SIFA 2019: The Mysterious Lai Teck by Ho Tzu Nyen (Review)

A brief history of a fictitious communist acts as the starting point for which to deconstruct the very nature of truth itself. Far too often in the recording of history, tiny details get lost from simple descriptors, to entire accounts of people. The latter in particular is explored in full with Ho Tzu Nyen’s The Mysterious Lai Teck. Based off a former leader of the Malayan … Continue reading SIFA 2019: The Mysterious Lai Teck by Ho Tzu Nyen (Review)

SIFA 2019: Peter and the Wolf by Silo Theatre (Review)

Joyous, modern take on Prokofiev’s classic that will enchant any child with the magic of theatre. Every once in a while, amidst the darkness and grit that so much of today’s theatre is characterised by, there is a distinct need to lighten up the mood and find optimism in simple, yet powerful reminders of all that is good in the world. Presented by New Zealand’s … Continue reading SIFA 2019: Peter and the Wolf by Silo Theatre (Review)

SIFA 2019: Dionysus by Suzuki Company of Toga & Purnati Indonesia (Review)

Tadashi Suzuki draws out the wicked and the divine from a classic Greek tragedy . Staging a classic Greek tragedy has never been an easy feat for any theatre company – as enduring as these stories are, the true challenge lies in having a production simultaneously bring something new to the tale, while still preserving the essence of message of the original tale. In the … Continue reading SIFA 2019: Dionysus by Suzuki Company of Toga & Purnati Indonesia (Review)

Review: Ghost Call by RAW Moves

A call to reduce the distance technology has created. In the age of Tinder, WhatsApp, and other social media applications, the need to ever meet someone else in person for the sake of conversation has rapidly decreased. But is there still value in that face to face interaction that we’ve forgotten? That’s the crux of contemporary dance company RAW Moves’ latest production, as Ghost Call explores … Continue reading Review: Ghost Call by RAW Moves

SIFA 2019: Beware of Pity by Schaubühne Berlin & Complicité (Review)

Crippling guilt is the driving force of tragedy in this co-production between Schaubühne Berlin and Simon McBurney After closing SIFA 2018 with An Enemy of the People, Germany’s Schaubühne Berlin has now returned to open SIFA 2019 in an almost poetic act of programming continuity. In a similar vein to their production last year, Beware of Pity is a scathing, pointed look at the darkness of the human … Continue reading SIFA 2019: Beware of Pity by Schaubühne Berlin & Complicité (Review)

Not A Love Song: An Interview with Rising Pop Star bülow

Despite being freshly flown into Singapore and opening for Lauv on his whirlwind Asia Tour, rising star bülow remains energetic, and shows she can more than hold her own as a solo artist with her own share of rabid fans cheering for her at her performance. Speaking to her at her hotel in the city centre, unlike other visitors to Singapore, bülow remains completely unfazed by the … Continue reading Not A Love Song: An Interview with Rising Pop Star bülow

Preview: How I Learned To Drive by Wag the Dog Theatre

Wag the Dog Theatre is back this June for their annual mainstage production. Once again playing at the Drama Centre Black Box, this year, they’re presenting Paula Vogel’s Pulitzer Prize-winning play How I Learned to Drive. Having premiered in March 1997, How I Learned to Drive is set in rural America in the 1960s, and exploring the life of L’il Bit, a teenage girl as she comes … Continue reading Preview: How I Learned To Drive by Wag the Dog Theatre

Singapore International Piano Festival 2019: An Interview with Festival Director Lim Yan

The 26th edition of the Singapore International Piano Festival returns this May and brings together four of the world’s best virtuoso pianists, each performing solo at the Victoria Concert Hall over the four day festival. In the lead-up to the performances, we spoke to Singaporean pianist Lim Yan, the newly appointed Artistic Director of the festival and the first in SSO history to be an … Continue reading Singapore International Piano Festival 2019: An Interview with Festival Director Lim Yan

Television Time: Local Video Company The Hummingbird Co. Launches New Web Series ‘One Take’

  Local experimental video company The Hummingbird Co. has launched a brand new independent web series One Take, which, as its title suggests, comprises entirely of single-take episodes, with a narrative centred around a group of youths whose life-changing moments unravel in real time. The concept of One Take arose as the showrunners found a need to create honest conversations within the digital space, holding up a mirror … Continue reading Television Time: Local Video Company The Hummingbird Co. Launches New Web Series ‘One Take’

Preview: TheatreWorks Writers’ Lab – N.O.W. 2019

Theatreworks’ Writers’ Lab programme has been in place since the 1990s, continually encouraging and developing Singapore playwriting with its varied programmes. But this year, they’re changing up the formula a little, and integrating the brand new Not Ordinary Work (N.O.W.) into the programme, dedicating a three week programme to celebrating, as its title suggests, work that goes beyond the ordinary. Helmed by theatre practitioner Noorlinah Mohamed, N.O.W. is an interdiciplinary … Continue reading Preview: TheatreWorks Writers’ Lab – N.O.W. 2019