Review: This Is What Happens To Pretty Girls by Pangdemonium

Grey areas abound as Pangdemonium addresses the ugly truth of sexual assault. When NUS student Monica Baey posted about her traumatic experience with a campus Peeping Tom on Instagram in April 2019, she set off a nationwide social media storm that has seen supporters and detractors both rallying behind her call for justice, and condemning her for kicking up a fuss, with perceived ulterior motives … Continue reading Review: This Is What Happens To Pretty Girls by Pangdemonium

Review: Never Rarely Sometimes Often by Tapestry Playback Theatre

Therapy via improv theatre. To the lay person, attending a theatre can often seem like a daunting prospect, requiring a certain amount of class, intelligence or knowledge to even begin appreciating. With community theatre, those are imagined boundaries that are completely tossed out the window, welcoming audiences from all walks of life, regardless of background, to attend and be a part of. With Tapestry Playback … Continue reading Review: Never Rarely Sometimes Often by Tapestry Playback Theatre

Review: Fantasy Island Cruise by L’arietta Productions

An operatic holiday from L’arietta. In the grand scheme of modern opera, L’arietta Productions has time and again proven that the art form doesn’t have to be a stuffy affair, presenting accessible, fun operatic works of art onstage for both opera vets and newcomers to enjoy. With Fantasy Island Cruise, the company presents a double bill of light-hearted works, namely Joseph Horowitz’s Gentleman’s Island and Gian Carlo … Continue reading Review: Fantasy Island Cruise by L’arietta Productions

Review: ‘Til The End Of The World, We’ll Meet In No Man’s Land by Theatreworks

Inch Chua takes audiences to deepest south in an aural journey to remember.  Over the last few years, indie singer-songwriter Inch Chua has gradually been expanding her repertoire, advancing beyond music alone to develop an artist, as she delves into acting and full-on multidisciplinary work for the stage. With Theatreworks’ brand new season of Women & Voice, featuring works from female artists, Inch takes her artistry one … Continue reading Review: ‘Til The End Of The World, We’ll Meet In No Man’s Land by Theatreworks

Beijing Days: Singapore’s CreatureS Launches Tease In The Chinese Capital

BEIJING, CHINA – Seeing local companies and establishments take the plunge to find success overseas is always a source of pride, and with CreatureS first foreign foray, we feel just as excited for them as a new journey begins. Having opened earlier this year in Beijing, Tease by CreatureS continues to pay homage to the Straits-Chinese restaurant’s roots and its home in China, set up in … Continue reading Beijing Days: Singapore’s CreatureS Launches Tease In The Chinese Capital

Review: Masterpieces by Peng Xiuwen 《乐坛巨人》by Ding Yi Music Company

A rousing showcase of the late Chinese Orchestra master’s best work. With over 400 compositions and arrangements to his name, it’s nigh impossible to choose the very best pieces to represent the late Maestro Peng Xiuwen in a 2 hour concert. For Ding Yi Music Company’s Masterpieces by Peng Xiuwen 《乐坛巨人》, it just takes the eight pieces chosen to convince us of the master’s skill and … Continue reading Review: Masterpieces by Peng Xiuwen 《乐坛巨人》by Ding Yi Music Company

Shanghai Nights: Sleep No More《不眠之夜》by Punchdrunk International and SMG Live (Review)

The definitive immersive theatre experience deserves its success and all the accolades. SHANGHAI, CHINA – How does one even begin to describe what is already one of the best immersive theatre productions in existence? After enjoying immense success across London and New York, Punchdrunk made a journey to the East to bring Sleep No More to Shanghai, certainly, the kind of theatre that heralded nothing China had ever … Continue reading Shanghai Nights: Sleep No More《不眠之夜》by Punchdrunk International and SMG Live (Review)

The Studios 2019: Mergers and Accusations (Review)

The ties that bind us are frayed in this revival of a Singaporean LGBTQ classic. Written by Eleanor Wong in 1993, 16 years on, Mergers and Accusations remains one of Singapore’s most seminal queer theatrical works. Dripping with sarcastic wit and rapid fire legal jargon, the play remains relevant even today for its unabashed portrayal of citizens afraid to come out of the closet for fear of the impact … Continue reading The Studios 2019: Mergers and Accusations (Review)

Review: A Silent Hour – Buskers of Singapore by Toy Factory

Bridging the distance between audiences and buskers. Toy Factory is breaking new ground this year with their outreach programme for inclusive theatre sharing, presenting brand new ways and forms of experiencing the arts, not only through new technologies or ways of staging, but even the form itself. With A Silent Hour: Buskers of Singapore, creator Stanley Seah puts the spotlight on musician Yee Kien, one of … Continue reading Review: A Silent Hour – Buskers of Singapore by Toy Factory

Shanghai Nights: Liao Zhai Rocks! by The Theatre Practice (Review)

An overseas debut and source of Singaporean pride. SHANGHAI, CHINA – Presenting their original musical Liao Zhai Rocks! overseas for the very first time, it’s hard not to feel a sense of pride seeing The Theatre Practice’s name displayed across the massive theatre at Shanghai Culture Square. Written by Wu Xi, with soundtrack by Eric Ng and lyrics by Xiaohan, the musical feels only appropriate as debut, … Continue reading Shanghai Nights: Liao Zhai Rocks! by The Theatre Practice (Review)