The Monday Interview: Ong Keng Sen on the Role of a Curator

It’s hard to miss Ong Keng Sen. Sporting his usual all black attire, complete with a snazzy pair of sunglasses, Theatreworks’ artistic director cuts an imposing figure as he strides across the lobby of the Intercontinental to meet us. But there’s honestly nothing to fear about Ong, who greets us with a smile and a cool demeanour. If anything, the most impressive thing about him … Continue reading The Monday Interview: Ong Keng Sen on the Role of a Curator

Preview: FEVER ROOM presented by Theatreworks

Filmmaker Apichatpong Weerasethakul is perhaps best known for his breakout work Uncle Boonmee Who Can Recall His Past Lives, the first Thai film and first Southeast Asian to ever win a Palme d’Or at the 2010 Cannes Film Festival. Now, to kickstart their 2018 season, TheatreWorks Curators Academy is proud to welcome Apichatpong onto our shores with his touring work FEVER ROOM.  Playing at the Victoria Theatre from 25th … Continue reading Preview: FEVER ROOM presented by Theatreworks

M1 Singapore Fringe Festival 2018: If there’s not dancing at the revolution, I’m not coming by Julia Croft (Review)

An unusually moving neo-burlesque reflection on film and pop culture’s influence on women.  One of the key theories any film studies student learns early on is the concept of the male gaze and visual pleasure, coined by seminal film critic Laura Mulvey. In short, it’s a concept that discusses how Hollywood films are essentially born from an unconscious patriarchal desire to derive pleasure from voyeurism … Continue reading M1 Singapore Fringe Festival 2018: If there’s not dancing at the revolution, I’m not coming by Julia Croft (Review)

M1 Singapore Fringe Festival 2018: Step Outta Line by Thong Pei Qin (Review)

Thong Pei Qin summons the old guard of feminist artists for a new generation. If Step Outta Line was anyone’s first introduction to playwright Ovidia Yu, they’d probably come away with the impression that this was one angry woman. And rightfully so. Yu was one of the most outspoken and prominent female local playwrights of the 90s, with seminal plays that dared rebel against the patriarchy, pushed … Continue reading M1 Singapore Fringe Festival 2018: Step Outta Line by Thong Pei Qin (Review)

A Tale of Two Cities: Open Waters by Tan Shou Chen and Jaturachai Srichanwanpen

It has to be said that of the many potential cross-country collaborations out there, Singapore doesn’t often feature many Thai ones. So when Singaporean theatremaker Tan Shou Chen met Thai artist Jaturachai Srichanwanpen (Chuan) one day at the Substation, it seemed the perfect opportunity for pioneering a brand new collaborative project, and one that would reflect on their own perspectives of their own and each other’s … Continue reading A Tale of Two Cities: Open Waters by Tan Shou Chen and Jaturachai Srichanwanpen

M1 Singapore Fringe Festival 2018: Reflecting on Life with Pink Gajah’s Hayat (Preview)

“Pink Gajah is a company where everyone becomes family,” Sharda Harrison, Artistic Director of Pink Gajah Theatre muses, while sipping on her drink. “I’m quite picky about the people I work with, because I need them to be comfortable with themselves, and be able to be raw and open with one another. I can’t have people who are trying to plaster themselves onto me or … Continue reading M1 Singapore Fringe Festival 2018: Reflecting on Life with Pink Gajah’s Hayat (Preview)

Waning, Waxing: ION Art Gallery Presents 22 Local Visual Artists

In the heart of Singapore’s most commercial district, ION Orchard has surprisingly enough, always been extremely supportive of the local arts scene. We’re talking about ION Art Gallery of course, and for the last few days, they’ve been displaying the works of 22 local visual artists based around the theme of change and fluctuation. Titled Waning, Waxing, any of these contemporary pieces would seem perfectly at home … Continue reading Waning, Waxing: ION Art Gallery Presents 22 Local Visual Artists

Review: We, The Singaporeans by The Royal Dance-Off Company

Contemporary dance often has the unfortunate association with descriptors like ‘enigmatic’ and ‘abstract’, and too easily, one fears walking out of the theatre having understood nothing but beautiful movements and choreography. Not so for The Royal Dance-Off Company (TRDOco). Under artistic director Ryan Tan, the company’s 2018 annual production has started off the year’s dance calendar on an incredibly hopeful note, having found a way to … Continue reading Review: We, The Singaporeans by The Royal Dance-Off Company

M1SFF 2018 Previews Part 3: Questioning Perfection and the Patriarchal Gaze

In the final part of our previews for the 2018 M1 Singapore Fringe Fest, we look at four works that tackle the complexities of the female form and the emphasis on female beauty. These pieces question the validity of succumbing to the patriarchal gaze and reject the emphasis on traditional ‘aesthetic beauty’, as they bring alternative takes on femininity across age and history. Read our … Continue reading M1SFF 2018 Previews Part 3: Questioning Perfection and the Patriarchal Gaze

Preview: Kumar 50 by Dream Academy

Think it’s too soon to celebrate another Golden Jubilee? Think again, as Singapore’s favourite drag superstar celebrates his very own 50th birthday in 2018! Dream Academy starts off their 2018 season with a real boom as veteran comedian KUMAR returns to the stage to head his own solo show next February. Directed by Selena Tan and with a writing team headed by Benjamin ‘Miyagi’ Lee, KUMAR 50 plays at … Continue reading Preview: Kumar 50 by Dream Academy