A Little Piece of Eternity: An Interview with Anne Teresa De Keersmaeker on repetition and return in Fase, Four Movements to the Music of Steve Reich

When Anne Teresa De Keersmaeker created Fase, Four Movements to the Music of Steve Reich in the spring of 1982, she was starting, quite deliberately, at the beginning. “I wanted to develop my own choreographic writing,” she recalls. Trained in classical ballet (“a very strictly codified language”), she chose instead “to go step by step, literally one movement at a time,” trusting an emerging intuition … Continue reading A Little Piece of Eternity: An Interview with Anne Teresa De Keersmaeker on repetition and return in Fase, Four Movements to the Music of Steve Reich

Pesta Raya 2026: An Interview with Maria Tri Sulistyani, founder of Papermoon Puppet Theatre, and playwright/director of ‘PUNO – Sewing Memories’

Twelve years ago, the story that would become PUNO: Sewing Memories began with a promise. Back in 2013, Papermoon Puppet Theatre was planning a collaboration with a close friend from the Philippines: puppetry artist Don Salubayba. “It was kind of like, wow, it’s amazing that we have so much in common, let’s do something together,” recalls director and playwright Maria Tri Sulistyani, also a co-founder … Continue reading Pesta Raya 2026: An Interview with Maria Tri Sulistyani, founder of Papermoon Puppet Theatre, and playwright/director of ‘PUNO – Sewing Memories’

Pesta Raya 2026: An Interview with Dr. Norzizi Zulkifli on adapting Macbeth for Randai and traditional arts in Malaysia

When Dr Norzizi speaks about randai, she does not describe it as an artefact or a genre. She describes the art form as something breathing, precarious, but alive. “Without ASWARA,” she says plainly of the National Academy of Arts, Cultural and Heritage of Malaysia, “randai is a dying traditional art form. It exists, but it is also not there. If you come to Kuala Lumpur … Continue reading Pesta Raya 2026: An Interview with Dr. Norzizi Zulkifli on adapting Macbeth for Randai and traditional arts in Malaysia

Pesta Raya 2026: An Interview with ‘La Luna’ director Mohd Fared Jainal, playwright Ridhwan Saidi, and star Munah Bagharib

In an age where the world often feels divided and overexposed to outrage, the most compelling theatre sometimes comes from stories that remind us what it means to live, work, and confront challenges together. This year’s La Luna, making its stage debut during Pesta Raya at Esplanade – Theatres on the Bay, does exactly that: it’s a feel-good comedy that also asks audiences to look … Continue reading Pesta Raya 2026: An Interview with ‘La Luna’ director Mohd Fared Jainal, playwright Ridhwan Saidi, and star Munah Bagharib

End of the World and Hard-Boiled Wonderland: An Interview with director/choreographer Philippe Decouflé on adapting Haruki Murakami for the stage

Few literary worlds are as slippery, introspective and visually elusive as those of Haruki Murakami—which makes the stage adaptation of Hard-Boiled Wonderland and the End of the World an especially intriguing proposition. Directed and choreographed by Philippe Decouflé, the production transforms Murakami’s dual narratives into a highly visual theatrical experience, where movement, colour and scenography take the place of interior monologue. Arriving in Singapore at … Continue reading End of the World and Hard-Boiled Wonderland: An Interview with director/choreographer Philippe Decouflé on adapting Haruki Murakami for the stage

Infinite Possibilities: An Interview with director and actor Marwyn Ho of The Winter Players’ ‘Constellations’

Fresh off a string of sold-out productions, The Winter Players are charting new territory with Constellations, their first contemporary work and the opening production of their 2026 season. Known for staging classics like Hedda Gabler and Shakespearean comedies, the youth-led collective now turns to Constellations, a modern theatrical favourite that bends time, space, and emotion into a meditation on love’s infinite possibilities. At the helm … Continue reading Infinite Possibilities: An Interview with director and actor Marwyn Ho of The Winter Players’ ‘Constellations’

Cirque du Soleil’s KOOZA: An interview with Artistic Director Jamieson Lindenburg and Lushington Entertainments

Nine years after it last captivated Singapore audiences, KOOZA returns under the Big Top at Bayfront Event Space with all the spectacle, danger, and wonder that have long defined Cirque du Soleil at its very best. First seen here in 2017, the production arrives in 2026 as a reaffirmation and reminder that the simplest elements of circus, when executed at the highest level, remain the … Continue reading Cirque du Soleil’s KOOZA: An interview with Artistic Director Jamieson Lindenburg and Lushington Entertainments

Film: An interview with ‘Amoeba’ director Tan Siyou about alienation, teen angst, and the shape of rebellion in Singapore

Amoeba’s title is one of the strangest choices in local cinema, considering an ‘amoeba’ doesn’t immediately bring to mind Singapore, teenage girls, or anything local. But perhaps that’s exactly the point. “Most of us know amoebas from biology lessons, and it’s kind of weird, kind of gross,” says filmmaker Tan Siyou. “It’s not a fluffy cloud or Hello Kitty, and I deliberately chose it as … Continue reading Film: An interview with ‘Amoeba’ director Tan Siyou about alienation, teen angst, and the shape of rebellion in Singapore

A Dream of Red Mansions: An Interview with the dancers and choreographer of National Ballet of China’s acclaimed ballet adaptation of the classic tale 

When audiences step into A Dream of Red Mansions this March, they will be entering a world suspended somewhere between memory and dream. The ballet, performed by the National Ballet of China, transforms one of China’s most beloved literary works into a lyrical stage experience. Inspired by Cao Xueqin’s 18th-century novel, the production blends classical ballet vocabulary with Chinese movement aesthetics to evoke a fragile … Continue reading A Dream of Red Mansions: An Interview with the dancers and choreographer of National Ballet of China’s acclaimed ballet adaptation of the classic tale 

Civility Falls Apart: An Interview with director Nelson Chia and the cast of Nine Years Theatre’s God of Carnage 《杀戮之神》

At the start of Yasmina Reza’s God of Carnage, everything looks reasonable. Veronica has prepared food. Michael has arranged the living room. Annette arrives determined to be gracious. Alan, distracted by his phone, still shows up. Four adults sit down to discuss their sons’ playground conflict calmly, civilly, like responsible people should. That the evening collapses into chaos feels less like a shock than a … Continue reading Civility Falls Apart: An Interview with director Nelson Chia and the cast of Nine Years Theatre’s God of Carnage 《杀戮之神》