Reflections on a Skyline: An Interview with Here and Beyond Director Stanley Seah and Cast Member Jolene Wong

Toy Factory is having an incredibly busy year – they’ve already staged three brand new productions in 2018, ranging from epic hundred year musical to loving comedy tribute, and all of which were presented in Mandarin or Mandarin dialects. But this July, something quintessentially Singaporean will be coming your way, with the first ever stage adaptation of the only MOE-prescribed Singaporean O-Level Literature text – Here … Continue reading Reflections on a Skyline: An Interview with Here and Beyond Director Stanley Seah and Cast Member Jolene Wong

Review: My Grandfather’s Road by Neo Kim Seng (Cantonese versions, performed by Tan Cher Kian and Gary Tang)

Two ways to tell a poignant story of growing up in Cantonese.  First written as a book, in My Grandfather’s Road, Neo Kim Seng explores his familial history through the lens and geography of a bygone Singapore, thinking of his childhood growing up on what is literally his grandfather’s road (Neo Pee Teck Lane) and told through personal memories and anecdotes. While we previously watched the full … Continue reading Review: My Grandfather’s Road by Neo Kim Seng (Cantonese versions, performed by Tan Cher Kian and Gary Tang)

Beauty of Bettas: An Interview with Photographer Visarute Angkatavanich

If you didn’t know any better, the subjects in Thai photographer Visarute Angkatavanich’s exhibition at the Sun Yat Sen Nanyang Memorial Hall may appear completely enigmatic. It can be difficult to tell what exactly these glorious, silk-like creatures are in these photographs, as they dance gracefully in the light, taking on watery shapes that bend and fold to become anything from flowers to fashion. But as … Continue reading Beauty of Bettas: An Interview with Photographer Visarute Angkatavanich

M1 CONTACT Contemporary Dance Festival 2018: EARTH and Filled with sadness, the old body attacks by T.H.E Dance Company (Review)

A double-bill of movement heavy pieces open the 2018 M1 CONTACT Contemporary Dance Festival. T.H.E Dance Company opened the 2018 M1 CONTACT Contemporary Dance Festival with a double bill of work. Featuring ‘EARTH’ by Humanhood and ‘Filled with sadness, the old body attacks’ by Kim Jae Duk, the festival kicked off to a strong start with both these thought-provoking, physically challenging pieces.  EARTH by Humanhood In … Continue reading M1 CONTACT Contemporary Dance Festival 2018: EARTH and Filled with sadness, the old body attacks by T.H.E Dance Company (Review)

Review: Framed, By Adolf by The Finger Players

Dark fairytale meets con-job for justice in this story-within-a-story about the holocaust and art. The art world is fickle and subjective, with the monetary worth of a painting determined by market forces and its value by its frame, specifically the way a backstory ‘frames’ and positions an artwork to give it legitimacy. But even the volatile art market is in agreement that a controversial work … Continue reading Review: Framed, By Adolf by The Finger Players

Review: My Grandfather’s Road by Neo Kim Seng (English version, performed by Karen Tan)

Put on your nostalgia goggles for this monologue about people and places past, laced with a pinch of death and loss.  To call a stretch of land your grandfather’s road sounds like an audacious claim. But for theatremaker Neo Kim Seng, that claim is rooted in truth, with Neo Pee Teck Lane quite literally named after his paternal grandfather. My Grandfather’s Road is adapted from … Continue reading Review: My Grandfather’s Road by Neo Kim Seng (English version, performed by Karen Tan)

Preview: dead was the body till i taught it how to move by Bhumi Collective

Life has a habit of throwing the greatest of curveballs when you least expect it. And in Bhumi Collective’s latest production, they’ll be tackling the story of one man who finds his once clear path now at a crossroads when faced with an unexpected crisis. Written by Edward Eng, directed by the Second Breakfast Company artistic director Adeeb Fazah, and with dramaturgy and movement direction … Continue reading Preview: dead was the body till i taught it how to move by Bhumi Collective

Preview: A Samsui Love Story by Project Plait X Tung Lok

Project Plait has formed a bit of a niche for itself in the years it’s been around. Adopting a form of site-specific dance performance, it stands out from the crowd by including a concept dear to all our hearts: food. Previous editions have included their virgin production Cardinal Sins at the now defunct Portico on Alexandra Road in 2015 surrounding the seven deadly sins, before evolving to … Continue reading Preview: A Samsui Love Story by Project Plait X Tung Lok

Preview: Ultra Music Festival 2018 (Singapore)

Ultra Music Festival returns to Singapore this weekend! The annual outdoor musical festival is back for its 3rd edition and returns to Ultra Park at Bayfront for an entire weekend of fist-pumping, heart-stopping revelry as you party each night away to the biggest international DJs of today. This year’s lineup is headlined by acts such as Afrojack, Nicky Romero and DJ Snake, all of which … Continue reading Preview: Ultra Music Festival 2018 (Singapore)

Keeping Teochew Opera Alive: An Interview with Tan Wei Tian, Wendy Lee and Teo Meng Hock of Nam Hwa Opera

This June, Nam Hwa Opera continues their 2018 season with two one night only shows at the Singapore Chinese Cultural Centre – Teochew Opera film classics《告亲夫》Prosecuting the Husband and《刘明珠》Lady Liu Ming Zhu. Whether you’re a Chinese Opera diehard fan or completely new to the scene, don’t miss this chance to relive the glory days of the past and catch this traditional art form performed by one of Singapore’s leading … Continue reading Keeping Teochew Opera Alive: An Interview with Tan Wei Tian, Wendy Lee and Teo Meng Hock of Nam Hwa Opera