Flipside 2026: An interview with Guy Waerenburgh on risk, absurdity and the thrill of unpredictability in ‘Der Lauf (The Way Things Go)’

Contemporary circus rarely sits still, but Der Lauf (The Way Things Go) thrives in a state of beautiful collapse. Created by Belgian juggler and performer Guy Waerenburgh, the internationally acclaimed production transforms juggling into something far stranger and more theatrical: part cabaret, part endurance test, part social experiment. Blindfolded performers navigate towering stacks of wine glasses, spinning plates, flying buckets and razor-sharp knives, while the … Continue reading Flipside 2026: An interview with Guy Waerenburgh on risk, absurdity and the thrill of unpredictability in ‘Der Lauf (The Way Things Go)’

Flipside 2026: Lachlan Binns on how ‘A Simple Space’ celebrates human connection, trust, and play

When A Simple Space first premiered in 2013, contemporary circus was undergoing a global shift. Traditional big-top spectacles and variety-style performances were still dominant, shaped in part by the influence of companies like Cirque du Soleil, with their elaborate staging, narrative framing, and theatrical spectacle. But for co-creator and performer Lachlan Binns, the goal was to go in the opposite direction. “We made the show … Continue reading Flipside 2026: Lachlan Binns on how ‘A Simple Space’ celebrates human connection, trust, and play

SIFA 2026: Lush Life – An interview with director Ong Keng Sen on making art out of life and legacy

Before streaming platforms, before bedroom recordings, and before Singapore had any real infrastructure for popular music, there were artists like Jacintha Abisheganaden and Dick Lee, figures who carved out creative lives with few precedents and even fewer guarantees. Their songs, relationships and artistic decisions did not just define their own careers; they helped shape what it meant to be a musician in Singapore at all. … Continue reading SIFA 2026: Lush Life – An interview with director Ong Keng Sen on making art out of life and legacy

SIFA 2026: Planet [wanderer] – An interview with choreographer Damien Jalet and scenographer Kohei Nawa in search of the body’s place in the world

Strange and bewitching, Planet [wanderer] is a rare theatre production that unfolds like a dream one cannot quite hold onto. Created by choreographer Damien Jalet and visual artist Kohei Nawa, the work brings eight dancers into a shifting terrain of textures and matter, where bodies bend, sway, and reorganise themselves like reeds in the wind, caught in a fragile balance between “power and vulnerability, harmony … Continue reading SIFA 2026: Planet [wanderer] – An interview with choreographer Damien Jalet and scenographer Kohei Nawa in search of the body’s place in the world

SIFA 2026: Hedda Gabler – An interview with director Park Jung Hee on Henrik Ibsen’s universal cultural resonance

Few characters in modern theatre are as enduringly enigmatic as Hedda Gabler, a figure suspended between control and chaos, desire and restraint. In this latest staging by Park Jung-hee, Artistic Director of the National Theater Company of Korea, the question is not how to modernise Hedda Gabler, but how to encounter it anew. Rather than imposing a contemporary veneer, Park approaches the work as a … Continue reading SIFA 2026: Hedda Gabler – An interview with director Park Jung Hee on Henrik Ibsen’s universal cultural resonance

Becoming Willy Wonka: An Interview with Charlie and the Chocolate Factory’s Daniel Plimpton

Roald Dahl’s beloved tale of golden tickets and chocolate rivers is finally making its Southeast Asian debut, as Charlie and the Chocolate Factory the Musical opens at Sands Theatre, Marina Bay Sands, for a strictly limited season from 19th May 2026. Presented by Base Entertainment Asia in association with Broadway International Group and Broadway Asia, the production brings Willy Wonka’s fantastical chocolate factory to life … Continue reading Becoming Willy Wonka: An Interview with Charlie and the Chocolate Factory’s Daniel Plimpton

SIFA 2026: Strangely Familiar《熟悉的陌生》 – An interview with choreographer Kuik Swee Boon on coexistence and projection

In Strangely Familiar, the stage becomes a meeting ground between worlds. A shifting digital presence, neither fully human nor entirely machine, moves alongside five dancers, blurring the boundaries between body and projection, instinct and invention. Created by Kuik Swee Boon, founding artistic director of T.H.E Dance Company, the work unfolds less as a linear narrative than as an evolving encounter: a space where the human … Continue reading SIFA 2026: Strangely Familiar《熟悉的陌生》 – An interview with choreographer Kuik Swee Boon on coexistence and projection

SIFA 2026: Last Rites – An interview with director Liu Xiaoyi on the temporality of live performance and preparing for the end

What would it mean to stage your final act, not as a last bow, but as a reflection of everything that came before? In Last Rites, Liu Xiaoyi brings together five veteran performers from across Asia to confront this question, weaving their personal histories into a meditation on life, art, and what remains after both have passed. Presented at the 2026 Singapore International Festival of … Continue reading SIFA 2026: Last Rites – An interview with director Liu Xiaoyi on the temporality of live performance and preparing for the end

SIFA 2026: Hamlet – An interview with director Chela De Ferrari on inclusivity and who deserves to be seen onstage

At the heart of Hamlet lies one of the most enduring questions in Western theatre: who has the right to exist, to speak, to be seen. In her radical reimagining of the play, Peruvian director Chela De Ferrari shifts that question off the page and into the bodies of her performers: actors with Down syndrome who take centre stage in a work that refuses both … Continue reading SIFA 2026: Hamlet – An interview with director Chela De Ferrari on inclusivity and who deserves to be seen onstage

Art: Siew Guang Hong on biology and the politics of the unstable in his debut solo exhibition ‘the body improper’

This May, Richard Koh Fine Art (Singapore) presents the body improper, the first solo exhibition by Siew Guang Hong with the gallery. Bringing together 19 works across expanded photography, sculptural print, and performance, the exhibition unfolds as a sustained investigation into the body not as a fixed biological unit, but as something continually assembled, destabilised, and re-projected through ecological and conceptual systems. Across the exhibition, … Continue reading Art: Siew Guang Hong on biology and the politics of the unstable in his debut solo exhibition ‘the body improper’