Pangdemonium’s final show finds hope and grace with how Come From Away finds the extraordinary power of care, community and an open door, even in the face of loss and tragedy. Duration: 105 minutes It seems poetic that Pangdemonium should end its 16-year journey as a company with Come From Away. On the 25th anniversary of 9/11, the musical arrives as a story about what … Continue reading ★★★★★ Theatre Review: Come From Away by Pangdemonium!
An experiment in live theatrical co-creation that asks what happens when theatre lets go of rehearsal, control and certainty. Duration: 80 min There is something inherently awkward about getting to know someone for the first time. You stumble over your words, try on different versions of yourself, wonder what the other person is thinking, and slowly, if you are lucky, find a rhythm together. Gangguan! … Continue reading Theatre Review: Getting To Know You by Gangguan! Theatre
From a rare archive of 2,800 photographs taken by Tan Pin Pin in the early 1990s to 25 years of Singaporean photographic practice, SIPF2026 invites audiences to look at the city, and themselves, differently. What did Singapore look like before the smartphone, before social media and before almost every moment of daily life could be photographed and instantly shared? One answer can be found in … Continue reading Art: The Singapore International Photography Festival Returns for Its 10th Edition this October
Rishi Vadrevu and Juliana Kassim Chan deliver warm, sincere performances in Gateway Arts’ tender, devastating site-specific production, drawing attention to masculinity and mental health. Duration: 75 minutes There is something fitting about setting a play called The Parting Glass in a pub. Originally written by Chris O’Connor, the play takes its title from a traditional Irish and Scottish farewell song about having one last drink … Continue reading ★★★★★ Theatre Review: The Parting Glass by Gateway Arts
A harrowing, brutally honest look at what happens when we judge what we see without looking closer, and the people who fall through the cracks as a result. For a long time now, disability in Singapore has been framed through the language of charity and celebration: to champion the differently abled, applaud their resilience, celebrate the obstacles they have overcome, and hold them up as … Continue reading ★★★★☆ Theatre Review: MONSTRESS by ART:DIS
For more than six decades, Joanna Wong has devoted her life to Cantonese opera. She has performed it, taught it, modernised it and taken it around the world. Alongside her late husband, Leslie Wong, she also helped build one of Singapore’s most important Chinese opera institutions from the ground up. Now, as Chinese Theatre Circle (CTC) marks its 45th anniversary, that extraordinary journey is coming … Continue reading Preview: One Love, A Legacy – Celebrating Joanna & Leslie Wong and Chinese Theatre Circle by Chinese Theatre Circle
Something has gone terribly wrong in Wonderland. The tea is cold. The riddles have gone stale. The inhabitants aren’t quite themselves. And, most troubling of all, the Mad Hatter has lost the very thing that makes him the Mad Hatter: his Madness. Now, he needs help getting it back. This October, audiences will be invited down the rabbit hole for Crack The Case: Wonderland, the … Continue reading Preview: Crack The Case – Wonderland by Sight Lines Entertainment
More than three decades after Michael Jackson brought his Dangerous World Tour to Singapore, the King of Pop’s music and creative legacy are set to return to the city, this time on the stage. MJ The Michael Jackson Musical, the four-time Tony Award-winning Broadway production, will open for a limited season at Sands Theatre, Marina Bay Sands, in August 2027, giving Singapore audiences the chance … Continue reading Preview: MJ The Michael Jackson Musical arrives in Singapore August 2027, waitlist now open
Pangdemonium’s 2026 finale season began with Force Majeure in March, followed by A Mirror in June. The company’s founders, Tracie and Adrian Pang, had previously announced in February that they would step away from Pangdemonium at the end of 2026, describing the decision as a deeply personal one and saying they wanted to bring the company’s story to an end on their own terms, on … Continue reading Interview: Tracie Pang, director Timothy Koh and the cast of ‘Come From Away’ reflect on building community and 16 years of Pangdemonium
For someone who has spent much of her career stepping into other people’s stories, Nathania Ong is about to do something rather different: telling her own. The Singaporean musical theatre performer returns this September with HONEST, her first solo concert in Singapore, promising an intimate evening of musical theatre, original music and personal storytelling that traces both the trajectory of her career, as well as … Continue reading Interview: Nathania Ong gets HONEST about finding her voice and learning to take up space with her upcoming concert
