s 20th Anniversary

For 20 years, Sebastian Tan has turned Hokkien punchlines, Broadway showstoppers and unapologetic “Beng” glamour into one of Singapore’s most beloved theatrical phenomena. But for TWENTY POON PIPI, the latest edition of the long-running Broadway Beng® series, the performer is adding an unexpected collaborator into the mix: Cultural Medallion recipient Lynnette Seah. The former Co-Concertmaster of the Singapore Symphony Orchestra will take the stage at … Continue reading Bach Meets Broadway Beng: An Interview with Sebastian Tan and violinist Lynnette Seah on finding unexpected resonance for Broadway Beng’s 20th Anniversary

Pierre Png, Siti Khalijah and Nathan Hartono Join SRT’s All-Star Cast of ‘Legally Blonde’

Singapore Repertory Theatre has officially completed the principal cast for its upcoming production of Legally Blonde – The Musical, adding three of Singapore’s most recognisable performers to an already headline-making production. Joining West End star Nathania Ong, who was previously announced as Elle Woods, are Pierre Png, Siti Khalijah and Nathan Hartono — bringing together an unusually eclectic mix of screen, theatre and music talent … Continue reading Pierre Png, Siti Khalijah and Nathan Hartono Join SRT’s All-Star Cast of ‘Legally Blonde’

Concert Review: Ray Chen – Violin Recital (Singapore)

Virtuosity, storytelling, and enough encore pieces for a second recital, Ray Chen makes classical music feel welcoming, alive, and deeply human. Ray Chen’s return to Singapore felt less like a standard recital and more like a showcase of how flexible a classical concert can be in 2026. Part virtuoso display, part storytelling, part direct conversation with the audience, Chen was joined by pianist Chelsea Wang, … Continue reading Concert Review: Ray Chen – Violin Recital (Singapore)

★★★★☆ Dance Review: Elusive—A Double Bill by T.H.E Dance Company

International collaborations produce clean, thematically-resonant double bill that proves T.H.E’s dancers are still at the top of the game. Contemporary dance often gravitates towards the intangible: memory, emotion, systems of power, the invisible forces that shape how we move through the world. Elusive, T.H.E Dance Company’s latest double bill presented as part of cont·act Dance Festival, pairs two international collaborations that approach these concerns from … Continue reading ★★★★☆ Dance Review: Elusive—A Double Bill by T.H.E Dance Company

da:ns focus: An Interview with Kevin O’Hare, Director of the Royal Ballet, on legacy, live performance and reinvention

For Kevin O’Hare, director of The Royal Ballet, the long-awaited return of the world class British ballet company to Singapore this June goes far beyond just another international stop on a touring calendar. More than two decades have passed since the company last performed here, and the scale of The Royal Ballet Gala, part of the Esplanade – Theatres on the Bay’s da:ns focus – … Continue reading da:ns focus: An Interview with Kevin O’Hare, Director of the Royal Ballet, on legacy, live performance and reinvention

An Interview with Joanna Dong on risk taking and reinvention in her immersive sound and sculpture performance ‘BIG BIG small small’

For Joanna Dong, better known as a jazz vocalist and local musical star, the shift into experimental, interdisciplinary performance isn’t a reinvention so much as a return to something unfinished. Long before she became widely recognised through television and large-scale performances, she was already drawn to work that resisted neat categorisation, pieces that blurred sound, movement, and space into something less easily named. “Going into … Continue reading An Interview with Joanna Dong on risk taking and reinvention in her immersive sound and sculpture performance ‘BIG BIG small small’