Interview: Tracie Pang, director Timothy Koh and the cast of ‘Come From Away’ reflect on building community and 16 years of Pangdemonium

Pangdemonium’s 2026 finale season began with Force Majeure in March, followed by A Mirror in June. The company’s founders, Tracie and Adrian Pang, had previously announced in February that they would step away from Pangdemonium at the end of 2026, describing the decision as a deeply personal one and saying they wanted to bring the company’s story to an end on their own terms, on … Continue reading Interview: Tracie Pang, director Timothy Koh and the cast of ‘Come From Away’ reflect on building community and 16 years of Pangdemonium

Interview: Nathania Ong gets HONEST about finding her voice and learning to take up space with her upcoming concert

For someone who has spent much of her career stepping into other people’s stories, Nathania Ong is about to do something rather different: telling her own. The Singaporean musical theatre performer returns this September with HONEST, her first solo concert in Singapore, promising an intimate evening of musical theatre, original music and personal storytelling that traces both the trajectory of her career, as well as … Continue reading Interview: Nathania Ong gets HONEST about finding her voice and learning to take up space with her upcoming concert

★★★★☆ Theatre Review: 3 Queens by The Necessary Stage

A wistful, deeply human portrait of female friendship that grows apart, and a strong return to form for Haresh Sharma’s writing. Duration: 90 minutes 3 Queens, The Necessary Stage’s new production, is the type of everyday tragedy that plays out across households all around the world. Written by Haresh Sharma, and co-directed by Haresh and Adib Kosnan, the play does not find its tragedy from … Continue reading ★★★★☆ Theatre Review: 3 Queens by The Necessary Stage

★★★★☆ Film Review: HOPE dir. Na Hong-jin

Big budget Korean sci-fi thriller keeps you on the edge of your seat with some of the best action sequences in cinema throughout its lengthy runtime and odd story. Duration: 156 minutes Does a film actually need a good storyline to succeed? HOPE certainly makes you question it. Na Hong-jin, best known for directing 2016 horror film The Wailing, returns with a nearly 3-hour Korean … Continue reading ★★★★☆ Film Review: HOPE dir. Na Hong-jin

Film: ‘The Violinist’ 沧海琴声 to be released in both English and Mandarin this September

Some films travel the world before finally coming home. For Singapore-led animated feature The Violinist (沧海琴声), that homecoming has already been a remarkable one. Following its Singapore Gala Premiere at Capitol Theatre on 3 September, the award-winning film will open in cinemas nationwide on 17 September 2026, giving audiences the choice of experiencing the story in both English and Mandarin. Supported by the Infocomm Media … Continue reading Film: ‘The Violinist’ 沧海琴声 to be released in both English and Mandarin this September

Preview: The Secret Room of Urban Bestiary by ARTS FISSION and Alliance Française

This September, Alliance Française de Singapour and Singapore contemporary dance company ARTS FISSION are inviting audiences to find out, transforming the gallery on Level 2 into something far more alive than a conventional exhibition space. Premiering on 4 September and returning on 11 September 2026, The Secret Room of Urban Bestiary is a new site-specific contemporary dance production conceived by ARTS FISSION Artistic Director Angela … Continue reading Preview: The Secret Room of Urban Bestiary by ARTS FISSION and Alliance Française

Preview: The Parting Glass by Gateway Arts

This September, The Blackbird at Gillman Barracks will take on a new role: not just a place for drinks, music and dinner, but the setting for a story about love, loneliness and the people we think we know. From 2 to 13 September, Gateway Arts will stage The Parting Glass, its first immersive, site-specific production, bringing audiences within just a few steps of its characters … Continue reading Preview: The Parting Glass by Gateway Arts

★★★★★ Theatre Review: Fried Rice Paradise – The Makan Party (2026) by Singapore Repertory Theatre

A hotter, more assured battle of tradition and reinvention, as Dick Lee himself helms this deliciously chaotic dinner-theatre adaptation of his classic musical. There is something wonderfully appropriate about Fried Rice Paradise never staying the same. Dick Lee wrote the song in 1973 as his first attempt at a Singaporean pop song, only to see it banned from airplay for its use of Singlish. More … Continue reading ★★★★★ Theatre Review: Fried Rice Paradise – The Makan Party (2026) by Singapore Repertory Theatre

How Drama’s ‘Big Brown Girl’ returns to Singapore, and creator Ross Nasir is inviting you to her room at The Standard

When Big Brown Girl was first staged, its premise was already an unusual one: a one-woman show about a Singaporean woman getting back into dating, with the audience deciding which men she meets along the way. Now, several years and iterations later, Ruby is returning to Singapore, but this time, audiences won’t simply be watching her dates from a theatre seat. The latest version of … Continue reading How Drama’s ‘Big Brown Girl’ returns to Singapore, and creator Ross Nasir is inviting you to her room at The Standard

Film: Award-winning Singapore animated film ‘The Violinist’ comes to home to the local cinemas this September

After winning two major prizes at Annecy and earning a place in the 2026 Toronto International Film Festival, Singapore’s The Violinist is finally coming home. The animated feature will celebrate its Singapore Gala Premiere at The Capitol Theatre on 3 September, before opening in Golden Village cinemas nationwide on 17 September 2026. For a film that has already travelled from Singapore to some of the … Continue reading Film: Award-winning Singapore animated film ‘The Violinist’ comes to home to the local cinemas this September