Interview: Luke Street, Javon King, Frances Lee and Tabitha Nauser bring new life to Singapore’s ‘Jesus Christ Superstar’

More than five decades after Andrew Lloyd Webber and Tim Rice first brought Jesus Christ Superstar to the stage, the musical continues to ask audiences to look beyond the icons at the people behind them. For the cast of the international touring production arriving in Singapore, that human element is at the heart of the show. Luke Street, who plays Jesus, sees a man grappling … Continue reading Interview: Luke Street, Javon King, Frances Lee and Tabitha Nauser bring new life to Singapore’s ‘Jesus Christ Superstar’

Growing Together, Growing Apart: An interview with co-directors Haresh Sharma, Adib Kosnan, and the cast of The Necessary Stage’s ‘3 Queens’

“When you start, you start with yourself,” says actress Munah Bagharib. “And sometimes there’s no way of controlling the levels and layers of the character.” It is an apt description of how 3 Queens came to life. The Necessary Stage’s newest production may centre on three women: sisters Bedah and Zeina, and their close friend Aida, but the characters audiences will meet onstage did not … Continue reading Growing Together, Growing Apart: An interview with co-directors Haresh Sharma, Adib Kosnan, and the cast of The Necessary Stage’s ‘3 Queens’

Esplanade’s The Studios 2026: An interview with Ingrid Voorendt, Associate Director, Back to Back Theatre on ‘Multiple Bad Things’

In a placeless warehouse at the end of the world, three employees are given a possibly pointless task. As they struggle to work together, the boundaries between cooperation and conflict begin to fray. What starts with politeness gradually descends into sly victimisation and bad behaviour, while language shifts from playful and absurd to threatening and deadly serious. In MULTIPLE BAD THINGS, award-winning Australian company Back … Continue reading Esplanade’s The Studios 2026: An interview with Ingrid Voorendt, Associate Director, Back to Back Theatre on ‘Multiple Bad Things’

Who cares for artists?: An interview with CITRUS fest 2026 curator Chong Gua Khee

For the people who keep Singapore’s arts scene moving, care can be difficult to separate from the work itself. It can mean managing workloads and expectations, navigating difficult conversations, making space for different needs, or simply recognising when a person or team has reached their limits. These questions are at the centre of CITRUS fest 2026: Kacang Puteh, Care-Oke?, the second edition of the ten-day … Continue reading Who cares for artists?: An interview with CITRUS fest 2026 curator Chong Gua Khee

Esplanade’s The Studios 2026: An Interview with Samir Veen on participation and co-operation in Ontroerend Goed’s ‘Handle with Care’

When Belgian theatre company Ontroerend Goed first conceived Handle with Care, they knew almost nothing about the performance itself. There were no actors, no technicians, no script, and not even a clear idea of what would eventually be inside the box that sits at the centre of the stage. What they did know was that they wanted to make something they had never made before. … Continue reading Esplanade’s The Studios 2026: An Interview with Samir Veen on participation and co-operation in Ontroerend Goed’s ‘Handle with Care’

London Theatre: Death Note – The Musical star Telly Leung on becoming Ryuk – “I’m not here to be a copycat”

LONDON, UNITED KINGDOM – For more than two decades, Death Note has refused to stay confined to a single medium. Since writer Tsugumi Ohba and illustrator Takeshi Obata first introduced the supernatural thriller in the pages of Weekly Shōnen Jump in 2003, the series has become one of Japan’s most successful cultural exports. More than 30 million manga copies have been sold worldwide, while the … Continue reading London Theatre: Death Note – The Musical star Telly Leung on becoming Ryuk – “I’m not here to be a copycat”

Esplanade’s The Studios 2026: An Interview with Iranian theatremaker Amir Reza Koohestani on surveillance, solidarity and the power of ‘Blind Runner’

Surveillance cameras watch every interaction. A husband visits his imprisoned wife once a week, their conversations becoming increasingly strained under the weight of constant observation. Elsewhere, he agrees to guide a young blind marathon runner through the streets of Paris, discovering that trust, like freedom, is something built one careful step at a time. In Blind Runner, acclaimed Iranian playwright and director Amir Reza Koohestani … Continue reading Esplanade’s The Studios 2026: An Interview with Iranian theatremaker Amir Reza Koohestani on surveillance, solidarity and the power of ‘Blind Runner’

Art: Maria Taniguchi – Afterimage at Singapore Art Museum

There is a temptation to describe Maria Taniguchi’s work as meditative. For nearly two decades, the Filipino artist has devoted herself to painting what appears, at first glance, to be the same image: vast fields of carefully hand-painted rectangles, meticulously built one brushstroke at a time until they resemble endless brick walls. Their monumental scale, subdued palettes and rigorous repetition have often led viewers to … Continue reading Art: Maria Taniguchi – Afterimage at Singapore Art Museum

Legally Blonde: Breaking stereotypes with stars Vanessa Kee, Sandra Riley Tang and Siti Khalijah Zainal

For a musical that’s become synonymous with pink outfits, pop anthems and perfectly coiffed hair, Legally Blonde spends surprisingly little time asking audiences to admire appearances. Instead, it focuses on dismantling them. Nearly every major woman in the show enters the story wearing a label. Protagonist Elle Woods is the most obvious example, quickly dismissed as the ditzy blonde. But while she may be the … Continue reading Legally Blonde: Breaking stereotypes with stars Vanessa Kee, Sandra Riley Tang and Siti Khalijah Zainal

Legally Blonde: An interview with director Kate Golledge and choreographer Simon Hardwick on bringing out the best of Singapore Repertory Theatre’s all-star cast

Everybody underestimates Elle Woods. That is, after all, the entire premise of Legally Blonde. Before she even speaks, people have already decided who she is: too blonde, too fashionable, too frivolous to be taken seriously. Yet for director Kate Golledge, that’s also the biggest misconception audiences have about the musical itself. “I love Legally Blonde. I honestly think it’s one of the best-written contemporary musicals … Continue reading Legally Blonde: An interview with director Kate Golledge and choreographer Simon Hardwick on bringing out the best of Singapore Repertory Theatre’s all-star cast