Motherhood has never been an easy path to take. From carrying a child for nine months, the pain of actual childbirth, to a mother’s duties to her husband and children, it’s practically enough to make one woman go mad. Following their staging of The Father (2018) and The Son (2020), Pangdemonium is set to complete Florian Zeller’s ‘family’ trilogy with The Mother this August. Translated … Continue reading Preview: The Mother by Pangdemonium!
Nikki Muller shoulders the highs and lows of womanhood in this harrowing one-woman show. Over the last few decades, the gender equality movement has made leaps and bounds, with an increasing number of women in power, more male sex offenders brought to justice, and overall, a general recognition that women today are in a much better place than before. Amidst these hopeful, headline-worthy updates though, … Continue reading ★★★★☆ Review: Girls & Boys by Pangdemonium!
After their digitally-presented, pre-recorded performance of Marc Palmieri’s Waiting For The Host, Pangdemonium has now announced their first live production since 2020’s The Son, and their first ever one woman show set for February 2021. Directed by Tracie Pang, Pangdemonium presents Dennis Kelly’s Girls & Boys. Originally performed in 2018 at London’s Royal Court Theatre by acclaimed Hollywood actress Carey Mulligan, Girls & Boys is very much in line with Pangdemonium’s … Continue reading Preview: Girls & Boys by Pangdemonium!
Zoom becomes an unlikely medium for hope and solace in this timely, reflective comedy-drama. While we’ve watched a number of performances on Zoom already, no play has tackled the medium quite as directly as Pangdemonium has, with their production of Marc Palmieri’s Waiting For The Host. Conceived when he participated in a recording of a Passion Play for his local church, Palmieri’s script is one of the … Continue reading Review: Waiting For The Host by Pangdemonium
With the work from home and circuit breaker measures in place over the last few months, most of us are already familiar with dragging ourselves out of bed to attend the next Zoom meeting, only to find ourselves ‘waiting for the host’, bemoaning how we could have slept in just a little more. It’s no wonder then that it’s already the subject (and title) of … Continue reading The Banter: Tracie and Adrian Pang talk about Pangdemonium in a pandemic
★★★★☆ (Performance attended 22/2/20) Sometimes, love just isn’t enough. For a play that’s titled The Son, it’s interesting how it ends up becoming a show that reveals far less about the eponymous son than it does about the people surrounding him. In Pangdemonium’s latest production, Nicolas (Zachary Pang), a troubled 16-year old, seems to be undergoing problems far bigger than the usual dose of teenage angst. His recently … Continue reading Review: The Son by Pangdemonium!
It’s not every day that you get a face-to-face interview with the people behind critically-acclaimed local theatre company Pangdemonium! Run by husband and wife super team Adrian and Tracie Pang, 2020 marks a big year for Singapore’s most ‘ass-kicking’ theatre company, as they celebrate their milestone 10th anniversary. “There’s a lot of pressure to plan the entire season by the previous September, but we have … Continue reading The Banter: An Interview with Adrian, Tracie, and Zachary Pang (Pangdemonium’s The Son)
Ass-kicking theatre company Pangdemonium! is back this February to start their 10th anniversary on the scene with Florian Zeller’s The Son (translated by Christopher Hampton). Following on from their sold-out production of Zeller’s The Father in 2018, The Son shifts the focus from mental illness in the aged to mental illness in the young, much like how they started with Late Company in 2019, which dealt with a teenage suicide. … Continue reading Preview: The Son by Pangdemonium!
Piss-perfect performance to round off Pangdemonium’s 2019 season. If Les Miserables was the musical that brought the romance to revolution, then Mark Hollmann and Greg Kotis’ Urinetown is almost certainly the one that takes the piss out of it. Wrapping up Pangdemonium’s 2019 season, Urinetown is the rare satirical musical that dares to poke fun at the musical genre and convention, yet, is in itself a more than competent production … Continue reading Review: Urinetown by Pangdemonium
10 years ago, a humble theatre company was founded by actor Adrian Pang and his wife, director Tracie Pang, ditching their day jobs to follow their dreams. 10 years on, through perils, pitfalls and potholes, and plenty more successes, and Pangdemonium! has emerged as one of Singapore’s top and most popular theatre companies today, reliably delivering one quality production after another to sold-out audiences, and … Continue reading Preview: Pangdemonium!’s Ass-Kicking 2020 Season – The Son, The Glass Menagerie and The Full Monty
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