★★★★☆ Theatre Review: Charlie and the Chocolate Factory by Base Entertainment Asia

From rap battles to nightmare squirrels and chocolate waterfalls, this Roald Dahl adaptation is is weird, whimsical, and delightfully emotional. There is something inherently magical about Charlie and the Chocolate Factory. Whether through Roald Dahl’s original novel, the beloved 1971 film, or the many adaptations that followed, the story has always lived in that strange space between fantasy and cautionary tale; whimsical on the surface, … Continue reading ★★★★☆ Theatre Review: Charlie and the Chocolate Factory by Base Entertainment Asia

Becoming Willy Wonka: An Interview with Charlie and the Chocolate Factory’s Daniel Plimpton

Roald Dahl’s beloved tale of golden tickets and chocolate rivers is finally making its Southeast Asian debut, as Charlie and the Chocolate Factory the Musical opens at Sands Theatre, Marina Bay Sands, for a strictly limited season from 19th May 2026. Presented by Base Entertainment Asia in association with Broadway International Group and Broadway Asia, the production brings Willy Wonka’s fantastical chocolate factory to life … Continue reading Becoming Willy Wonka: An Interview with Charlie and the Chocolate Factory’s Daniel Plimpton

★★★★☆ Theatre Review: Myles – Soulmate In A Box by Singapore Repertory Theatre

Inch Chua blends immersive multimedia and song into a visually arresting experience about the dangerous allure of frictionless love. If an AI could love you perfectly, from anticipating your every need, to removing every friction, and never misunderstanding you, would you still want a real person? Presented by Singapore Repertory Theatre after its earlier work-in-progress showing at the Singapore International Festival of Arts in 2024, … Continue reading ★★★★☆ Theatre Review: Myles – Soulmate In A Box by Singapore Repertory Theatre

Myles – Soulmate In A Box: An Interview with Inch Chua on how to build the perfect boyfriend

There’s a particular kind of artist who is driven purely by curiosity and follows it all the way down, whether that means learning an entirely new discipline, rethinking their creative language. And in the case of Inch Chua, that means building an AI boyfriend from scratch just to see what might happen. When Myles – Soulmate in a Box first appeared at the Singapore International … Continue reading Myles – Soulmate In A Box: An Interview with Inch Chua on how to build the perfect boyfriend

An Interview with actress Nathania Ong on finding her own voice and reclaiming Éponine in Les Misérables – The Arena Spectacular

In Les Misérables – The Arena Spectacular, scale is everything: a full orchestra onstage, sweeping projections, and a staging language that expands the musical’s visual and sonic reach. Yet within that enormity, the production’s emotional force hinges on something far more intimate. And doing exactly that is the character of Éponine. Portrayed by Singaporean performer Nathania Ong, the character emerges not as a peripheral tragic … Continue reading An Interview with actress Nathania Ong on finding her own voice and reclaiming Éponine in Les Misérables – The Arena Spectacular

★★★★★ Theatre Review: Secondary – The Musical (2026) by Checkpoint Theatre

Note: the performance reviewed featured understudies in the following major roles: Risa Ann Wong as Lilin, Nadya Zaheer as Mandy, Izzul Irfan as Omar, Fahim Murshed as Reyansh, Coco Wang as Ensemble (Discipline, Rong, Vice-Principal, Hui Ling), Nurulhuda Hassan as (Ensemble: Humour, Nadrah, Welfare, Amira, Cik Sya) weish’s Secondary: The Musical returns with a surer, more confident restaging, deepening the emotional resonance of an already … Continue reading ★★★★★ Theatre Review: Secondary – The Musical (2026) by Checkpoint Theatre

★★★★☆ Theatre Review: [title of show] (2026) by Sing’theatre

Metatheatrical musical pokes fun at the Broadway dream with charm and twee humour. Few musicals are as self-mythologising or as beloved within musical theatre circles as [title of show]. Since its debut, the meta-musical about two writers racing to create a musical has earned a kind of cult status, not just for its wit, but for how closely it mirrors the aspirations, anxieties, and inside … Continue reading ★★★★☆ Theatre Review: [title of show] (2026) by Sing’theatre

Preview: Moulin Rouge! The Musical lands in Singapore February 2027

Singapore’s cultural calendar is about to get a dramatic dose of glitter, glamour, and grand romance. In February 2027, the city will host the Southeast Asia premiere of Moulin Rouge! The Musical, a dazzling stage adaptation of Baz Luhrmann’s iconic film at the Sands Theatre in Singapore. This isn’t just another musical passing through town. It’s a full-blown spectacle, one that has captivated audiences from … Continue reading Preview: Moulin Rouge! The Musical lands in Singapore February 2027

Preview: [title of show] (2026) by Sing’theatre

This April, theatre audiences in Singapore can look forward to Sing’theatre’s production of [title of show], a witty, fast-paced, Tony-nominated musical that turns the creative process itself into the main event. Equal parts hilarious and heartfelt, the show follows two writers racing against the clock to create a brand-new musical… about writing a musical. At first glance, it’s a clever meta-comedy. But beneath the sharp … Continue reading Preview: [title of show] (2026) by Sing’theatre

★★★★★ Theatre Review: Lao Jiu – The Musical 《老九》音乐剧 (2026) by The Theatre Practice

This definitive Singaporean Chinese musical reckons with the impossible decision between dreams and duty, and more crucially, what it costs to choose your own life in Singapore. First written and staged in 1990 by the late theatre doyen Kuo Pao Kun with The Theatre Practice (Practice), Lao Jiu was a script that was always meant to evolve. Originally a stage play, its eventual transformation into … Continue reading ★★★★★ Theatre Review: Lao Jiu – The Musical 《老九》音乐剧 (2026) by The Theatre Practice